{"title":"relix.shop - CDs","description":null,"products":[{"product_id":"grateful-dead-aoxomoxoa-cd-1","title":"Grateful Dead – Aoxomoxoa Music CD","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRobert Hunter's arrival as the band's primary lyricist gave the Dead something they'd been reaching for since the Haight-Ashbury days, a true poet in the room. Songs like \"St. Stephen\" and \"China Cat Sunflower\" that debuted here became cornerstones of the live canon, played thousands of times over the next two decades and still burning bright in setlists today.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e“In 1969, for their third album, the Grateful Dead eschewed outside producers and created Aoxomoxoa themselves, beginning a run of self-produced albums that would continue until 1977. Scrapping the first sessions, which were recorded to eight-track tape, the Dead now had 16 tracks with which to experiment their psychedelic sound, with an album that included entirely \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e-penned lyrics for the first time.”\u003c\/p\u003e\n\n\u003cp\u003eArchivist \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. St. Stephen (4:26)\u003cbr\u003e\n2. Dupree's Diamond Blues (3:32)\u003cbr\u003e\n3. Rosemary (1:58)\u003cbr\u003e\n4. Doin' That Rag (4:41)\u003cbr\u003e\n5. Mountains Of The Moon (4:08)\u003cbr\u003e\n6. China Cat Sunflower (3:40)\u003cbr\u003e\n7. What's Become Of The Baby (8:12)\u003cbr\u003e\n8. Cosmic Charlie (5:29)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497846931\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.28.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990870532338,"sku":"698909","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Grateful-Dead-Aoxomoxoa-CD_230fe867.jpg?v=1787917776"},{"product_id":"bob-weir-ace-50th-anniversary-remaster-deluxe-edition-2-cd","title":"Bob Weir – Ace: 50th Anniversary Remaster (Deluxe Edition 2-CD) Music CD","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1972, Ace was never really a solo album in the traditional sense. The Grateful Dead served as Weir's backing band throughout, making it as much a Dead artifact as any official release, and songs like \"Playing in the Band\" and \"Greatest Story Ever Told\" became cornerstones of the band's live repertoire for decades to come. This anniversary edition reframes that legacy with fresh ears, pairing the original sessions against a new live document that shows how deep those songs still run.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003ePairs a remastered new mix of Weir’s solo debut album with a new live version recorded earlier this year at radio city music hall, with Bobby Weir \u0026amp; The Wolf Bros. \u003c\/p\u003e\u003cp\u003eFeaturing The Wolfpack and special guests Tyler Childers and Brittney Spencer. Original album Remixed by Derek Featherstone and mastered by GRAMMY® Award-winning engineer \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e. Produced for Release by Bobby \u003cstrong\u003e“Ace”\u003c\/strong\u003e Weir and Derek Featherstone.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Greatest Story Ever Told (3:52)\u003cbr\u003e\n1-2. Black-Throated Wind (5:47)\u003cbr\u003e\n1-3. Walk In The Sunshine (3:08)\u003cbr\u003e\n1-4. Playing In The Band (7:43)\u003cbr\u003e\n1-5. Looks Like Rain (6:17)\u003cbr\u003e\n1-6. Mexicali Blues (3:29)\u003cbr\u003e\n1-7. One More Saturday Night (4:41)\u003cbr\u003e\n1-8. Cassidy (3:48)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Greatest Story Ever Told (5:45)\u003cbr\u003e\n2-2. Black-Throated Wind (8:02)\u003cbr\u003e\n2-3. Walk In The Sunshine (4:57)\u003cbr\u003e\n2-4. Playing In The Band (8:33)\u003cbr\u003e\n2-5. Looks LIke Rain (11:02)\u003cbr\u003e\n2-6. Mexicali Blues Intro (1:12)\u003cbr\u003e\n2-7. Mexicali Blues (6:56)\u003cbr\u003e\n2-8. One More Saturday Night (5:19)\u003cbr\u003e\n2-9. Cassidy (11:19)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497840144\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.13.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990870565106,"sku":"689640","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Bob-Weir-Ace-50th-Anniversary-Remaster-Deluxe-Edition-2-CD_52c28764.jpg?v=1787917776"},{"product_id":"jerry-garcia-band-electric-on-the-eel-6-cd-box-set","title":"Jerry Garcia Band – Electric On The Eel (6-CD Box Set) Music CD","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eFrench's Camp on the Eel River was one of those rare venues where the JGB could stretch out in an almost private setting, playing to a community of devoted fans rather than an arena crowd. These three summer nights spanning 1987 to 1991 document the band at different points in its evolution, with Garcia's guitar work and the tight interplay between Melvin Seals and John Kahn giving each show its own distinct character.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOn August 29, 1987, \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e led both the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e and the \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e Acoustic Band for performances at French's Camp on the Eel River in Piercy, California. He brought the JGB back to the scenic Northern California venue on June 10, 1989 and August 10, 1991 — and all three electric sets are captured here across this 6-CD box set.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e, \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e, \u003cem\u003eElectric on the Eel\u003c\/em\u003e presents the JGB in their element: an intimate outdoor setting, deep setlists, and the kind of loose, soulful energy that made this band a beloved institution in its own right. Highlights across the three shows include scorching runs through \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e \u003cstrong\u003e\"Tangled Up in Blue,\"\u003c\/strong\u003e \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Everybody Needs Somebody to Love,\"\u003c\/strong\u003e alongside JGB staples like \u003cstrong\u003e\"Mission in the Rain,\"\u003c\/strong\u003e \u003cstrong\u003e\"Deal,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Waiting for a Miracle.\"\u003c\/strong\u003e The set also includes a limited edition bonus disc — housed in a separate slipcase jacket and limited to 2,000 units — as a gift with purchase.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. How Sweet It Is (To Be Loved By You) (7:10)\u003cbr\u003e1-2. Forever Young (7:22)\u003cbr\u003e1-3. Get Out Of My Life Woman (6:46)\u003cbr\u003e1-4. Run For The Roses (5:16)\u003cbr\u003e1-5. And It Stoned Me (6:14)\u003cbr\u003e1-6. My Sisters And Brothers (4:01)\u003cbr\u003e1-7. Deal (6:58)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e2-1. The Harder They Come (10:25)\u003cbr\u003e2-2. I Shall Be Released (7:28)\u003cbr\u003e2-3. Think (6:36)\u003cbr\u003e2-4. Evangeline (2:57)\u003cbr\u003e2-5. Gomorrah (6:20)\u003cbr\u003e2-6. Let It Rock (6:37)\u003cbr\u003e2-7. That Lucky Old Sun (8:30)\u003cbr\u003e2-8. Tangled Up In Blue (9:43)\u003c\/p\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cp\u003e3-1. I'll Take A Melody (10:23)\u003cbr\u003e3-2. They Love Each Other (6:20)\u003cbr\u003e3-3. Get Out Of My Life Woman (7:51)\u003cbr\u003e3-4. Run For The Roses (5:31)\u003cbr\u003e3-5. Stop That Train (8:09)\u003cbr\u003e3-6. Mission In The Rain (7:41)\u003cbr\u003e3-7. My Sisters And Brothers (4:08)\u003cbr\u003e3-8. Deal (7:25)\u003c\/p\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cp\u003e4-1. The Harder They Come (11:16)\u003cbr\u003e4-2. Waiting For A Miracle (6:16)\u003cbr\u003e4-3. I Shall Be Released (10:22)\u003cbr\u003e4-4. Think (6:54)\u003cbr\u003e4-5. I Hope It Won't Be This Way Always (4:50)\u003cbr\u003e4-6. Don't Let Go (14:13)\u003cbr\u003e4-7. Evangeline (3:35)\u003cbr\u003e4-8. That Lucky Old Sun (8:45)\u003cbr\u003e4-9. Tangled Up In Blue (10:30)\u003c\/p\u003e\n\u003ch4\u003eDisc 5\u003c\/h4\u003e\n\u003cp\u003e5-1. The Way You Do The Things You Do (10:41)\u003cbr\u003e5-2. And It Stoned Me (8:25)\u003cbr\u003e5-3. You Never Can Tell [C'est La Vie] (7:08)\u003cbr\u003e5-4. Waiting For A Miracle (5:32)\u003cbr\u003e5-5. Struggling Man (6:34)\u003cbr\u003e5-6. My Sisters And Brothers (4:53)\u003cbr\u003e5-7. Deal (8:18)\u003c\/p\u003e\n\u003ch4\u003eDisc 6\u003c\/h4\u003e\n\u003cp\u003e6-1. Shining Star (11:29)\u003cbr\u003e6-2. Think (7:13)\u003cbr\u003e6-3. Lay Down Sally (8:00)\u003cbr\u003e6-4. Twilight (9:24)\u003cbr\u003e6-5. See What Love Can Do (6:32)\u003cbr\u003e6-6. Lazy Bones (6:28)\u003cbr\u003e6-7. Everybody Needs Somebody To Love (10:25)\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882347529\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.15.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990870827250,"sku":"557550","price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Jerry-Garcia-Band-Electric-On-The-Eel-6-CD-Box-Set.jpg?v=1787917777"},{"product_id":"jerry-garcia-garcialive-vol-20-june-18th-1982-cape-cod-coliseum-2-cd","title":"Jerry Garcia – GarciaLive Vol. 20: June 18th, 1982 - Cape Cod Coliseum (2-CD) Music CD","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThe fandom that surrounds the music of the Grateful Dead—and in this case, the Jerry Garcia Band—is one for which context matters. As the Dead never played the same set from night to night, the what, the where, the when, and the how became integral to an understanding and appreciation of the performance. Look no further than May of 1977 in Grateful Dead lore for the proof.\u003c\/p\u003e\u003cp\u003eSo, too, context mattered in Garcia's solo career. Perhaps not as much, as Jerry Garcia Band drew from a smaller repertoire than the Dead. Yet even with a show as loaded with JGB staples as this one is, the friends of this devil are in the details.\u003c\/p\u003e\u003cp\u003eIn June of 1982, Garcia and his band teamed up with a fellow Dead-on-a-summer-getaway, Bob Weir, and his group, the Midnites, for a joint tour. Garcia also brought along Dead drummer Billy Kreutzmann for the ride. And filled out a septet that partnered his longtime JGB keyboardist, Melvin Seals, with the electric piano of Jimmy Warren, in a unique lineup that immediately grabs the ear on this two-disc, full-show set from the Cape Cod Coliseum in Massachusetts.\u003c\/p\u003e\u003cp\u003eWarren is front and center in the mix on the brightened bounce of \"How Sweet It is (To Be Loved by You), as the opener bubbles away beneath Garcia's ever-effervescent guitar. From there, Garcia saunters through \"Valerie,\" with a knowing bluesman's lament; a scintillating rendition of the Garcia\/Hunter original. Then, with skilled and patient aplomb, the ensemble injects reggae into The Beatles' \"Dear Prudence,\" and then dazzles on the bluegrass undertones of Peter Rowan's \"Mississippi Moon.\" Just four songs in, and this show feels very special.\u003c\/p\u003e\u003cp\u003eGarcia and his band float into the minor-key space of \"Don't Let Go\" for a healthy twenty minutes of interstellar travel, and contrast that with the gentle, earthbound flow downstream on the river of Dylan, for the disc-closing \"Simple Twist of Fate.\" The second-half opens with \"Run for the Roses,\" and its Bertha-like jangle, followed with the wonky, clavinet-led lope of \"They Love Each Other,\" (with Weir, Bobby Cochran, and Billy Cobham sitting-in, but unfortunately unheard).\u003c\/p\u003e\u003cp\u003eAnd then, poof, just like that, it's over.\u003c\/p\u003e\u003cp\u003eThose familiar with full shows from this exceptional GarciaLive series will not doubt notice the shift—sonically, and in personnel—to a four-song excerpt from a June '81 set at The Stone that fills out the rest of the second disc. It's a smartly-chosen fours songs, maintaining the energy and spirit of the Cape set; Garcia really stretches on \"After Midnight\" as it accelerates into cut-time. And while the continuity technically is broken, the mood is not.\u003c\/p\u003e\u003cp\u003eThis 8-song Cape performance by Jerry Garcia Band has all the invention and freedom of a classic show, packed into half the space. The jams are just as lengthy, but steam forward with urgency and intent. Garcia's voice is particularly present and mystical, with a grand storyteller's command of melody and cadence.\u003c\/p\u003e\u003cp\u003eWhich leads back to context, and why this latest volume in the series is a must-have. As Garcia and his band were well-aware of the show's parameters—sharing each night with Weir—and how much less stage time that equaled, they acted accordingly. This was a group comfortable and happy to play shows twice as long as the Cape appearance, but as such, paced those two-set shows as marathons. This one, albeit in its own inimitable JGB way, is a single-set, magical summer sprint on the shore.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2023\/07\/28\/jerry-garcia-band-garcialive-volume-20-june-18th-1982-cape-cod-coliseum\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1982, the Jerry Garcia Band had settled into a deep, soulful groove that felt distinct from anything happening on the Dead's stage. Kreutzmann's presence behind the kit gave the Cape Cod show a particular rhythmic punch, bridging the two worlds Garcia inhabited simultaneously. The bonus Stone material makes this a document of a band still finding new footing, caught live before these configurations dissolved.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Vol. 20\u003c\/em\u003e showcases the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e during their transitional, high-octane early '80s era — with Grateful Dead drummer \u003cstrong\u003eBill Kreutzmann\u003c\/strong\u003e behind the kit. The release presents the complete Cape Cod 1982 set, plus 45+ minutes of additional uncirculated selections captured in 1981 at The Stone in San Francisco, all remastered from soundboard recordings.\u003c\/p\u003e\n\n\u003cp\u003eHighlights include the relative rarity \u003cstrong\u003e\"Valerie,\"\u003c\/strong\u003e a show-stopping \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e and an otherworldly \u003cstrong\u003e\"After Midnight\"\u003c\/strong\u003e — alongside JGB staples \u003cstrong\u003e\"How Sweet It Is,\"\u003c\/strong\u003e \u003cstrong\u003e\"They Love Each Other,\"\u003c\/strong\u003e \u003cstrong\u003e\"Simple Twist of Fate,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Deal.\"\u003c\/strong\u003e Presented as a 2-CD digipak.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. How Sweet It Is (To Be Loved By You) (10:05)\u003cbr\u003e\n1-2. Valerie (7:05)\u003cbr\u003e\n1-3. Dear Prudence (13:56)\u003cbr\u003e\n1-4. Mississippi Moon (9:58)\u003cbr\u003e\n1-5. Don't Let Go (19:03)\u003cbr\u003e\n1-6. Simple Twist Of Fate (12:19)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Run For The Roses (6:47)\u003cbr\u003e\n2-2. They Love Each Other (7:07)\u003cbr\u003e\n2-3. Sitting In Limbo (12:56)\u003cbr\u003e\n2-4. After Midnight (16:35)\u003cbr\u003e\n2-5. Deal \u0026gt; (8:23)\u003cbr\u003e\n2-6. Tangled Up In Blue (11:11)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882570620\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.30.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990870860018,"sku":"304996","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Jerry-Garcia-GarciaLive-Vol_-20-June-18th-1982-Cape-Cod-Coliseum-2-CD.jpg?v=1787917778"},{"product_id":"jerry-garcia-garcialive-vol-11-november-11th-1993-providence-civic-center-2-cd","title":"Jerry Garcia – GarciaLive Vol. 11: November 11th, 1993 Providence Civic Center (2-CD) Music CD","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThere's no doubt it's one of those fabled hot shows when the final song of the night exerts as much if not more crackling energy than the first and, with this thoroughly lively performance, that is saying something. The 11th in the GarciaLive series, it's no accident that this 11\/11\/93 ripper from Providence was chosen to be next, beyond the numeric synchronicity. In fact, it's a wonder it wasn't released sooner, given all of its strengths.\u003c\/p\u003e\u003cp\u003eFirst and foremost is Jerry Garcia's inspired voice and guitar work that proves once again why he was so beloved. The setlist is full of familiar trails- cookers, covers, and ballads-, with a few surprises, but it's almost beside the point; it's the vivid articulation, the verve, from Garcia and company deployed on every song that makes this one another must-have from this ongoing series.\u003c\/p\u003e\u003cp\u003eThe two-disc collection is recorded quite well, balancing sonically and with strong fidelity each stellar contribution from the always-steady ensemble; whether Melvin Seal's dexterity on \"That's What Love Will Make You Do,\" John Kahn's storytelling bass on \"Simple Twist of Fate,\" or David Kemper's intuitive double-time push on \"Dear Prudence\" as Garcia ripples through the changes. Yet, if the reasoning for acquisition of this gem needs to be reduced to one word, it's Garcia. Jerry is masterful, measuring blitz with bliss as he travels, often driving solos past the exit signs that appear with resolving chords, instead 'feeling it' and heading further on down the road.\u003c\/p\u003e\u003cp\u003eThis final JGB performance in Rhode Island's capital- always a Northeast stronghold for the Dead- is closed with a bluegrass staple, \"Midnight Moonlight.\" It's jaunty, old-time fun contrasting the exploratory, improvisation-infested \"Don't Let Go,\" that precedes it, beautifully showing off two of the many shades of Garcia. It's also a bit bittersweet, recalling a much younger man playing jug music in the hills of Appalachia, with the whole strange trip still ahead.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/jerry-garcia-band-garcialive-volume-11-november-11th-1993-providence-civic-center\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy the fall of 1993, the Jerry Garcia Band had settled into one of the most soulful configurations of Garcia's career, with Melvin Seals' Hammond work and the vocal interplay between Gloria Jones and Jaclyn LaBranch giving the group a genuine gospel-and-R\u0026amp;B backbone that set it apart from anything happening on the Dead stage. Providence caught the band deep in their stride, and the breadth of the repertoire here, from Garcia-Hunter originals to Van Morrison to Motown, speaks to how wide Garcia's musical world truly was.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRecorded on November 11, 1993 at the Providence Civic Center in Providence, Rhode Island, \u003cem\u003eGarciaLive Volume 11\u003c\/em\u003e captures the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e on their final East Coast tour — and \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e's last-ever performance in Providence. Featuring the band's most celebrated lineup: \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on vocals.\u003c\/p\u003e\n\n\u003cp\u003eThe show opens with two Garcia\/Hunter JGB classics — \u003cstrong\u003e\"Cats Under the Stars\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mission in the Rain\"\u003c\/strong\u003e — before rolling through a setlist full of cookers, covers, and surprises. Set two brings a jubilant \u003cstrong\u003e\"The Way You Do the Things You Do,\"\u003c\/strong\u003e the rarely performed Van Morrison gem \u003cstrong\u003e\"He Ain't Give You None,\"\u003c\/strong\u003e a seamless pairing of the Beatles' \u003cstrong\u003e\"Dear Prudence\"\u003c\/strong\u003e into Smokey Robinson's \u003cstrong\u003e\"When the Hunter Gets Captured by the Game,\"\u003c\/strong\u003e and a sprawling \u003cstrong\u003e\"Don't Let Go\"\u003c\/strong\u003e before the show closes with the bluegrass staple \u003cstrong\u003e\"Midnight Moonlight\"\u003c\/strong\u003e — Garcia's folk roots coming full circle on his final night in the city.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCats Under the Stars\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eThat's What Love Will Make You Do\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Way You Do the Things You Do\u003c\/li\u003e\n\u003cli\u003eHe Ain't Give You None\u003c\/li\u003e\n\u003cli\u003eDear Prudence\u003c\/li\u003e\n\u003cli\u003eWhen the Hunter Gets Captured by the Game\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eMidnight Moonlight\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882365325\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.12.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990870892786,"sku":"448237","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Jerry-Garcia-GarciaLive-Vol_-11-November-11th-1993-Providence-Civic-Center-2-CD.jpg?v=1787917778"},{"product_id":"jerry-garcia-band-garcialive-vol-2-august-5th-1990-greek-theatre-2-cd","title":"Jerry Garcia Band – GarciaLive Vol.2: August 5th, 1990, Greek Theatre (2-CD) Music CD","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Greek Theatre in Berkeley was practically a second home for Garcia, and summer nights there had a particular magic that regulars still talk about decades later. Béla Fleck's cameo here is a genuine rarity, a reminder that Garcia's musical friendships crossed every genre boundary, and that any given JGB show could turn into something you'd spend years trying to describe to someone who wasn't there.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume Two\u003c\/em\u003e captures the classic latter-era lineup of the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e at the Greek Theatre in Berkeley on August 5, 1990 — featuring \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on backing vocals. Recorded during a fruitful period that also yielded the releases \u003cem\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e\u003c\/em\u003e and \u003cem\u003eHow Sweet It Is\u003c\/em\u003e, the show is a showcase for the JGB at their most fluid and expansive.\u003c\/p\u003e\n\n\u003cp\u003eSet One moves confidently through \u003cstrong\u003e\"How Sweet It Is,\"\u003c\/strong\u003e \u003cstrong\u003e\"Forever Young,\"\u003c\/strong\u003e a brooding \u003cstrong\u003e\"Tears of Rage,\"\u003c\/strong\u003e and a scorching \u003cstrong\u003e\"Deal.\"\u003c\/strong\u003e Set Two opens with a special guest appearance by banjo virtuoso \u003cstrong\u003eBéla Fleck\u003c\/strong\u003e, who kicks things off with a fiery \u003cstrong\u003e\"Midnight Moonlight\"\u003c\/strong\u003e and an otherworldly run through Jimmy Cliff's \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e before the band closes the night with a towering \u003cstrong\u003e\"Tangled Up in Blue.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. How Sweet It Is (To Be Loved By You) (7:33)\u003c\/div\u003e\n\u003cdiv\u003e2. Stop That Train (6:47)\u003c\/div\u003e\n\u003cdiv\u003e3. Forever Young (7:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Run For The Roses (5:50)\u003c\/div\u003e\n\u003cdiv\u003e5. That's What Love Will Make You Do (8:06)\u003c\/div\u003e\n\u003cdiv\u003e6. My Sisters And Brothers (4:15)\u003c\/div\u003e\n\u003cdiv\u003e7. Tears Of Rage (8:16)\u003c\/div\u003e\n\u003cdiv\u003e8. Deal (8:34)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Midnight Moonlight (7:26)\u003c\/div\u003e\n\u003cdiv\u003e2. The Harder They Come (10:46)\u003c\/div\u003e\n\u003cdiv\u003e3. And It Stoned Me (6:21)\u003c\/div\u003e\n\u003cdiv\u003e4. Waiting For A Miracle (6:43)\u003c\/div\u003e\n\u003cdiv\u003e5. Evangeline (4:22)\u003c\/div\u003e\n\u003cdiv\u003e6. Think (7:01)\u003c\/div\u003e\n\u003cdiv\u003e7. That Lucky Old Sun (8:22)\u003c\/div\u003e\n\u003cdiv\u003e8. Tangled Up In Blue (11:19)\u003c\/div\u003e\n\u003col\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882186623\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.25.13\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990871122162,"sku":"295690","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/packshot-8959403458715-cd-relix.png?v=1787917779"},{"product_id":"jerry-garcia-band-fall-1989-the-long-island-sound-6-cd-box-set","title":"Jerry Garcia Band – Fall 1989: The Long Island Sound (6–CD Box Set) Music CD","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy the fall of 1989, the Jerry Garcia Band had settled into one of its most consistently inspired configurations, with Melvin Seals' organ work and the voices of Gloria Jones and Jaclyn LaBranch pushing Garcia toward some of his most soulful electric playing. The Weir\/Wasserman acoustic opening sets added a rare intimacy to these East Coast arena nights, making each show a study in contrast and community.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA 6-CD box set featuring two complete, previously unreleased performances from the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e and \u003cstrong\u003eBob Weir\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e, recorded live during the acclaimed Fall 1989 East Coast tour. Captured by \u003cstrong\u003eJohn Cutler\u003c\/strong\u003e to 2-track DAT and mastered by \u003cstrong\u003eJoe Gastwirt\u003c\/strong\u003e, the collection presents over five and a half hours of music from two consecutive nights — September 5th at the Hartford Civic Center in Hartford, CT and September 6th at Nassau Coliseum in Uniondale, NY.\u003c\/p\u003e\n\n\u003cp\u003eEach night, the acoustic duo of \u003cstrong\u003eBob Weir\u003c\/strong\u003e and \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e opened the show before the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e took the stage for two full electric sets — featuring the classic JGB lineup of \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e, \u003cstrong\u003eGloria Jones\u003c\/strong\u003e, and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e. Highlights across the two nights include Weir\/Wasserman's adventurous takes on \u003cstrong\u003e\"Desolation Row,\"\u003c\/strong\u003e \u003cstrong\u003e\"Looks Like Rain,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Heaven Help the Fool,\"\u003c\/strong\u003e and JGB standouts like \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e \u003cstrong\u003e\"Forever Young,\"\u003c\/strong\u003e \u003cstrong\u003e\"Mission in the Rain,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Tangled Up in Blue.\"\u003c\/strong\u003e Cover art by \u003cstrong\u003eStanley Mouse\u003c\/strong\u003e, with liner notes by \u003cstrong\u003eBlair Jackson\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eNote: This collection contains audio with some sonic imperfections inherent to the original recordings, most notably distortion on Jerry's vocal during \u003cstrong\u003e\"Cats Under the Stars\"\u003c\/strong\u003e — consistent with what audiences experienced in person.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — September 5, 1989 | Hartford Civic Center, Hartford, CT\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBob Weir\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFestival\u003c\/li\u003e\n\u003cli\u003eFever\u003c\/li\u003e\n\u003cli\u003eK.C. Moan\u003c\/li\u003e\n\u003cli\u003eDesolation Row\u003c\/li\u003e\n\u003cli\u003eLooks Like Rain\u003c\/li\u003e\n\u003cli\u003eThe Winners\u003c\/li\u003e\n\u003cli\u003eVictim or the Crime\u003c\/li\u003e\n\u003cli\u003eWasserman Bass Improvisation No. 1\u003c\/li\u003e\n\u003cli\u003eThrowing Stones\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — September 5, 1989 | Hartford Civic Center, Hartford, CT\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set One\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCats Under the Stars\u003c\/li\u003e\n\u003cli\u003eThey Love Each Other\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eRun for the Roses\u003c\/li\u003e\n\u003cli\u003eLike a Road\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 3 — September 5, 1989 | Hartford Civic Center, Hartford, CT\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set Two\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eForever Young\u003c\/li\u003e\n\u003cli\u003eEvangeline\u003c\/li\u003e\n\u003cli\u003eGomorrah\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eLonesome and a Long Way from Home\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 4 — September 6, 1989 | Nassau Coliseum, Uniondale, NY\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBob Weir\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eRob Wasserman\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWalking Blues\u003c\/li\u003e\n\u003cli\u003eCity Girls\u003c\/li\u003e\n\u003cli\u003eFever\u003c\/li\u003e\n\u003cli\u003eBlackbird\u003c\/li\u003e\n\u003cli\u003eWhen I Paint My Masterpiece\u003c\/li\u003e\n\u003cli\u003eShade of Grey\u003c\/li\u003e\n\u003cli\u003eThe Winners\u003c\/li\u003e\n\u003cli\u003eEasy to Slip\u003c\/li\u003e\n\u003cli\u003eWasserman Bass Improvisation No. 2\u003c\/li\u003e\n\u003cli\u003eHeaven Help the Fool\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 5 — September 6, 1989 | Nassau Coliseum, Uniondale, NY\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set One\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eStop That Train\u003c\/li\u003e\n\u003cli\u003eThat's What Love Will Make You Do\u003c\/li\u003e\n\u003cli\u003eMississippi Moon\u003c\/li\u003e\n\u003cli\u003eI Second That Emotion\u003c\/li\u003e\n\u003cli\u003eAnd It Stoned Me\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 6 — September 6, 1989 | Nassau Coliseum, Uniondale, NY\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e — Set Two\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eForever Young\u003c\/li\u003e\n\u003cli\u003eEvangeline\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eTangled Up in Blue\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882193423\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.8.14\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990871154930,"sku":"267534","price":300.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Jerry-Garcia-Band-Fall-1989-The-Long-Island-Sound-6-CD-Box-Set.jpg?v=1787917780"},{"product_id":"jerry-garcia-garcialive-vol-21-february-13th-1976-keystone-2-cd","title":"Jerry Garcia – GarciaLive Vol. 21: February 13th, 1976 - Keystone (2-CD) Music CD","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIn a gratefully welcomed return to the GarciaLive archival series, Volume 21 brings us back to February of 1976, when on a Friday night one could stand amongst 500 or so paying customers and watch Jerry Garcia and his band peacefully, pleasingly, and proficiently take over Berkeley's Keystone club. The Jerry Garcia Band was a vital component of Garcia's life away from the circus, and a grounding space to work-out solo material, nod to songs he was digging at the time, and just play. In the end, a JGB show would require an arena to accommodate the demand, but in '76, a modest club date in the Bay was all he and his friends needed.\u003c\/p\u003e\u003cp\u003eIt's a mostly mellow show, with a particularly slow take on Bob Dylan's \"Knockin' on Heaven's Door,\" that may be among the more transfixed and affecting Garcia has performed. It's in keeping with a set that darts between eventual staples of a JGB show- \"Catfish John,\" \"After Midnight,\" and \"The Harder They Come,\"- and contemporaneous homages, such as a beautifully Jerry-esque reading of the Rolling Stones' \"Moonlight Mile.\" The mix tilts toward Jerry's guitar, and fittingly, as there is plenty of his engaging fretwork, yet Garcia is quick to share the moments with his mates- especially with on-loan Dead keyboardist, Keith Godchaux, on a glistening \"Mission in the Rain.\"\u003c\/p\u003e\u003cp\u003eTwo songs pulled from a Palo Alto date two nights later serve as an \"encore,\" filling out the winning two-disc set. All in all, this edition reignites a GarciaLive series that's been so adept at detailing the arc of Garcia's solo excursions. Hopefully, this marks the first of another run of many releases to follow.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2024\/09\/14\/jerry-garcia-band-garcialive-volume-21-keystone-february-13-1976\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy early 1976, the Jerry Garcia Band was operating in a genuinely unusual space, with Garcia essentially running two overlapping musical families. Having Keith and Donna Jean Godchaux in the room meant the chemistry from the Dead's own mid-70s peak was bleeding directly into these intimate club nights at the Keystone, a Berkeley venue that Garcia returned to again and again throughout the decade as a kind of low-pressure laboratory for exactly this kind of musical exploration.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Vol. 21\u003c\/em\u003e brings the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e back to their Bay Area stomping grounds with a then-new lineup — Grateful Dead members \u003cstrong\u003eDonna Jean\u003c\/strong\u003e and \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e joining mainstays \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e. Recorded live at the Keystone in Berkeley in February 1976, the set is a fascinating snapshot of the JGB in transition.\u003c\/p\u003e\n\n\u003cp\u003eThe setlist is loaded with highlights: rarities like the Rolling Stones' \u003cstrong\u003e\"Moonlight Mile\"\u003c\/strong\u003e and Ray Charles' \u003cstrong\u003e\"Talkin' 'Bout You,\"\u003c\/strong\u003e deep cuts like \u003cstrong\u003e\"Catfish John,\"\u003c\/strong\u003e \u003cstrong\u003e\"Who Was John?\"\u003c\/strong\u003e and \u003cstrong\u003e\"After Midnight,\"\u003c\/strong\u003e alongside scintillating takes on favorites like \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e \u003cstrong\u003e\"Knockin' on Heaven's Door,\"\u003c\/strong\u003e and \u003cstrong\u003e\"They Love Each Other.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Catfish John (14:13)\u003cbr\u003e\n1-2. After Midnight (13:37)\u003cbr\u003e\n1-3. Mission In The Rain (6:57)\u003cbr\u003e\n1-4. Who Was John? (12:28)\u003cbr\u003e\n1-5. They Love Each Other (7:31)\u003cbr\u003e\n1-6. Moonlight Mile (10:27)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. The Harder They Come (18:41)\u003cbr\u003e\n2-2. Knockin' On Heaven's Door (19:17)\u003cbr\u003e\n2-3. Talkin' 'Bout You (10:33)\u003cbr\u003e\n2-4. How Sweet It Is (To Be Loved By You) (9:29)\u003cbr\u003e\n2-5. My Sisters And Brothers (6:42)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882624620\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.14.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990871187698,"sku":"221763","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Jerry-Garcia-GarciaLive-Vol_-21-February-13th-1976-Keystone-2-CD.jpg?v=1787917781"},{"product_id":"jerry-garcia-john-kahn-garcialive-vol-14-january-27th-1986-the-ritz-cd","title":"Jerry Garcia \u0026 John Kahn – GarciaLive Vol. 14: January 27th, 1986 The Ritz Music CD","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1986, Jerry Garcia and John Kahn had been playing together for over a decade, and their acoustic duo shows captured something the full band rarely could: pure conversation between two musicians who knew each other's instincts completely. The Ritz, one of New York's premier rock venues of the era, gave this intimate format an unlikely stage, and the crowd got something closer to a front-porch session than a concert.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 14\u003c\/em\u003e showcases a buoyant acoustic performance from \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and longtime friend and bassist \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e during the middle of a rare duo tour. Recorded on January 27, 1986 at The Ritz in New York City, Garcia and Kahn deliver two exquisite sets featuring Grateful Dead favorites — \u003cstrong\u003e\"Ripple,\"\u003c\/strong\u003e \u003cstrong\u003e\"Friend of the Devil,\"\u003c\/strong\u003e \u003cstrong\u003e\"Dire Wolf,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Bird Song\"\u003c\/strong\u003e — alongside spirited takes on Bob Dylan's \u003cstrong\u003e\"When I Paint My Masterpiece\"\u003c\/strong\u003e and \u003cstrong\u003e\"Simple Twist of Fate,\"\u003c\/strong\u003e plus deep cuts like \u003cstrong\u003e\"Deep Elem Blues,\"\u003c\/strong\u003e \u003cstrong\u003e\"Little Sadie,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Spike Driver Blues.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eSet One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDeep Elem Blues\u003c\/li\u003e\n\u003cli\u003eLittle Sadie\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil\u003c\/li\u003e\n\u003cli\u003eOh Babe, It Ain't No Lie\u003c\/li\u003e\n\u003cli\u003eWhen I Paint My Masterpiece\u003c\/li\u003e\n\u003cli\u003eRun for the Roses\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eSet Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDire Wolf\u003c\/li\u003e\n\u003cli\u003eSimple Twist of Fate\u003c\/li\u003e\n\u003cli\u003eSpike Driver Blues\u003c\/li\u003e\n\u003cli\u003eBird Song\u003c\/li\u003e\n\u003cli\u003eRipple\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eEncore\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGoodnight Irene\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882416621\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.24.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990871220466,"sku":"547360","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Jerry-Garcia-John-Kahn-GarciaLive-Vol_-14-January-27th-1986-The-Ritz-CD.jpg?v=1787917780"},{"product_id":"jerry-garcia-before-the-dead-4-cd","title":"Jerry Garcia – Before The Dead (4-CD) Music CD","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLong before the Wall of Sound or the psychedelic sprawl of the Fillmore, Garcia was a young musician woodshedding through the American folk revival, absorbing Bill Monroe, Mississippi John Hurt, and the Carter Family with the same intensity he'd later bring to improvisation. These recordings capture the formative years when Garcia and Hunter were still figuring out who they were, playing coffeehouses and living rooms in the Bay Area folk scene that would quietly lay the groundwork for everything that followed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eBefore the Dead\u003c\/em\u003e brings together a rare collection of the earliest known performances by \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e. From an informal 1961 recording of folk songs at a birthday party — featuring future songwriting partner \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e — to polished coffeehouse gigs with old-timey and bluegrass bands through 1964, the collection showcases Garcia's deep immersion in American folk tradition and the musical roots that would shape the Grateful Dead.\u003c\/p\u003e\n\n\u003cp\u003eAcross four discs and 84 tracks, Garcia works through an extraordinary range of material: Appalachian folk songs, old-time fiddle tunes, bluegrass standards, country blues, and gospel — performed with the kind of reverence and technical seriousness that defined his early years as a musician. An essential document for anyone who wants to understand where Garcia came from.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Santy Anno (2:15)\u003cbr\u003e\n1-2. I Got A Home In That Rock (1:46)\u003cbr\u003e\n1-3. Oh, Mary Don't You Weep (3:31)\u003cbr\u003e\n1-4. All My Trials (4:01)\u003cbr\u003e\n1-5. I Was Born Then Thousand Years Ago (2:12)\u003cbr\u003e\n1-6. Blow The Candles Out (2:02)\u003cbr\u003e\n1-7. Rake And A Rambling Boy (1:31)\u003cbr\u003e\n1-8. Trouble In Mind (3:10)\u003cbr\u003e\n1-9. Brown's Ferry Blues (2:31)\u003cbr\u003e\n1-10. Jesse James (4:13)\u003cbr\u003e\n1-11. Down In The Willow Garden (1:48)\u003cbr\u003e\n1-12. Long Lonesome Road (2:39)\u003cbr\u003e\n1-13. Railroad Bill (3:17)\u003cbr\u003e\n1-14. The Wagoner's Lad (3:00)\u003cbr\u003e\n1-15. Katie Cruel (3:40)\u003cbr\u003e\n2-1. Cannonball Blues (3:02)\u003cbr\u003e\n2-2. Little Birdie (3:17)\u003cbr\u003e\n2-3. Sally Goodin (2:06)\u003cbr\u003e\n2-4. Hold That Woodpile Down (3:32)\u003cbr\u003e\n2-5. Legend Of The Johnson Boys (3:10)\u003cbr\u003e\n2-6. Shady Grove (2:49)\u003cbr\u003e\n2-7. Sweet Sunny South (3:13)\u003cbr\u003e\n2-8. Man Of Constant Sorrow (2:26)\u003cbr\u003e\n2-9. Band Introductions (1:12)\u003cbr\u003e\n2-10. Roving Gambler (3:46)\u003cbr\u003e\n2-11. Ground Speed (1:29)\u003cbr\u003e\n2-12. Pig In A Pen (2:15)\u003cbr\u003e\n2-13. Standing In The Need Of Prayer (2:09)\u003cbr\u003e\n2-14. Flint Hill Special (2:00)\u003cbr\u003e\n2-15. Nine Pound Hammer (2:42)\u003cbr\u003e\n2-16. Handsome Molly (2:19)\u003cbr\u003e\n2-17. Clinch Mountain Backstep (1:18)\u003cbr\u003e\n2-18. Think Of What You've Done (2:41)\u003cbr\u003e\n2-19. Cripple Creek (1:24)\u003cbr\u003e\n2-20. All The Good Times Have Past And Gone (3:07)\u003cbr\u003e\n2-21. Billy Grimes, The Rover (2:42)\u003cbr\u003e\n2-22. Paddy On The Turnpike (Boys, My Money's All Gone) (1:38)\u003cbr\u003e\n2-23. Run Mountain (4:11)\u003cbr\u003e\n2-24. Sugar Baby (3:52)\u003cbr\u003e\n2-25. Sitting On Top Of The World (3:37)\u003cbr\u003e\n3-1. Roll In My Sweet Baby's Arms (3:25)\u003cbr\u003e\n3-2. Jerry's Breakdown (2:08)\u003cbr\u003e\n3-3. Standing In The Need Of Prayer (2:39)\u003cbr\u003e\n3-4. Mule Skinner Blues (3:23)\u003cbr\u003e\n3-5. Saturday Night Shuffle (2:05)\u003cbr\u003e\n3-6. Pike Country Breakdown (1:44)\u003cbr\u003e\n3-7. The Little Sparrow (3:25)\u003cbr\u003e\n3-8. We Shall Not Be Moved (2:41)\u003cbr\u003e\n3-9. Deep Elem Blues (3:17)\u003cbr\u003e\n3-10. Will The Weaver (3:14)\u003cbr\u003e\n3-11. I Truly Understand (3:20)\u003cbr\u003e\n3-12. Long Black Veil (4:28)\u003cbr\u003e\n3-13. The Man Who Wrote Home Sweet Home Never Was A Married Man (3:38)\u003cbr\u003e\n3-14. Foggy Mountain Top (3:13)\u003cbr\u003e\n4-1. Barefoot Nellie (3:41)\u003cbr\u003e\n4-2. She's More To Be Pitied (3:26)\u003cbr\u003e\n4-3. Noah's Breakdown (2:18)\u003cbr\u003e\n4-4. Who Will Sing For Me? (2:07)\u003cbr\u003e\n4-5. Salt Creek (2:19)\u003cbr\u003e\n4-6. Monroe's Hornpipe (Jody's Hornpipe) (1:51)\u003cbr\u003e\n4-7. Rosa Lee McFall (2:31)\u003cbr\u003e\n4-8. John Hardy\/Closing Theme (1:26)\u003cbr\u003e\n4-9. Katie Kline (3:17)\u003cbr\u003e\n4-10. Walkin' The Dog (2:10)\u003cbr\u003e\n4-11. Paddy On The Turnpike (Boys, My Money's All Gone) (3:12)\u003cbr\u003e\n4-12. Love And Wealth (2:19)\u003cbr\u003e\n4-13. Sourwood Mountain (0:45)\u003cbr\u003e\n4-14. If I Lose (2:16)\u003cbr\u003e\n4-15. Homestead On The Farm (I Wonder How The Old Folks Are At Home) (2:20)\u003cbr\u003e\n4-16. Stoney Creek (2:24)\u003cbr\u003e\n4-17. Salty Dog Blues (2:21)\u003cbr\u003e\n4-18. Love Please Come Home (2:21)\u003cbr\u003e\n4-19. Make Me A Pallet On The Floor (2:27)\u003cbr\u003e\n4-20. Darlin' Allalee (2:08)\u003cbr\u003e\n4-21. In The Pines (3:25)\u003cbr\u003e\n4-22. Raw Hide (2:32)\u003cbr\u003e\n4-23. Black Mountain Rag (2:12)\u003cbr\u003e\n4-24. True Life Blues (2:21)\u003cbr\u003e\n4-25. Medley: Devil's Dream - Sailor's Hornpipe (1:45)\u003cbr\u003e\n4-26. Drink Up And Go Home (3:05)\u003cbr\u003e\n4-27. These Men Of God (3:14)\u003cbr\u003e\n4-28. Roll On Buddy (2:11)\u003cbr\u003e\n4-29. Goodbye Old Pal (1:50)\u003cbr\u003e\n4-30. Back Up And Push (1:10)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882302528\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.11.18\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990871253234,"sku":"187384","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Jerry-Garcia-Before-The-Dead-4-CD.png?v=1787917782"},{"product_id":"jerry-garcia-garcialive-vol-15-may-21st-1971-keystone-korner-2-cd","title":"Jerry Garcia – GarciaLive Vol. 15: May 21st, 1971 Keystone Korner (2-CD) Music CD","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eListening to the work of Jerry Garcia often feels like an act of discovery, no matter how long one's been doing it. On GarciaLive Vol. 15: Jerry Garcia \u0026amp; Merl Saunders, May 21st, 1971, listeners are truly discovering something new. This previously uncirculated recording finds Garcia, keyboardist Merl Saunders and drummer Bill Vitt playing as a rare trio (sans regular bassist John Kahn) with occasional saxophone screeches from future Legion of Mary member Martin Fierro. At San Francisco's 200-cap Keystone Korner (not to be confused with the sister club in Berkeley), Garcia was free to step out from the Grateful Dead's shadow (just days before a Winterland Ballroom run) and flex his jazz muscles in raw, exhilarating form. Without bass, Saunders' keyboard work and organ playing holds down the low end and gives each musician even more room to groove with a loose, conversational tone. Opening with Saunders' \"Man-Child,\" the trio doesn't waste any time getting out there with Saunders driving several subterranean-sounding peaks. On \"One Kind Favor,\" the Blind Lemon Jefferson song also known as \"See That My Grave Is Kept Clean,\" Garcia's aching vocals recall \"Death Don't Have No Mercy,\" as Saunders' organ swirls. Fierro first speaks up on a swinging instrumental take on Stevie Wonder's \"I Was Made to Love Her.\" The \"Keystone Korner Jam\" best captures the vibe of the performance—17 minutes of the quartet playing off each other, composing in the moment, with Garcia and Fierro pushing each other to explore. The real star of the recording, however, is the only known Garcia-sung performance of David Crosby's \"The Wall Song,\" which Garcia would play guitar on in the studio. Garcia does an admirable job on vocals but it's Fierro who commands the jam with an assault of sax squeals (and a few Beatles quotes). For fans of Garcia's more esoteric work, GarciaLive Vol. 15 is a thrilling listen and a reminder that there's always something new waiting around the Korner.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Rudi Greenberg, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/garcialive-vol-15-jerry-garcia-merl-saunders-may-21st-1971\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1971, Garcia was already deep in the exploratory side-project work that would define so much of his legacy outside the Dead, and these Keystone Korner sessions capture that restless curiosity at an early stage. His partnership with Merl Saunders would stretch across years and hundreds of gigs, but recordings from this particular period are scarce, making this document an essential piece of the puzzle for anyone tracing how Garcia's improvisational voice developed away from the mothership.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Vol. 15\u003c\/em\u003e showcases a free-spirited performance from \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eMerl Saunders\u003c\/strong\u003e, and drummer \u003cstrong\u003eBill Vitt\u003c\/strong\u003e at the celebrated and intimate San Francisco jazz club Keystone Korner. The trio — aided by saxophonist \u003cstrong\u003eMartin Fierro\u003c\/strong\u003e on five songs — fuses R\u0026amp;B, jazz, and rock across two adventurous sets.\u003c\/p\u003e\n\n\u003cp\u003eExtended takes on Saunders's own \u003cstrong\u003e\"Man-Child\"\u003c\/strong\u003e and \u003cstrong\u003e\"Save Mother Earth\"\u003c\/strong\u003e anchor the performance, alongside rare gems including David Crosby's \u003cstrong\u003e\"The Wall Song,\"\u003c\/strong\u003e Stevie Wonder's \u003cstrong\u003e\"I Was Made to Love Her,\"\u003c\/strong\u003e a smoking \u003cstrong\u003e\"Mystery Train,\"\u003c\/strong\u003e and a sprawling \u003cstrong\u003e\"Keystone Korner Jam.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Man-Child (17:36)\u003cbr\u003e\n1-2. One Kind Favor (9:34)\u003cbr\u003e\n1-3. I Know It's A Sin (6:53)\u003cbr\u003e\n1-4. I Was Made To Love Her (9:58)\u003cbr\u003e\n1-5. Keystone Korner Jam (16:38)\u003cbr\u003e\n1-6. The Night They Drove Old Dixie Down (5:04)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Save Mother Earth (25:19)\u003cbr\u003e\n2-2. That's All Right (8:28)\u003cbr\u003e\n2-3. The Wall Song (12:45)\u003cbr\u003e\n2-4. 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This particular run at MSG came just as the band was hitting a strong stride with their post-\"Go to Heaven\" live approach, and the New York crowd, always one of the most electric on the circuit, gave them plenty to play up to.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThree CDs. Madison Square Garden, the world-famous New York City arena, was a home away from home for The Grateful Dead, a reliable sanctuary where the band would ultimately play 52 shows, a record at the time. The venue's fine acoustics, combined with the fans' unbridled energy, consistently brought out the best in the Dead. \u003c\/p\u003e\u003cp\u003eAt the band's 2015 induction ceremony into Madison Square Garden's Walk Of Fame, Bobby Weir said \"This place was both horrifying and titillating with an audience that was discerning but ravenous. 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These are the tracks that pulled a generation toward the rabbit hole, the ones that still sound on the radio before someone inevitably asks, \"Have you ever heard the live version?\"\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe classic Dead best-of. Includes Truckin'; Casey Jones; Sugar Magnolia; Uncle John's Band; Friend of the Devil and more.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. The Golden Road (To Unlimited Devotion)\u003cbr\u003e\n2. Truckin'\u003cbr\u003e\n3. Rosemary\u003cbr\u003e\n4. Sugar Magnolia\u003cbr\u003e\n5. St. Stephen\u003cbr\u003e\n6. Uncle John's Band\u003cbr\u003e\n7. Casey Jones\u003cbr\u003e\n8. Mexicali Blues\u003cbr\u003e\n9. Turn On Your Love Light\u003cbr\u003e\n11. One More Saturday Night\u003cbr\u003e\n12. Friend Of The Devil\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227646622\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.28.04\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990871548146,"sku":"423537","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Grateful-Dead-Best-Of-The-Skeletons-From-The-Closet-Greatest-Hits-CD_01cb8e06.jpg?v=1787917784"},{"product_id":"jerry-garcia-garcialive-vol-7-november-8th-1976-sophies-palo-alto-2-cd","title":"Jerry Garcia – GarciaLive Vol. 7: November 8th, 1976 Sophie's Palo Alto (2-CD) Music CD","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 1976, the Jerry Garcia Band had settled into a sound that was distinctly its own, separate from the Dead's cosmic sprawl, rooted in R\u0026amp;B, gospel, and the kind of intimate interplay that small venues like Sophie's made possible. Keith and Donna Jean Godchaux's presence here is bittersweet in hindsight; their chemistry with Garcia in this setting remains one of the most underappreciated chapters in the whole extended Garcia story. That Betty Cantor-Jackson had her recorder running that night is something to be genuinely grateful for.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA genuine vault discovery, \u003cem\u003eGarciaLive Volume Seven\u003c\/em\u003e presents the complete November 8, 1976 performance by the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e at Sophie's in Palo Alto, California — recorded by \u003cstrong\u003eBetty Cantor-Jackson\u003c\/strong\u003e on original soundboard reels that were nearly lost forever. The tapes were recovered in 2015 when \u003cstrong\u003eDonna Jean Godchaux\u003c\/strong\u003e found them in a box while moving, and were meticulously remastered for this release.\u003c\/p\u003e\n\n\u003cp\u003eThe recording captures one of the most beloved lineups in JGB history: \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e on keyboards, \u003cstrong\u003eDonna Jean Godchaux\u003c\/strong\u003e on vocals, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e on drums — the quintessential mid-'70s Garcia Band in peak form. Set One flows through \u003cstrong\u003e\"Knockin' on Heaven's Door,\"\u003c\/strong\u003e \u003cstrong\u003e\"After Midnight,\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mission in the Rain,\"\u003c\/strong\u003e while Set Two delivers the goods with \u003cstrong\u003e\"Ride Mighty High,\"\u003c\/strong\u003e a sprawling \u003cstrong\u003e\"Don't Let Go,\"\u003c\/strong\u003e and the bluegrass closer \u003cstrong\u003e\"Midnight Moonlight.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Way You Do the Things You Do\u003c\/li\u003e\n\u003cli\u003eKnockin' on Heaven's Door\u003c\/li\u003e\n\u003cli\u003eAfter Midnight\u003c\/li\u003e\n\u003cli\u003eWho Was John?\u003c\/li\u003e\n\u003cli\u003eMission in the Rain\u003c\/li\u003e\n\u003cli\u003eStir It Up\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMidnight Moonlight\u003c\/li\u003e\n\u003cli\u003eTore Up Over You\u003c\/li\u003e\n\u003cli\u003eFriend of the Devil\u003c\/li\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003cli\u003eStrange Man\u003c\/li\u003e\n\u003cli\u003eStop That Train\u003c\/li\u003e\n\u003cli\u003eRide Mighty High\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882267223\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.19.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990871646450,"sku":"401904","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Jerry-Garcia-GarciaLive-Vol_-7-November-8th-1976-Sophies-Palo-Alto-2-CD.jpg?v=1787917785"},{"product_id":"jerry-garcia-merl-saunders-garcialive-vol-18-november-2nd-1974-keystone-berkeley-2-cd","title":"Jerry Garcia \u0026 Merl Saunders – GarciaLive Vol. 18: November 2nd, 1974 - Keystone Berkeley (2-CD) Music CD","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eOne of the more appetizing aspects among many in the GarciaLive series- this one, number 18- is the way in which the performances chosen among the dozen and a half so far define the variety of work in Jerry Garcia’s career. It’s easy enough to regale the guitarist, singer, and songwriter as the Pied Piper of the Deadheads, and the description would not be unfair, yet it only touches on the most obvious of Garcia’s guises. Less apparent, and epitomized with this two-disc set, is the club-haunting Jerry delving into bluesy jazz and soul; the consummate teammate within a Bay Area all-star configuration equally as willing to support a honking Martin Fierro sax solo or a tasty Merl Saunders keyboard run.\u003c\/p\u003e\u003cp\u003eTaken from a November 2,1974 appearance at Keystone Berkeley, Garcia and a quartet commandeer the local club for an evening of covers rendered in R\u0026amp;B, even dipped, at times, in a glaze of fusion. It’s familiar in its showcase of Jerry’s proclivity for a good jam, but it’s also relatively inconspicuous; Garcia, beyond the recognizable voice and guitar work, plays comfortably the roles of both support and lead. When Fierro stretches on flute, or Saunders fronts the vocal, Garcia slides into the background with as much maturity and skill as he does helming Jimmy Cliff’s “The Harder They Come” or Bob Dylan’s “Tough Mama;” the former, an adroit choice at the time for the eclectic repertoire; the movie and its soundtrack a somewhat niche release only two years prior.\u003c\/p\u003e\u003cp\u003eStretch these five do, (on the ten tracks only one comes in under five minutes), conjoining a late set, twenty-minutes-plus take on the Saunders original, “Wondering Why,” with “People Make the World Go Round.” The closing ride on “Mystery Train,” a Junior Parker blues popularized by Elvis Presley, is a rousing finale, running almost 15 minutes itself. Still, this is very much the egalitarian work of a talented ensemble, not a star-trip for the Captain. Nothing is more pervasive within the distinguished musicianship than the generosity of space and time for each and all of the five to have their fun, individually and collectively. The result is another face of Garcia and another night of wonderful music captured and shared.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2022\/07\/22\/garcialive-volume-18-keystone-berkeley-november-2-1974\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Keystone Berkeley run was Jerry's home away from home during the mid-70s, a small room in the East Bay where he could stretch out without the weight of the Dead's amphitheater expectations. By late 1974, the Garcia-Saunders band had been working together for several years, and the telepathy between them was deep and unguarded. Betty Cantor-Jackson's recordings from this era have a warmth and intimacy that match the music perfectly.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eProduced from the original 1\/4\" analog master reels by \u003cstrong\u003eBetty Cantor-Jackson\u003c\/strong\u003e, \u003cem\u003eGarciaLive Vol. 18\u003c\/em\u003e presents a previously uncirculated complete two-set performance from the legendary Keystone Berkeley, recorded November 2, 1974. Garcia and Saunders are joined by \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eMartin Fierro\u003c\/strong\u003e on saxophone and flute, and Paul Humphrey on drums for genre-bending explorations of R\u0026amp;B, reggae, jazz, and rock.\u003c\/p\u003e\n\n\u003cp\u003eThe first set is a monster — a seamless fusion of Donny Hathaway's \u003cstrong\u003e\"Valdez in the Country,\"\u003c\/strong\u003e Jimmy Cliff's \u003cstrong\u003e\"The Harder They Come,\"\u003c\/strong\u003e and Randy Newman's \u003cstrong\u003e\"You Can Leave Your Hat On\"\u003c\/strong\u003e that destroys any notion of genre. The second set delivers a super-charged \u003cstrong\u003e\"Freedom Jazz Dance,\"\u003c\/strong\u003e an extended \u003cstrong\u003e\"Wondering Why\"\u003c\/strong\u003e flowing into \u003cstrong\u003e\"People Make the World Go Round,\"\u003c\/strong\u003e and a fiery closing \u003cstrong\u003e\"Mystery Train.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNeighbor, Neighbor\u003c\/li\u003e\n\u003cli\u003eValdez in the Country\u003c\/li\u003e\n\u003cli\u003eThe Harder They Come\u003c\/li\u003e\n\u003cli\u003eYou Can Leave Your Hat On\u003c\/li\u003e\n\u003cli\u003eThat's the Touch I Like\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFreedom Jazz Dance\u003c\/li\u003e\n\u003cli\u003eTough Mama\u003c\/li\u003e\n\u003cli\u003eWondering Why\u003c\/li\u003e\n\u003cli\u003ePeople Make the World Go Round\u003c\/li\u003e\n\u003cli\u003eMystery Train\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882445928\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.10.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990871679218,"sku":"114022","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Jerry-Garcia-Merl-Saunders-GarciaLive-Vol_-18-November-2nd-1974-Keystone-Berkeley-2-CD_9db423b3.jpg?v=1787917784"},{"product_id":"jerry-garcia-band-garcialive-vol-17-norcal-1976-3-cd","title":"Jerry Garcia Band – GarciaLive Vol. 17: NorCal 1976 (3-CD) Music CD","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eTalk about peaking. Even though the 17th installment of the GarciaLive series breaks a bit from most of the others in the terrific ongoing chain of archival sets- as it is a compilation of cuts from several shows rather than a singular, complete performance- its chosen tracks and sequencing approximate well a Jerry Garcia Band '76 concert. And with the standout version of \"Mighty High\" closing the three-disc volume, it is one not to be missed.\u003c\/p\u003e\u003cp\u003eDuring that Bicentennial year, Garcia was moving between circles of the Grateful Dead- in a limited year of touring- and his own JGB. Not to mention releasing an underrated nugget of an album, Reflections, featuring the Dead on half and his session band on the remainder. The record would include songs that became regulars on setlists for both entities- \"Might As Well,\" \"Mission In The Rain,\" \"They Love Each Other,\" to name three.\u003c\/p\u003e\u003cp\u003eThat fall, when the Garcia Band undertook a run of appearances in Northern California including several university dates, it was a time, as the album's title suggested, of reflection; not looking back, but more a mirror image of where Garcia was at in the moment. Sharing an obvious kinship with Keith Godchaux (keyboards) and his wife, Donna Jean (vocals), who doubled in those roles with the Dead, as well as a growing bond with bassist John Kahn and drummer Ron Tutt, Garcia's singing and playing sparkle with unconcerned liberation.\u003c\/p\u003e\u003cp\u003eThe opening pairing of \"Sugaree\" and \"They Love Each Other\" is top-shelf stuff; sounding as much like his other band as ever. Garcia, as well, touches upon some contemporaries for covers, exposing reggae to his faithful through Bob Marley's \"Stir It Up,\" and the backroad swing of J.J. Cale's \"After Midnight,\" while friskily bopping on his Reflections cut, \"I'll Take A Melody.\" Still, it's the \"Mighty High\" finale, from an unknown show date, that sits atop the mountain, surging with an inspired tempo, group chemistry, and fiery flurries from Godchaux and Garcia that never lack for incandescent ideas.\u003c\/p\u003e\u003cp\u003eWith a determined freedom, this is the Jerry Garcia Band emblazing the Norcal scene with its spirit of '76.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/jerry-garcia-band-garcialive-volume-17-norcal-76\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Jerry Garcia Band of 1976 operated in a different headspace than the Dead, built around tighter song structures and Garcia's love of R\u0026amp;B, soul, and country alongside his own compositions. Having Keith and Donna Jean Godchaux in the lineup created a rare overlap between the two bands, giving these Northern California club and campus dates a looseness and familiarity that crackles through Betty Cantor-Jackson's recordings.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 17: NorCal '76\u003c\/em\u003e presents highlights from three standout \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e performances captured over a single week in Northern California — November 7th at the Keystone in Berkeley, November 12th at Freeborn Hall, UC Davis, and November 13th at the East Gym, Humboldt State University in Arcata. While reel damage, tape loss, and other technical issues prevent the release of complete shows, what remains of \u003cstrong\u003eBetty Cantor-Jackson\u003c\/strong\u003e's original recordings represents some of the finest performances from this iteration of the JGB.\u003c\/p\u003e\n\n\u003cp\u003e1976 marked a period of transition for Garcia, who welcomed fellow Grateful Dead members \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e on keyboards and \u003cstrong\u003eDonna Jean Godchaux\u003c\/strong\u003e on vocals into the fold alongside mainstays \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass and \u003cstrong\u003eRon Tutt\u003c\/strong\u003e on drums. 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If, after his experience in a coma a few months earlier, this was Jerry Garcia’s test- a first performance back onstage- he got about 17,000 points just for showing up. The roar of those 17,000 filling the Oakland Coliseum Arena on Halloween night are just what the aging Captain needed to hear, and for the next two-and-a-half hours he gives them just what they needed: the music of the Jerry Garcia Band, and the assurance that he was, indeed, back.\u003c\/p\u003e\u003cp\u003eWith the first-set selections each hovering around the seven-minutes-and-change mark, that seems to be the sweet spot of expendable energy for the opening “How Sweet It Is (To Be Loved By You)” through to the closing “Deal.” Garcia stretches “The Night They Drove Old Dixie Down” a bit longer than its counterparts, but otherwise the nine songs tend to cruise at similar altitudes, with Jerry’s relatively paced and relaxed guitar work and Melvin Seals’ flash of keyboards finding their peaks. Garcia’s voice is of fine vintage the entire evening, crackling with understood vulnerability on “The Maker,” against the always steadying backdrop of his loyal singers, Gloria Jones and Jacklyn LaBranch.\u003c\/p\u003e\u003cp\u003eThe comeback show, as far as repertoire and approach, is not unlike others of its era, nor should it be; it was Garcia’s style to underplay if not completely ignore any personal significance. A simple “So, how ya’ll doing?” is the majority of his communication with the hometown capacity crowd, ahead of the sly wink of Chuck Berry’s, “You Never Can Tell (C’est La Vie).” Such is life for this old folk.\u003c\/p\u003e\u003cp\u003eThe highlight of the second half- and possibly the show- is on its set starter, “Shining Star.” Performed with gentle hands and effortless restraint, the soulful cover of The Manhattans’ classic falls like leaves of orange and red from the weathering trees, wafting down and landing with a whisper. At over 12 minutes, it’s the showcase track of the autumnal night and all the proof anyone could ask for that Jerry Garcia could move an arena as one.\u003c\/p\u003e\u003cp\u003eThe second set is also slightly greasier than the first, and Garcia and Seals do get a bit fiery when the mood is right on “Tore Up Over You.” The ensemble returns for the now-hallowed favorite of this holiday, borrowed over from Garcia’s days with the Dead- Warren Zevon’s “Werewolves of London.” If it’s a bit ragged, it’s all forgiven; most costumes get that way by the end of the night. More important is everything that came before that last rocking encore, as Garcia and his band conjured up the spirits to dance once again.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2022\/11\/10\/jerry-garcia-band-garcialive-volume-19-oakland-coliseum-arena-october-31-1992\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eHalloween has always carried weight in the Bay Area concert calendar, but this particular night hit different. Garcia had nearly died that summer, and the Oakland faithful showed up knowing they might be witnessing something they'd almost lost forever; the joy in that room was inseparable from the relief.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 19\u003c\/em\u003e documents one of the most emotionally charged nights in \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e history — his triumphant return to the stage on Halloween, October 31, 1992, at the Oakland Coliseum Arena, just three months after a health crisis so severe it forced the cancellation of an entire Grateful Dead tour. Slimmed down and in great spirits, Garcia took the stage to 17,000 roaring fans, and the setlist reflects the significance of the moment. Mastered from \u003cstrong\u003eJohn Cutler\u003c\/strong\u003e's original soundboard recordings.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJaclyn LaBranch\u003c\/strong\u003e on backing vocals — what \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e himself dubbed \"the magic band.\" A poignant \u003cstrong\u003e\"The Maker\"\u003c\/strong\u003e opens the emotional core of the evening; \u003cstrong\u003e\"Shining Star\"\u003c\/strong\u003e stuns with its lush harmonies to open Set Two; and the night closes with a rousing Halloween encore of \u003cstrong\u003e\"Werewolves of London.\"\u003c\/strong\u003e The package includes liner notes and previously unpublished photos from the festivities, which included a costume contest judged by \u003cstrong\u003eKen Kesey\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 1 — Set One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eStop That Train\u003c\/li\u003e\n\u003cli\u003eThe Maker\u003c\/li\u003e\n\u003cli\u003eYou Never Can Tell (C'est La Vie)\u003c\/li\u003e\n\u003cli\u003eThe Night They Drove Old Dixie Down\u003c\/li\u003e\n\u003cli\u003eLay Down Sally\u003c\/li\u003e\n\u003cli\u003eDeal\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eDisc 2 — Set Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShining Star\u003c\/li\u003e\n\u003cli\u003eAnd It Stoned Me\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003cli\u003eWonderful World\u003c\/li\u003e\n\u003cli\u003eTore Up Over You\u003c\/li\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eTangled Up in Blue\u003c\/li\u003e\n\u003cli\u003eWerewolves of London (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882536527\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.28.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990876070130,"sku":"483345","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Jerry-Garcia-Band-GarciaLive-Vol_-19-October-31st-1992-Oakland-Coliseum-Arena-2-CD.jpg?v=1787917835"},{"product_id":"bob-dylan-mixing-up-the-medicine-cd","title":"Bob Dylan – Mixing Up The Medicine Music CD","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDrawn from over six decades of recording, this companion disc to the landmark archive book places Dylan's most enduring songs in the context of a life's work newly opened to public scrutiny. 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The album's narrative ambiguity has fueled decades of debate among fans and critics, with Dylan himself deflecting biographical readings, pointing instead to Chekhov's short stories as an influence on the songwriting approach.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThis is the re-mastered reissue of Bob Dylan's 1975 album BLOOD ON THE TRACKS.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Tangled Up In Blue (5:41)\u003c\/div\u003e\n\u003cdiv\u003e2. Simple Twist Of Fate (4:17)\u003c\/div\u003e\n\u003cdiv\u003e3. You're A Big Girl Now (4:34)\u003c\/div\u003e\n\u003cdiv\u003e4. Idiot Wind (7:47)\u003c\/div\u003e\n\u003cdiv\u003e5. You're Gonna Make Me Lonesome When You Go (2:55)\u003c\/div\u003e\n\u003cdiv\u003e6. Meet Me In The Morning (4:21)\u003c\/div\u003e\n\u003cdiv\u003e7. Lily, Rosemary \u0026amp; The Jack Of Hearts (8:52)\u003c\/div\u003e\n\u003cdiv\u003e8. If You See Her, Say Hello (4:47)\u003c\/div\u003e\n\u003cdiv\u003e9. Shelter From The Storm (5:00)\u003c\/div\u003e\n\u003cdiv\u003e10. Buckets Of Rain (3:22)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 827969239827\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.1.04\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990876463346,"sku":"499227","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/packshot-bob-dylan-blood-on-the-tracks-cd-relix.jpg?v=1787917835"},{"product_id":"bob-dylan-bootleg-series-vol-18-through-the-open-window-2-cd","title":"Bob Dylan – Bootleg Series Vol. 18: Through The Open Window (2-CD) Music CD","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe early 1960s folk scene that shaped Dylan was built on communal music-making, late nights in Greenwich Village apartments, and the kind of informal sessions that rarely made it to tape. 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A Sony compilation pulling from across his Columbia catalog, this is a solid entry point for the curious or a grab-and-go for the devotee who needs the essentials in one place, covering the folk protest years through his electric reinvention and beyond.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eBlowin' In the Wind\u003c\/li\u003e\n\u003cli\u003eThe Times They Are A-Changin'\u003c\/li\u003e\n\u003cli\u003eMr. Tambourine Man\u003c\/li\u003e\n\u003cli\u003eLike a Rolling Stone\u003c\/li\u003e\n\u003cli\u003eJust Like a Woman\u003c\/li\u003e\n\u003cli\u003eLay, Lady, Lay\u003c\/li\u003e\n\u003cli\u003eTangled up in Blue\u003c\/li\u003e\n\u003cli\u003eHurricane\u003c\/li\u003e\n\u003cli\u003eGotta Serve Somebody 1\u003c\/li\u003e\n\u003cli\u003eJokerman 1\u003c\/li\u003e\n\u003cli\u003eMake You Feel My Love 1\u003c\/li\u003e\n\u003cli\u003eThings Have Changed 1\u003c\/li\u003e\n\u003cli\u003eThunder on the Mountain 1\u003c\/li\u003e\n\u003cli\u003eDuquesne Whistle\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888751662223\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Special Product\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.11.15\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990876397810,"sku":"658625","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Bob-Dylan-Playlist-Very-Best-of-CD_820e779a.jpg?v=1787917835"},{"product_id":"jerry-garcia-band-garcialive-vol-16-november-15th-1991-madison-square-garden-3-cd","title":"Jerry Garcia Band – GarciaLive Vol. 16: November 15th, 1991 Madison Square Garden (3–CD) Music CD","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIt’s especially nice when substance aligns with sentiment. The 16th installment of the GarciaLive series issues a complete concert drawn from the Jerry Garcia Band’s debut at Madison Square Garden in November of 1991. Fortunately, it’s so strong a performance at the hallowed New York City venue that it probably would’ve bullied its way to being released regardless of its historical significance.\u003c\/p\u003e\u003cp\u003eThe three-disc collection captures Garcia bringing his solo group for its first appearance at Manhattan’s mecca, though the greying guitarist and singer had been there plenty of times in his day job with the Grateful Dead, including just a few months prior. Still, Jerry (and Dead) fans knew these were separate wells meant to be visited often. And, as any fan also knew, even though the repertoire of a Jerry show was relatively consistent, it was, as always, the performance that mattered most.\u003c\/p\u003e\u003cp\u003eTrue enough, the MSG setlist is loaded with JGB standards, touching off with “How Sweet It Is (To Be Loved By You),” that, if not for being a regular in the song rotation, would seem like an acknowledgement of gratitude to the NYC faithful that packed, and necessitated graduating Garcia to, the world’s most famous arena. Jerry returns the love with a conspicuously tight and inspired array of musicianship. Adrenalin shots come from a set-one closing “Deal,” and a set-two recharge, “Ain’t No Bread in the Breadbox,” while a tranquil “Simple Twist of Fate,” with elbow room for John Kahn’s peaceful bass, and a gorgeously placid reading of “Shining Star” rock-a-bye the Garden party.\u003c\/p\u003e\u003cp\u003eMelvin Seals is mesmerizing as he dresses “The Way You Do The Things You Do” with spritely vibes. Equally Seals owns “That Lucky Old Sun,” as Garcia modestly supports the keyboardist’s commanding blooms. And while the final two entries- “Bright Side of the Road” and “(What A) Wonderful World”- can’t help but symbolically reinforce the night’s obvious sentiment, it’s the accompanying musical substance of this captivating crew and its captain that cement this blissful evening into the annals of the Jerry Garcia Band.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2021\/08\/21\/jerry-garcia-band-garcialive-volume-16-madison-square-garden-november-15-1991\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe JGB in the fall of 1991 was operating at a remarkable peak, with Garcia's guitar work carrying a clarity and emotional directness that longtime followers still cite as some of his finest in that format. Madison Square Garden, a room the Grateful Dead had made synonymous with New York ritual, took on a different intimacy when Garcia brought his smaller, tighter unit through, with Melvin Seals and the vocalists pushing the material somewhere the Dead never quite went.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGarciaLive Volume 16\u003c\/em\u003e presents the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e's debut performance at Madison Square Garden — November 15, 1991, at the midpoint of their legendary Fall '91 tour. Though just two months removed from the Grateful Dead's sold-out 9-night residency at the Garden, the crowd's eruption as the houselights dimmed revealed the immense excitement for Garcia's return. Produced from two-track soundboard recordings meticulously remastered for release, with liner notes by Relix editor-in-chief \u003cstrong\u003eDean Budnick\u003c\/strong\u003e featuring reflections from \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e and \u003cstrong\u003eJacklyn LaBranch\u003c\/strong\u003e. Blues Traveler opened the show.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e on guitar and vocals, \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e on bass, \u003cstrong\u003eDavid Kemper\u003c\/strong\u003e on drums, \u003cstrong\u003eMelvin Seals\u003c\/strong\u003e on keyboards, and \u003cstrong\u003eGloria Jones\u003c\/strong\u003e and \u003cstrong\u003eJacklyn LaBranch\u003c\/strong\u003e on backing vocals. 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This sprawling document captures that transformation in real time, tracing the arc from Hibbing, Minnesota through the Greenwich Village coffeehouses where a scene was quietly igniting around him.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThrough the Open Window: The Bootleg Series Vol. 18 -.This next volume in the award-winning Bootleg Series tells the story of Dylan's emergence and maturation as a songwriter and performer, from Minnesota to the Greenwich Village bohemia in the early 1960s. It includes rare Columbia Records outtakes, recordings made at club dates, in tiny informal gatherings, in friends' apartments, and at jam sessions in long-gone musicians' hangouts. \u003c\/p\u003e\u003cp\u003eThe 8CD Deluxe set features 139 tracks - 48 never-before-released performances, as well as 38 super-rare cuts plus a hardcover book with extensive liner notes by Sean Wilentz and over 100 rare photographs. \u003c\/p\u003e\u003cp\u003eThe last two discs of the set consist of the unreleased complete recording of Dylan's 1963 landmark show at Carnegie Hall, mixed from original tapes.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Let The Good Times Roll\u003cbr\u003e\n1-2. I Got A New Girl\u003cbr\u003e\n1-3. San Francisco Bay Blues\u003cbr\u003e\n1-4. Jesus Christ\u003cbr\u003e\n1-5. East Virginia Blues\u003cbr\u003e\n1-6. K.C. Moan\u003cbr\u003e\n1-7. Hard Travelin'\u003cbr\u003e\n1-8. Pastures Of Plenty\u003cbr\u003e\n1-9. Remember Me\u003cbr\u003e\n1-10. Song To Woody\u003cbr\u003e\n1-11. Talkin' Bear Mountain Picnic Massacre Blues\u003cbr\u003e\n1-12. Ain't No Grave\u003cbr\u003e\n1-13. I Ain't Got No Home\u003cbr\u003e\n1-14. Death Don't Have No Mercy\u003cbr\u003e\n1-15. Devilish Mary\u003cbr\u003e\n1-16. Introduction: Riverside Church\u003cbr\u003e\n1-17. Handsome Molly\u003cbr\u003e\n1-18. Introduction: See That My Grave Is Kept Clean\u003cbr\u003e\n1-19. See That My Grave Is Kept Clean\u003cbr\u003e\n1-20. The Girl I Left Behind\u003cbr\u003e\n1-21. Introduction: Pretty Boy Floyd\u003cbr\u003e\n1-22. Pretty Boy Floyd\u003cbr\u003e\n1-23. Railroading On The Great Divide\u003cbr\u003e\n1-24. Introduction: Fixin' To Die\u003cbr\u003e\n1-25. Fixin' To Die\u003cbr\u003e\n1-26. I'll Fly Away - Take 1 (Alternate Take)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. Introduction: In The Pines\u003cbr\u003e\n2-2. In The Pines\u003cbr\u003e\n2-3. Gospel Plow\u003cbr\u003e\n2-4. Introduction: Young But Daily Growing\u003cbr\u003e\n2-5. Young But Daily Growing\u003cbr\u003e\n2-6. Man On The Street\u003cbr\u003e\n2-7. This Land Is Your Land\u003cbr\u003e\n2-8. Pretty Polly\u003cbr\u003e\n2-9. Man Of Constant Sorrow - Rehearsal (Alternate Take)\u003cbr\u003e\n2-10. House Carpenter - Take 1 (Outtake)\u003cbr\u003e\n2-11. You're No Good - Take 2 With Take 6 Insert (Alternate Take)\u003cbr\u003e\n2-12. He Was A Friend Of Mine - Take 2 (Outtake)\u003cbr\u003e\n2-13. Ramblin' Round - Take 2 (Outtake)\u003cbr\u003e\n2-14. Story: East Orange, New Jersey\u003cbr\u003e\n2-15. Stealin'\u003cbr\u003e\n2-16. Po' Lazarus\u003cbr\u003e\n2-17. Dink's Song\u003cbr\u003e\n2-18. I Was Young When I Left Home\u003cbr\u003e\n2-19. In The Evening\u003cbr\u003e\n2-20. Baby, Let Me Follow You Down\u003cbr\u003e\n2-21. Cocaine\u003c\/p\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cp\u003e\n3-1. The Death Of Emmett Till\u003cbr\u003e\n3-2. Conversation: Folksinger's Choice\u003cbr\u003e\n3-3. Roll On, John\u003cbr\u003e\n3-4. Conversation: Folksinger's Choice, 2\u003cbr\u003e\n3-5. Hard Times In New York Town\u003cbr\u003e\n3-6. Talkin' John Birch Paranoid Blues\u003cbr\u003e\n3-7. Ballad Of Donald White\u003cbr\u003e\n3-8. Midnight Special - Rehearsals\u003cbr\u003e\n3-9. Midnight Special - Take 17 (Alternate Take)\u003cbr\u003e\n3-10. Wichita (Album Version)\u003cbr\u003e\n3-11. It's Dangerous (Album Version)\u003cbr\u003e\n3-12. Honey, Just Allow Me One More Chance\u003cbr\u003e\n3-13. Talkin' New York\u003cbr\u003e\n3-14. Corrina, Corrina\u003cbr\u003e\n3-15. Deep Ellum Blues\u003cbr\u003e\n3-16. Introduction: Blowin' In The Wind\u003cbr\u003e\n3-17. Blowin' In The Wind\u003cbr\u003e\n3-18. Rambling, Gambling Willie - Take 3 (Outtake)\u003cbr\u003e\n3-19. (I Heard That) Lonesome Whistle - Take 2 (Outtake)\u003cbr\u003e\n3-20. Rocks And Gravel - Take 3 (Outtake)\u003cbr\u003e\n3-21. Paths Of Victory\u003cbr\u003e\n3-22. Train A-Travelin' (Album Version)\u003cbr\u003e\n3-23. Hiram Hubbard\u003cbr\u003e\n3-24. Quit Your Low Down Ways\u003cbr\u003e\n3-25. Let Me Die In My Footsteps\u003cbr\u003e\n3-26. Ramblin' On My Mind\u003cbr\u003e\n3-27. Blue Yodel No. 8 (Mule Skinner Blues)\u003c\/p\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cp\u003e\n4-1. Baby, Please Don't Go - Take 3 (Outtake)\u003cbr\u003e\n4-2. Worried Blues - Take 1 (Outtake)\u003cbr\u003e\n4-3. Baby, I'm In The Mood For You - Take 4 (Outtake)\u003cbr\u003e\n4-4. Bob Dylan's Blues - Take 2 (Outtake)\u003cbr\u003e\n4-5. Introduction: Tomorrow Is A Long Time\u003cbr\u003e\n4-6. Tomorrow Is A Long Time\u003cbr\u003e\n4-7. This Land Is Your Land – The Last Verses\u003cbr\u003e\n4-8. Long Time Gone\u003cbr\u003e\n4-9. A Hard Rain's A-Gonna Fall\u003cbr\u003e\n4-10. Don't Think Twice, It's All Right\u003cbr\u003e\n4-11. Barbara Allen\u003cbr\u003e\n4-12. The Cuckoo\u003cbr\u003e\n4-13. That's All Right - Take 5 (Outtake)\u003cbr\u003e\n4-14. Mixed-Up Confusion - Take 10 (Single Alternate Take)\u003cbr\u003e\n4-15. Ballad Of Hollis Brown - Take 2 (Outtake)\u003cbr\u003e\n4-16. Kingsport Town - Take 2 (Outtake)\u003cbr\u003e\n4-17. Whatcha Gonna Do? - Remake, Take 1 (Outtake)\u003cbr\u003e\n4-18. Hero Blues - Take 4 (Outtake)\u003cbr\u003e\n4-19. I Shall Be Free - Take 3 (Alternate Take)\u003c\/p\u003e\n\u003ch4\u003eDisc 5\u003c\/h4\u003e\n\u003cp\u003e\n5-1. The Ballad Of The Gliding Swan\u003cbr\u003e\n5-2. Only A Hobo (Album Version)\u003cbr\u003e\n5-3. John Brown (Album Version)\u003cbr\u003e\n5-4. All Over You\u003cbr\u003e\n5-5. Oxford Town (Demo)\u003cbr\u003e\n5-6. Bob Dylan's Dream\u003cbr\u003e\n5-7. Introduction: Walls Of Red Wing\u003cbr\u003e\n5-8. Walls Of Red Wing\u003cbr\u003e\n5-9. Introduction: Tomorrow Is A Long Time\u003cbr\u003e\n5-10. Tomorrow Is A Long Time\u003cbr\u003e\n5-11. Dusty Old Fairgrounds\u003cbr\u003e\n5-12. Introduction: Pretty Peggy-O\u003cbr\u003e\n5-13. Pretty Peggy-O\u003cbr\u003e\n5-14. Who Killed Davey Moore?\u003cbr\u003e\n5-15. Last Thoughts On Woody Guthrie\u003cbr\u003e\n5-16. James Alley Blues\u003cbr\u003e\n5-17. I Rode Out One Morning\u003cbr\u003e\n5-18. House Of The Rising Sun\u003cbr\u003e\n5-19. Talkin' World War III Blues\u003cbr\u003e\n5-20. Masters Of War - Take 6 (Alternate Take)\u003cbr\u003e\n5-21. Girl From The North Country - Take 4 (Alternate Take)\u003c\/p\u003e\n\u003ch4\u003eDisc 6\u003c\/h4\u003e\n\u003cp\u003e\n6-1. Introduction By Cordell Reagon\u003cbr\u003e\n6-2. Only A Pawn In Their Game\u003cbr\u003e\n6-3. Blowin' In The Wind\u003cbr\u003e\n6-4. Eternal Circle\u003cbr\u003e\n6-5. Liverpool Gal\u003cbr\u003e\n6-6. West Memphis\u003cbr\u003e\n6-7. North Country Blues\u003cbr\u003e\n6-8. With God On Our Side\u003cbr\u003e\n6-9. Playboys And Playgirls\u003cbr\u003e\n6-10. Blowin' In The Wind\u003cbr\u003e\n6-11. Slate: Boots Of Spanish Leather\u003cbr\u003e\n6-12. Boots Of Spanish Leather - Take 1 (Alternate Take)\u003cbr\u003e\n6-13. Seven Curses - Take 3 (Outake)\u003cbr\u003e\n6-14. Farewell - Take 5 (Outake)\u003cbr\u003e\n6-15. Bob Dylan's New Orleans Rag - Remake, Take 3 (Outtake)\u003cbr\u003e\n6-16. Moonshiner - Remake, Take 1 (Outtake)\u003cbr\u003e\n6-17. Introduction By Joan Baez\u003cbr\u003e\n6-18. Troubled And I Don’t Know Why\u003cbr\u003e\n6-19. Introduction By Ossie Davis\u003cbr\u003e\n6-20. When The Ship Comes In\u003cbr\u003e\n6-21. The Lonesome Death Of Hattie Carroll\u003cbr\u003e\n6-22. The Times They Are A-Changin'\u003cbr\u003e\n6-23. One Too Many Mornings - Take 1 (Alternate Take)\u003cbr\u003e\n6-24. Key To The Highway - Take 1 (Outtake)\u003c\/p\u003e\n\u003ch4\u003eDisc 7\u003c\/h4\u003e\n\u003cp\u003e\n7-1. The Times They Are A-Changin'\u003cbr\u003e\n7-2. Ballad Of Hollis Brown\u003cbr\u003e\n7-3. Introduction: Who Killed Davey Moore?\u003cbr\u003e\n7-4. Who Killed Davey Moore?\u003cbr\u003e\n7-5. Boots Of Spanish Leather\u003cbr\u003e\n7-6. Talkin' John Birch Paranoid Blues\u003cbr\u003e\n7-7. Lay Down Your Weary Tune\u003cbr\u003e\n7-8. Introduction: Blowin' In The Wind\u003cbr\u003e\n7-9. Blowin' In The Wind\u003cbr\u003e\n7-10. Introduction: Percy's Song\u003cbr\u003e\n7-11. Percy's Song\u003cbr\u003e\n7-12. Seven Curses\u003cbr\u003e\n7-13. Walls Of Red Wing\u003cbr\u003e\n7-14. Introduction: North Country Blues\u003cbr\u003e\n7-15. North Country Blues\u003cbr\u003e\n7-16. A Hard Rain's A-Gonna Fall\u003c\/p\u003e\n\u003ch4\u003eDisc 8\u003c\/h4\u003e\n\u003cp\u003e\n8-1. Talkin' World War III Blues\u003cbr\u003e\n8-2. Don't Think Twice, It's All Right\u003cbr\u003e\n8-3. Story: Hootenanny Hoot\u003cbr\u003e\n8-4. With God On Our Side\u003cbr\u003e\n8-5. Only A Pawn In Their Game\u003cbr\u003e\n8-6. Introduction: Masters Of War\u003cbr\u003e\n8-7. Masters Of War\u003cbr\u003e\n8-8. Introduction: The Lonesome Death Of Hattie Carroll\u003cbr\u003e\n8-9. The Lonesome Death Of Hattie Carroll\u003cbr\u003e\n8-10. Introduction: When The Ship Comes In\u003cbr\u003e\n8-11. 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David Clayton-Thomas stepping in as lead vocalist gave the band a gritty anchor for songs like \"Spinning Wheel\" and \"You've Made Me So Very Happy,\" and the live bonus tracks here capture a group that translated all of it ferociously on stage.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBLOOD SWEAT and TEARS classic recording now with LIVE BONUS Tracks. Musicians: Blood, Sweat \u0026amp; Tears; Bobby Colomby, Jim Fielder, Dick Halligan, Jerry Hyman, Steve Katz, Fred Katz, \u0026amp; Lewis Soloff.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Variations On A Theme By Erik Satie (1st And 2nd Movements) Adapted From \"Trois Gymnopédies\"\u003cbr\u003e\n2. Smiling Phases\u003cbr\u003e\n3. Sometimes In Winter\u003cbr\u003e\n4. More And More\u003cbr\u003e\n5. And When I Die\u003cbr\u003e\n6. 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The title suite, stretching across the album's second side, reflects the group's deep mid-70s dive into jazz, Middle Eastern tonalities, and collective improvisation, a side of the Dead that casual fans often miss entirely.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e1975's inspired BLUES FOR ALLAH raised the Dead midway through the band's 18 month hiatus from touring after a trio of celebrated Winterland shows. Features six rare instrumental studio outtakes and revealing liner notes by Rolling Stone's David Fricke.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1a. Help On The Way\u003cbr\u003e\n1b. Slipknot!\u003cbr\u003e\n2. Franklin's Tower (Roll Away The Dew)\u003cbr\u003e\n3a. King Solomon's Marbles\u003cbr\u003e\n3b. Part I: Stronger Than Dirt\u003cbr\u003e\n3c. 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That lineage informs everything here, bringing a raw, lived-in sensibility to the Grateful Dead's oldest source material, the country blues and folk songs that Robert Hunter and Jerry Garcia were themselves excavating from Leadbelly, Reverend Gary Davis, and the folk revival.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eWhile playing for Phil Lesh, I became friends with his son, Grahame, and we started booking shows called Dead Blues, a Phil and Friends offshoot that used the traditional blues and folk songs from the Dead catalog as a vehicle to bring new musicians from the blues and rock scene into Phil's orbit. For example, we brought Phil together for the first time with the Blind Boys of Alabama, Charlie Musselwhite, G Love, JD Simo and many others new to Phil's community.Dead Blues was a great concept for live shows but I never considered making an album until I met singer Datrian Johnson, one of the most moving singers I've ever worked with. John Medeski brought Datrian into the community and we instantly became friends and collaborators and began recording the songs on Dead Blues Volume 1, reinterpreting the American classics.The tracks feature North Mississippi Alumni Cody Dickinson and Rayfield \"Ray Ray\" Hollowman, as well as old friends from Memphis, Paul Taylor\/New Memphis Colorways also on drums, bass and guitars and Steve Selvidge on Space Funk guitar. I found that writing the music on bass (then adding keys and guitar) led the music down a funky, jazzy avenue and Datrian worked his magic, reinterpreting the classic blues lyrics and melodies with his soulful vocals.\u003c\/p\u003e \u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. One Kind Favor (3:26)\u003c\/div\u003e\n\u003cdiv\u003e2. Who Do You Love (4:28)\u003c\/div\u003e\n\u003cdiv\u003e3. Sitting On Top Of The World (3:13)\u003c\/div\u003e\n\u003cdiv\u003e4. King Bee (4:57)\u003c\/div\u003e\n\u003cdiv\u003e5. Mystery Train (4:03)\u003c\/div\u003e\n\u003cdiv\u003e6. Minglewood Blues (4:22)\u003c\/div\u003e\n\u003cdiv\u003e7. I Just Want To Make Love To You (4:29)\u003c\/div\u003e\n\u003cdiv\u003e8. Little Red Rooster (5:17)\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv\u003e9. High Heeled Sneakers (4:51)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396028115\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Strolling Bones Recs\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.17.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. One Kind Favor (3:26)\u003c\/div\u003e\n\u003cdiv\u003e2. Who Do You Love (4:28)\u003c\/div\u003e\n\u003cdiv\u003e3. Sitting On Top Of The World (3:13)\u003c\/div\u003e\n\u003cdiv\u003e4. King Bee (4:57)\u003c\/div\u003e\n\u003cdiv\u003e5. Mystery Train (4:03)\u003c\/div\u003e\n\u003cdiv\u003e6. Minglewood Blues (4:22)\u003c\/div\u003e\n\u003cdiv\u003e7. I Just Want To Make Love To You (4:29)\u003c\/div\u003e\n\u003cdiv\u003e8. Little Red Rooster (5:17)\u003c\/div\u003e\n\u003cdiv\u003e9. High Heeled Sneakers (4:51)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990878068978,"sku":"1077675","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Luther-Dickinson-Dead-Blues-Vol_-1-CD.png?v=1787917898"},{"product_id":"sly-the-family-stone-life-cd","title":"Sly \u0026 The Family Stone – Life Music CD","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1968, *Life* arrived between two seismic moments in Sly Stone's catalog, sandwiched between *Dance to the Music* and the landmark *Stand!*, and it captures the band at their most purely joyful. 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His son Arlo brings that same family tradition to this 1995 collection, carrying forward a lineage where folk music and storytelling for kids were never treated as an afterthought, but as a genuine part of the American roots canon.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eThree Bears, The\u003c\/li\u003e\n\u003cli\u003eDog and the Bone, The\u003c\/li\u003e\n\u003cli\u003eGingerbread Boy, The\u003c\/li\u003e\n\u003cli\u003ePrincess and the Pea, The\u003c\/li\u003e\n\u003cli\u003eApple Pie\u003c\/li\u003e\n\u003cli\u003eBoy Who Turned Himself Into a Peanut, The\u003c\/li\u003e\n\u003cli\u003eHouse That Jack Built, The\u003c\/li\u003e\n\u003cli\u003eHare and the Turtle, The\u003c\/li\u003e\n\u003cli\u003eLittle Red Riding Hood\u003c\/li\u003e\n\u003cli\u003eHenny Penny\u003c\/li\u003e\n\u003cli\u003eWind and the Sun, The\u003c\/li\u003e\n\u003cli\u003eThree Billy Goats Gruff\u003c\/li\u003e\n\u003cli\u003eLittle Red Hen\u003c\/li\u003e\n\u003cli\u003eThree Little Pigs\u003c\/li\u003e\n\u003cli\u003eLion and the Mouse, The\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 085365411425\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Lightyear (lty)\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.6.95\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990878494962,"sku":"624848","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Arlo-Guthrie-Babys-Storytime-CD.png?v=1787917898"},{"product_id":"bruce-springsteen-tracks-ii-the-lost-albums-7-cd-boxset","title":"Bruce Springsteen – Tracks II: The Lost Albums (7-CD Boxset) Music CD","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSeven complete records, shelved for decades, finally seeing the light. The span here covers some of Springsteen's most restless and searching periods, and the sheer volume of finished, mixed material speaks to how prolific he was working outside the public eye, even as albums like Born in the U.S.A. and The Ghost of Tom Joad were defining his legacy. This is the kind of archival excavation that reframes everything you thought you knew about an artist's creative timeline.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBRUCE SPRINGSTEEN TRACKS II: THE LOST ALBUMS are seven unheard Bruce Springsteen records made between 1983-2018. Featuring 82 previously unreleased songs, The Lost Albums fill in chapters of Springsteen's expansive career timeline, while offering invaluable insight into his life and work as an artist. \"The Lost Albums were full records, some of them even to the point of being mixed and not released,\" said Springsteen. \"I've played this music to myself and often close friends for years now. I'm glad you'll get a chance to finally hear them. I hope you enjoy them.\"\u003c\/p\u003e\u003cp\u003eFrom the lo-fi exploration of LA Garage Sessions '83, serving as a crucial link between Nebraska and Born in the U.S.A., to the drum loop and synthesizer sounds of Streets of Philadelphia Sessions, The Lost Albums offer unprecedented context to 35 prolific years of Springsteen's songwriting and home recording. \u003c\/p\u003e\u003cp\u003e\"The ability to record at home whenever I wanted allowed me to go into a wide variety of different musical directions,\" Springsteen explained. Throughout the set, that sonic experimentation takes the form of film soundtrack work (for a movie that was never made) on Faithless, country combos with pedal steel on Somewhere North of Nashville, richly woven border tales on Inyo, orchestra-driven, mid-century noir on Twilight Hours, and E Street favored rock on Perfect World.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Follow That Dream (3:53)\u003cbr\u003e\n1-2. Don't Back Down On Our Love (3:02)\u003cbr\u003e\n1-3. Little Girl Like You (1:22)\u003cbr\u003e\n1-4. Johnny Bye Bye (2:49)\u003cbr\u003e\n1-5. Sugarland (2:50)\u003cbr\u003e\n1-6. Seven Tears (1:51)\u003cbr\u003e\n1-7. Fugitive's Dream (3:52)\u003cbr\u003e\n1-8. Black Mountain Ballad (4:14)\u003cbr\u003e\n1-9. Jim Deer (3:10)\u003cbr\u003e\n1-10. County Fair (4:55)\u003cbr\u003e\n1-11. 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The double-album format let him hold both moods at once, the party and the reckoning, without forcing a resolution between them.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe River is Bruce Springsteen's fifth studio album and the first double album. The album was released on October 17, 1980. Rolling Stone ranked it at number 253 on their list of the greatest albums of all time. \u003c\/p\u003e\n\u003cp\u003eThe sources of The River go back into earlier parts of Springsteen's recording career. \"Independence Day\", \"Point Blank, \"The Ties That Bind\", \"\" Ramrod, and \"Sherry Darling\" were leftovers from his previous album, Darkness on the Edge of Town, and had been featured on that 1978 tour, as had parts of \"Drive All Night\" as a long interpolation within \"Backstreets.\" \"The River\" had premiered at the September 1979 Musicians United for Safe Energy concerts, gaining a featured spot in the subsequent documentary No Nukes. Originally, the album was to be a single set entitled The Ties That Bind and released in late 1979. Springsteen added darker material after he'd written the title track. Indeed, The River became noted for it's mix of the frivolous next to the solemn. This was intentional, and in contrast to Darkness, for as Springsteen said during an interview, \"Rock and roll has always been this joy, this certain happiness that is in it's way the most beautiful thing in life. But rock is also about hardness, coldness, and being alone... I finally got to the place where I realized life had paradoxes, a lot of them, and you've got to live with them.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. The Ties That Bind (3:33)\u003cbr\u003e1-2. Sherry Darling (4:02)\u003cbr\u003e1-3. Jackson Cage (3:04)\u003cbr\u003e1-4. Two Hearts (2:42)\u003cbr\u003e1-5. Independence Day (4:46)\u003cbr\u003e1-6. Hungry Heart (3:19)\u003cbr\u003e1-7. Out In The Street (4:17)\u003cbr\u003e1-8. Crush On You (3:10)\u003cbr\u003e1-9. You Can Look (But You Better Not Touch) (2:36)\u003cbr\u003e1-10. I Wanna Marry You (3:26)\u003cbr\u003e1-11. The River (4:59)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e2-1. Point Blank (6:05)\u003cbr\u003e2-2. Cadillac Ranch (3:02)\u003cbr\u003e2-3. I'm A Rocker (3:34)\u003cbr\u003e2-4. Fade Away (4:40)\u003cbr\u003e2-5. Stolen Car (3:53)\u003cbr\u003e2-6. Ramrod (4:04)\u003cbr\u003e2-7. The Price You Pay (5:27)\u003cbr\u003e2-8. Drive All Night (8:26)\u003cbr\u003e2-9. Wreck On The Highway (3:53)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888750987723\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.16.15\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990878527730,"sku":"424149","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Bruce-Springsteen-The-River-2-CD.png?v=1787917898"},{"product_id":"van-morrison-remembering-now-cd","title":"Van Morrison – Remembering Now Music CD","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eForty-seven albums into a 58-year recording career, Van Morrison proves he’s still got things to say and play on Remembering Now.\u003c\/p\u003e\u003cp\u003eThough it runs some 70 minutes, the album has nothing that qualifies as filler among its 14 tracks, reinforcing the 79-year-old Morrison’s astonishing late-career creativity.\u003c\/p\u003e\u003cp\u003eMorrison writes about his music (the title track), gratitude (“Love, Lover and Beloved”) and his youth in Northern Ireland on “Stomping Ground;” the latter pair being but two of a handful of orchestral ballads that recall Morrison’s Enlightenment era.\u003c\/p\u003e\u003cp\u003eAnd Morrison does a lot of recycling on Remembering Now, most obviously on “If it Wasn’t for Ray,” a slowed-down recasting of “Wild Night,” and the “Tupelo Honey” soundalike that is “Haven’t Lost My Sense of Wonder.”\u003c\/p\u003e\u003cp\u003eAmid these rehashes are a couple of tracks headed for Morrison’s canon. “Down to Joy” is a horn-driven delight casting the prickly singer in contentment and “Cutting Corners” is a humble admission of Morrison “feeling low but … acting strong;” both would fit nicely on a concert playlist loaded with classics from his discography.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— dean, \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/08\/01\/van-morrison-remembering-now\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAt 79, Van Morrison shows no signs of retreating, and his catalog of late-period work rivals many artists' entire output. Morrison has always treated the studio as a place for spiritual excavation rather than commercial calculation, drawing from the same well of Celtic soul and mystic blues that powered *Astral Weeks* and *Moondance* decades ago.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eVan Morrison's new album, Remembering Now, marks his return to original music with a rich blend of soul, jazz, blues, folk and country, featuring the long-awaited single, “Down To Joy.”\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Down To Joy (3:38)\u003c\/div\u003e\n\u003cdiv\u003e2. If It Wasn’t For Ray (3:17)\u003c\/div\u003e\n\u003cdiv\u003e3. Haven’t Lost My Sense Of Wonder (5:28)\u003c\/div\u003e\n\u003cdiv\u003e4. Love, Lover and Beloved (5:13)\u003c\/div\u003e\n\u003cdiv\u003e5. Cutting Corners (3:06)\u003c\/div\u003e\n\u003cdiv\u003e6. Back To Writing Love Songs (3:57)\u003c\/div\u003e\n\u003cdiv\u003e7. The Only Love I Ever Need Is Yours (2:36)\u003c\/div\u003e\n\u003cdiv\u003e8. Once In A Lifetime Feelings (4:38)\u003c\/div\u003e\n\u003cdiv\u003e9. Stomping Ground (5:15)\u003c\/div\u003e\n\u003cdiv\u003e10. Memories And Visions (6:49)\u003c\/div\u003e\n\u003cdiv\u003e11. When The Rains Came (6:22)\u003c\/div\u003e\n\u003cdiv\u003e12. Colourblind (3:30)\u003c\/div\u003e\n\u003cdiv\u003e13. Remembering Now\u003c\/div\u003e\n\u003cdiv\u003e14. Stretching Out\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 044003445666\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Exile\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.13.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990878691570,"sku":"26024005","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Van-Morrison-Remembering-Now-CD.png?v=1787917905"},{"product_id":"trey-anastasio-paper-wheels-cd","title":"Trey Anastasio – Paper Wheels Music CD","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003ePaper Wheels arrived at an interesting moment in Trey Anastasio's solo trajectory, bringing back the full 3.0-era Trey Anastasio Band lineup that had been road-testing these songs on the road. For fans who had watched TAB evolve through various configurations over the years, the record captured a band that had grown genuinely tight from touring, with the horns and rhythm section locked in the way only extended live work can produce.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e12 track new album produced by Trey Anastasio and longtime collaborator Bryce Goggin, mixed by Elliot Scheiner (Steely Dan, Van Morrison), Paper Wheels was recorded last year at The Barn, the Phish founding guitarist's famed Jeffersonville, VT farmhouse-turned-rehearsal space\/recording studio.\u003c\/p\u003e\n\u003cp\u003eAvailable in 3 configurations: CD, 2LP, and a deluxe limited edition boxset comprising 180 gram 45 RPM 2x LP splatter vinyl and a die cut gatefold package with six unique sleeves designed by Matt Taylor\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Sometime After Sunset (5:41)\u003cbr\u003e2. The Song (3:25)\u003cbr\u003e3. Never (6:00)\u003cbr\u003e4. In Rounds (5:47)\u003cbr\u003e5. Flying Machine (4:07)\u003cbr\u003e6. Invisible Knife (4:38)\u003cbr\u003e7. Lever Boy (4:17)\u003cbr\u003e8. Bounce (5:49)\u003cbr\u003e9. Liquid Time (6:18)\u003cbr\u003e10. Paper Wheels (4:47)\u003cbr\u003e11. Speak To Me (4:33)\u003cbr\u003e12. Cartwheels (4:02)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882237929\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ATO Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.30.15\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990878789874,"sku":"551454","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Trey-Anastasio-Paper-Wheels-CD.png?v=1787917905"},{"product_id":"the-rolling-stones-black-and-blue-cd-1","title":"The Rolling Stones – Black and Blue -  Music CD","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eA few months ahead of its 50th birthday comes this 5-LP box set celebrating The Rolling Stones album, Black and Blue. As with so many of the classic album reissues on vinyl, the success is in the presentation—the remastering, the pressing and packaging, the extras. Without a single caveat, this weighty collection honoring the Stones’ 13th studio slab is spectacular.\u003c\/p\u003e\u003cp\u003eThe place to start is with the fidelity. The Stones turned over the original tapes to Steven Wilson, the highly in-demand, modern maestro of the remix, to revisit the proper album—one that finds the legendary band at, possibly, its most diverse. Wilson’s remix, as hoped, is sheer sonic brilliance. Never have these tracks sounded sharper, more cohesive, and more dynamic than on this new mix. Follow that with Matt Colton’s top-flight mastering—the Grammy-winning engineer worked with the Stones previously on Hackney Diamonds—and Black and Blue in this 2025 incarnation, on whisper-quiet wax, is the one to have.\u003c\/p\u003e\u003cp\u003eBack in 1976, Black and Blue was known in Stones circles as the “audition” album; the first after the departure of guitarist Mick Taylor, who’d sparkled on a string of efforts- Let It Bleed, Sticky Fingers, and Exile on Main Street, to name three- many consider among rock’s finest. So, it wasn’t a hole to fill. It was a crater.\u003c\/p\u003e\u003cp\u003eWith guest spots at the B\u0026amp;B sessions by a few notable axe-men—from Jeff Beck and Harvey Mandel to Wayne Perkins and Robert A. Johnson—the talent pool was Olympian. In the end, the band went with Beck’s bandmate from his Rod Stewart days, Ronnie Wood, and the rest is Rolling Stones history. Looking back now, it seems inevitable that Wood would get the gig, yet this set includes some of the jams with the runners-up that tantalize the imagination. A take of Beck’s “Freeway Jam” is as intriguing to hear as it is historic, if ultimately bolstering the conclusion that Wood was the best fit.\u003c\/p\u003e\u003cp\u003eAs for the three LPs and Blu-ray that contain live performances from ‘76- the vinyl from a hometown residency at Earls Court; the video from a TV broadcast of a Paris show—it’s more peak-Stones magic. Again, the addition of Wood is hand-in-glove, weaving as he would so well for the next five decades with Keith Richards, complementing- with the just the right attitude and attire—the gargantuan stage presence of Mick Jagger, and, most importantly, playing guitar like an ace. Toss in some previously unreleased cuts and a coffee-table-ready book, and this is a box set that gets it exactly right.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2026\/01\/16\/the-rolling-stones-black-and-blue-5-lp-deluxe-edition\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased during an open audition period as the Stones searched for a replacement for Mick Taylor, *Black and Blue* captures the band in a genuinely loose, exploratory mode, cycling through guitarists including Wayne Perkins and Harvey Mandel before Ronnie Wood ultimately got the nod. Wilson's remixes have consistently revealed new depth in catalog recordings, and hearing this transitional moment in the Stones' history with fresh ears makes the funk-leaning grooves and extended jams feel more alive than ever.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Rolling Stones - Black and Blue (CD-A) Featuring a new 2025 mix by Steven Wilson, Black and Blue from 1976 is the album that inducted Ronnie Wood into the Rolling Stones - featured on 3 tracks and joining the band for the world tour and the next 50 years! - By blending their influences from reggae and funk music with their rock and roll swagger, here come the greatest rock band of them all, with strutting funk riffs of 'Hot Stuff' and foot-stomping rockers like 'Hand of Fate' mixing company with the memorable ballads of 'Fool To Cry' and fan favourite 'Memory Motel'.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1. Hot Stuff\u003cbr\u003e\n2. Hand Of Fate\u003cbr\u003e\n3. Cherry Oh Baby\u003cbr\u003e\n4. Memory Motel\u003cbr\u003e\n5. Hey Negrita\u003cbr\u003e\n6. Melody\u003cbr\u003e\n7. Fool To Cry\u003cbr\u003e\n8. 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The Helsinki concert unearthed here closes a real gap in the historical record, placing the band in full flight just months after Woodstock cemented their legend.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOriginally released in 1969, Ssssh marked Ten Years After's breakthrough into mainstream rock, blending blues riffs with the raw energy of British psychedelia. 56 years later, Chrysalis are proud to present the album in it's most expansive form to date. Featuring the original 1969 mix, the album has also been newly mixed by Charlie Russell from the original ¼\" production multi-track tapes, offering superb fresh sonic detail, while the third disc contains a newly discovered live recording from the Finnish radio archives of the bands stunning performance at the Kulttuuritalo Hall in Helsinki on 3rd December 1969, recorded just months after the bands' career-altering performance at Woodstock. At the centre of this hardcover edition are newly written liner notes by Nigel Williamson, testimonial from Joe Bonamassa and previously unseen photographs. Remastered at AIR Mastering.Ssssh [Deluxe Edition]: 3CD Hardcover Edition: Original 1969 Mix, 2025 Stereo Mix and Live in Helsinki, 1969 - Remastered at AIR Mastering. Liner notes by Nigel Williams and testimonial from Joe Bonamassa, with never-before-seen photographs.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 840401712665\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Chrysalis\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.31.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Bad Scene (3:31)\u003c\/div\u003e\n\u003cdiv\u003e2. Two Time Mama (2:04)\u003c\/div\u003e\n\u003cdiv\u003e3. Stoned Woman (3:21)\u003c\/div\u003e\n\u003cdiv\u003e4. Good Morning Little Schoolgirl (7:22)\u003c\/div\u003e\n\u003cdiv\u003e5. If You Should Love Me (5:25)\u003c\/div\u003e\n\u003cdiv\u003e6. I Don't Know That You Don't Know My Name (2:02)\u003c\/div\u003e\n\u003cdiv\u003e7. The Stomp (4:34)\u003c\/div\u003e\n\u003cdiv\u003e8. I Woke Up This Morning (5:32)\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. Bad Scene (3:30)\u003c\/div\u003e\n\u003cdiv\u003e2. Two Time Mama (2:01)\u003c\/div\u003e\n\u003cdiv\u003e3. Stoned Woman (3:20)\u003c\/div\u003e\n\u003cdiv\u003e4. Good Morning Little Schoolgirl (7:10)\u003c\/div\u003e\n\u003cdiv\u003e5. If You Should Love Me (5:23)\u003c\/div\u003e\n\u003cdiv\u003e6. I Don't Know That You Don't Know My Name (2:06)\u003c\/div\u003e\n\u003cdiv\u003e7. The Stomp (4:31)\u003c\/div\u003e\n\u003cdiv\u003e8. I Woke Up This Morning (5:30)\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. Spoonful (7:14)\u003c\/div\u003e\n\u003cdiv\u003e2. I May Be Wrong, But I Won't Be Wrong Always (9:27)\u003c\/div\u003e\n\u003cdiv\u003e3. The Hobbit (10:44)\u003c\/div\u003e\n\u003cdiv\u003e4. Good Morning Little Schoolgirl (7:24)\u003c\/div\u003e\n\u003cdiv\u003e5. No Title (10:43)\u003c\/div\u003e\n\u003cdiv\u003e6. I Can't Keep From Crying Sometimes (18:39)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990878986482,"sku":"7689467","price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Ten-Years-After-Ssssh-2025-Deluxe-Edition-3-CD.png?v=1787917908"},{"product_id":"the-black-crowes-amorica-super-deluxe-3-cd-1","title":"The Black Crowes – Amorica. - (Super Deluxe 3-CD) Music CD","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAmorica. landed in 1994 as one of rock's more defiant statements, its infamous PMRC-baiting cover art generating as much conversation as the sprawling, blues-soaked grooves inside. The Crowes were deep in their imperial phase here, channeling Faces-era looseness and Southern soul into something entirely their own, and the unreleased Tall sessions have long been the stuff of legend among fans who wondered what that chapter might have sounded like properly realized.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Black Crowes have collected the \u003cem\u003eAmorica\u003c\/em\u003e-era recordings (1992–1994) into a new box set. The reissue has been overseen by band founders and brothers Chris and Rich Robinson, along with acclaimed producer and friend of the Crowes, George Drakoulias. \u003c\/p\u003e\u003cp\u003eCD1: A newly remastered \u003cem\u003eAmorica\u003c\/em\u003e sourced from the original 1\/4” production master tapes and featuring three \u003cem\u003eAmorica\u003c\/em\u003e-era bonus tracks. \u003c\/p\u003e\u003cp\u003eCD2: \u003cem\u003eTallest\u003c\/em\u003e fixes the stories behind the lost\/scrapped album \u003cem\u003eTall\u003c\/em\u003e and the mish-mashed \u003cem\u003eLost Crowes\u003c\/em\u003e version of \u003cem\u003eTall.\u003c\/em\u003e With guidance from Rich Robinson, George Drakoulias, and Martin Pradler created new mixes of the \u003cem\u003eTall\u003c\/em\u003e-era recordings from the January 1994 Conway sessions on 2” 24-track multis. \u003c\/p\u003e\u003cp\u003eCD3: \u003cem\u003eMarie Laveau Sessions,\u003c\/em\u003e an incredible seven-song recording session from 1992, recorded at Kingsway Studios in New Orleans. \u003c\/p\u003e\u003cp\u003ePlus, \u003cem\u003eLive at AIR Studios, London,\u003c\/em\u003e October 25, 1994. All songs are previously unreleased. 3-CD set housed in an LP-sized jacket, with a 20” x 30” poster, a fanzine, and a bumper sticker included. \u003cstrong\u003eLimited Edition.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cp\u003e1-1. Gone\u003cbr\u003e\n1-2. A Conspiracy\u003cbr\u003e\n1-3. High Head Blues\u003cbr\u003e\n1-4. Cursed Diamond\u003cbr\u003e\n1-5. Nonfiction\u003cbr\u003e\n1-6. She Gave Good Sunflower\u003cbr\u003e\n1-7. P.25 London\u003cbr\u003e\n1-8. Ballad In Urgency\u003cbr\u003e\n1-9. Wiser Time\u003cbr\u003e\n1-10. Downtown Money Waster\u003cbr\u003e\n1-11. Descending\u003cbr\u003e\n1-12. Chevrolet\u003cbr\u003e\n1-13. Song Of The Flesh (2005 Mix)\u003cbr\u003e\n1-14. Sunday Night Buttermilk Waltz (2005 Mix)\u003c\/p\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cp\u003e\n2-1. 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High Head Blues (Live)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602478382864\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e American Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.14.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990879117554,"sku":"25869913","price":118.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/amorica3cdA.jpg?v=1787917908"},{"product_id":"waylon-jennings-at-jds-mod-cd","title":"Waylon Jennings – At Jd's (Mod CD) Music CD","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBefore Nashville reshaped him into an outlaw icon, Waylon Jennings was cutting his teeth on the Arizona club circuit, honing the raw, restless sound that would eventually upend country music. This early snapshot captures an artist still finding his footing but already impossible to ignore, years before RCA, Willie Nelson, and the Wanted! The Outlaws era redefined what country music could be.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eReleased in 1964 and produced by James D. \"Jim\" Musil, club manager at JD's venue in Arizona, \"at JD's\" is the debut studio album by US country artist Waylon Jennings. JD's was once coined \"the biggest night spot in the South West\" and Jennings' regularly performed here during the early 60's. The 12 sides feature country, rock, folk and blues styles, and showcase Jennings' profound ability to blend rock 'n' roll with country and western. Original album pressings were sold exclusively at JD's nightclub. Re-issued here, five decades later, on CD format by Good Time Records.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Crying\u003c\/div\u003e\n\u003cdiv\u003e2. Sally Was A Good Old Girl\u003c\/div\u003e\n\u003cdiv\u003e3. Burning Memories\u003c\/div\u003e\n\u003cdiv\u003e4. Big Mamou\u003c\/div\u003e\n\u003cdiv\u003e5. Money (That's What I Want)\u003c\/div\u003e\n\u003cdiv\u003e6. Don't Think Twice, It's All Right\u003c\/div\u003e\n\u003cdiv\u003e7. Dream Baby (How Long Must I Dream)\u003c\/div\u003e\n\u003cdiv\u003e8. It's So Easy\u003c\/div\u003e\n\u003cdiv\u003e9. Lorena\u003c\/div\u003e\n\u003cdiv\u003e10. Love's Gonna Live Here\u003c\/div\u003e\n\u003cdiv\u003e11. Abilene\u003c\/div\u003e\n\u003cdiv\u003e12. White Lightning\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 730167322263\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Good Time\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.29.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990879183090,"sku":"680774","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Waylon-Jennings-At-Jds-Mod-CD.png?v=1787917909"},{"product_id":"the-rolling-stones-grrr-live-2-cd-1","title":"The Rolling Stones – GRRR Live! 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Featuring guest spots from The Black Keys, Gary Clark Jr., Lady Gaga, John Mayer, Bruce Springsteen, and Mick Taylor, the concert proved to be one of the most memorable shows in the band’s history.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eBlu-ray\u003c\/h4\u003e\n\u003cdiv\u003e1. Get Off Of My Cloud\u003c\/div\u003e\n\u003cdiv\u003e2. The Last Time\u003c\/div\u003e\n\u003cdiv\u003e3. It's Only Rock 'N' Roll (But I Like It)\u003c\/div\u003e\n\u003cdiv\u003e4. Paint It Black\u003c\/div\u003e\n\u003cdiv\u003e5. Gimme Shelter\u003c\/div\u003e\n\u003cdiv\u003e6. Wild Horses\u003c\/div\u003e\n\u003cdiv\u003e7. I'm Going Down\u003c\/div\u003e\n\u003cdiv\u003e8. Dead Flowers\u003c\/div\u003e\n\u003cdiv\u003e9. Who Do You Love?\u003c\/div\u003e\n\u003cdiv\u003e10. Doom And Gloom\u003c\/div\u003e\n\u003cdiv\u003e11. One More Shot\u003c\/div\u003e\n\u003cdiv\u003e12. Miss You\u003c\/div\u003e\n\u003cdiv\u003e13. Honky Tonk Women\u003c\/div\u003e\n\u003cdiv\u003e14. Before They Make Me Run\u003c\/div\u003e\n\u003cdiv\u003e15. Happy\u003c\/div\u003e\n\u003cdiv\u003e16. Midnight Rambler\u003c\/div\u003e\n\u003cdiv\u003e17. Start Me Up\u003c\/div\u003e\n\u003cdiv\u003e18. Tumbling Dice\u003c\/div\u003e\n\u003cdiv\u003e19. Brown Sugar\u003c\/div\u003e\n\u003cdiv\u003e20. Sympathy For The Devil\u003c\/div\u003e\n\u003cdiv\u003e21. You Can't Always Get What You Want\u003c\/div\u003e\n\u003cdiv\u003e22. Jumpin' Jack Flash\u003c\/div\u003e\n\u003cdiv\u003e23. (I Can't Get No) Satisfaction\u003c\/div\u003e\n\u003cdiv\u003e24. Respectable\u003c\/div\u003e\n\u003cdiv\u003e25. Around And Around\u003c\/div\u003e\n\u003cdiv\u003e26. Gimme Shelter\u003c\/div\u003e\n\u003ch4\u003eCD 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Get Off Of My Cloud (3:54)\u003c\/div\u003e\n\u003cdiv\u003e2. The Last Time (4:14)\u003c\/div\u003e\n\u003cdiv\u003e3. It's Only Rock 'N' Roll (But I Like It) (4:37)\u003c\/div\u003e\n\u003cdiv\u003e4. Paint It Black (5:06)\u003c\/div\u003e\n\u003cdiv\u003e5. Gimme Shelter (7:04)\u003c\/div\u003e\n\u003cdiv\u003e6. Wild Horses (5:48)\u003c\/div\u003e\n\u003cdiv\u003e7. I'm Going Down (6:32)\u003c\/div\u003e\n\u003cdiv\u003e8. Dead Flowers (5:02)\u003c\/div\u003e\n\u003cdiv\u003e9. Who Do You Love? 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However, you've never heard him on his own quite like this. Foxes in the Snow is Isbell's first fully acoustic solo album, 11 tracks of expert guitar-picking and some of his best songwriting to date. And while he's never been one to bog down his songs with unnecessary instrumental layers or studio tricks, Foxes in the Snow is as intimate as it gets. It's a spectacular listen. The album opens with Isbell's voice calling out, no guitar to hold him: \"Bury me where the wind don't blow\/ Where the dust won't cover me\/ Where the tall grass grows\/ Or bury me right where I fall.\" These are songs of acceptance for life's fragility, winking acknowledgments that none of us get out alive. Indeed, that's Isbell to a T. The record's strongest selection is \"Gravelweed,\" a painfully vulnerable admission of Isbell's growth as a man (\"I wish that I could be angry\/ Punch a hole in the wall\/ But that ain't me anymore, baby\") paired with a howl-at-the-moon chorus that'll haunt you for weeks. 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This Curb collection draws from his formative recordings, before he became a country institution, when the rawness of his voice and Buck Owens' shadow still hung over everything in the best possible way.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan style='font-family: -apple-system, BlinkMacSystemFont, \"Segoe UI\", Roboto, sans-serif;'\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003cdiv\u003e1. The Legend Of Bonnie And Clyde (2:03)\u003c\/div\u003e\n\u003cdiv\u003e2. Today I Started Loving You Again (2:19)\u003c\/div\u003e\n\u003cdiv\u003e3. I Threw Away The Rose (3:19)\u003c\/div\u003e\n\u003cdiv\u003e4. (My Friends Are Gonna Be) Strangers (2:28)\u003c\/div\u003e\n\u003cdiv\u003e5. Someone Told My Story (2:31)\u003c\/div\u003e\n\u003cdiv\u003e6. I'm Gonna Break Every Heart I Can (1:58)\u003c\/div\u003e\n\u003cdiv\u003e7. Sam Hill (2:26)\u003c\/div\u003e\n\u003cdiv\u003e8. Killers Three Theme (5:07)\u003c\/div\u003e\n\u003cdiv\u003e9. Street Singer (2:24)\u003c\/div\u003e\n\u003cdiv\u003e10. Jesus, Take A Hold (2:15)\u003c\/div\u003e\n\u003cdiv\u003e11. I Can't Be Myself (2:50)\u003c\/div\u003e\n\u003cdiv\u003e12. Sidewalks Of Chicago (2:28)\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 715187743823\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Curb Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.1.91\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990879346930,"sku":"636760","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Merle-Haggard-Best-of-the-Early-Years-CD.png?v=1787917911"},{"product_id":"north-mississippi-allstars-still-shakin-limited-autographed-cd-1","title":"North Mississippi Allstars – Still Shakin' (Limited Autographed CD) Music CD","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLuther and Cody Dickinson grew up in the Mississippi hill country with this music in their blood, the sons of producer Jim Dickinson, who worked with everyone from the Rolling Stones to Big Star. Still Shakin' arrives nearly three decades into their run, a testament to how deeply they've absorbed and carried forward a regional tradition that was already ancient when RL Burnside first picked up a guitar.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNorth Mississippi Allstars was founded by brothers Luther and Cody Dickinson in 1996 as a loose collective of musicians from North Mississippi and Memphis, TN, inspired by their neighbors, RL Burnside, Junior Kimbrough, Otha Turner and the late Fred McDowell. Over the years the touring lineup has included, Cedric, Duwayne and Garry Burnside, Chris Chew, Berry Oakley Jr, Oteil Burbridge, Ray Ray Hollowman (guitar player for Eminem and Ne-Yo), and currently Joey Williams (of the Blind Boys of Alabama). Since their Grammy nominated debut album in 2000 they have toured the world, shared the stage with countless legends, Mavis Staples, Robert Plant, John Hiatt, the Allman Brothers, Buddy Guy, Snoop Dogg, and Phil Lesh to name a few, while earning multiple Grammy nominations for their experimental albums of Psychedelic folk roots rock.\u003c\/p\u003e\u003cp\u003e“Still Shakin’ is a celebration of their life-changing first album Shake Hands with Shorty, released 25 years ago. They dipped into the North Mississippi repertoire and experience of the ‘90s, touring with RL Burnside, recording Otha Turner, hanging at Junior’s Juke, filtering new interpretations through their current instincts. The well never runs dry and the cast of characters never fails.\u003c\/p\u003e\u003cp\u003eThey recorded their 2nd generation friends Duwayne Burnside and Robert Kimbrough at Duwayne’s Juke Joint in Holly Springs. The Sacred Steel Guitar of bandmates Ray Ray Hollowman and Kashiah Hunter blessed the music alongside the vocals and rhythm of Joey Williams, from the Blind Boys of Alabama. Their albums meld music to come but are always a snapshot of who they are running with presently. That to say, Ray Ray and Joey have enriched NMA’s music for the last few years and they cherish their contributions to Still Shakin’. The group looks forward to the next 25 years of North Mississippi World Boogie.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003ePreachin’ Blues\u003c\/li\u003e\n\u003cli\u003eStay All Night (feat. Robert Kimbrough \u0026amp;amp; Joey Williams)\u003c\/li\u003e\n\u003cli\u003eMy Mind is Ramblin’\u003c\/li\u003e\n\u003cli\u003ePray for Peace\u003c\/li\u003e\n\u003cli\u003eK.C. Jones (Part II) (feat. Jojo Hermann \u0026amp;amp; Grahame Lesh)\u003c\/li\u003e\n\u003cli\u003eStill Shakin'\u003c\/li\u003e\n\u003cli\u003ePoor Boy (feat. Duwayne Burnside)\u003c\/li\u003e\n\u003cli\u003eDon’t Let the Devil Ride (feat. Joey Williams)\u003c\/li\u003e\n\u003cli\u003eJohn Henry\u003c\/li\u003e\n\u003cli\u003eMonomyth (Folk Hero’s Last Ride)\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 607396660506\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e New West Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.6.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990879412466,"sku":"25823948","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/North-Mississippi-Allstars-Still-Shakin-Limited-Autographed-CD.png?v=1787917911"},{"product_id":"little-feat-little-feat-2-cd","title":"Little Feat – Little Feat (2-CD) Music CD","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eLowell George had already made his mark as a member of the Mothers of Invention when he formed Little Feat in 1969 with Bill Payne, and their debut captured something genuinely strange and Southern-fried that Los Angeles had no real category for. Songs like \"Willin'\" and \"Truck Stop Girl\" introduced a sensibility rooted in roadhouse grit and delta mud that would quietly reshape what American rock could sound like in the 1970s.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eTwo CDs. Next in the lineup of foundational Little Feat albums to get the Rhino Deluxe treatment is the band's 1971 self-titled debut album. Releasing as a 2LP vinyl set exclusively for RSD 2026, it includes the original album, AAA-cut from original master tape, alongside a bonus disc of rare previously unreleased alternate versions and outtakes from their early recording sessions.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497808397\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.17.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990879478002,"sku":"127496935","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Little-Feat-Little-Feat-2-CD.png?v=1787917912"},{"product_id":"the-rolling-stones-black-and-blue-super-deluxe-4-cd-blu-ray-1","title":"The Rolling Stones – Black and Blue (Super Deluxe 4-CD + Blu-ray) Music CD","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eA few months ahead of its 50th birthday comes this 5-LP box set celebrating The Rolling Stones album, Black and Blue. As with so many of the classic album reissues on vinyl, the success is in the presentation—the remastering, the pressing and packaging, the extras. Without a single caveat, this weighty collection honoring the Stones’ 13th studio slab is spectacular.\u003c\/p\u003e\u003cp\u003eThe place to start is with the fidelity. The Stones turned over the original tapes to Steven Wilson, the highly in-demand, modern maestro of the remix, to revisit the proper album—one that finds the legendary band at, possibly, its most diverse. Wilson’s remix, as hoped, is sheer sonic brilliance. Never have these tracks sounded sharper, more cohesive, and more dynamic than on this new mix. Follow that with Matt Colton’s top-flight mastering—the Grammy-winning engineer worked with the Stones previously on Hackney Diamonds—and Black and Blue in this 2025 incarnation, on whisper-quiet wax, is the one to have.\u003c\/p\u003e\u003cp\u003eBack in 1976, Black and Blue was known in Stones circles as the “audition” album; the first after the departure of guitarist Mick Taylor, who’d sparkled on a string of efforts- Let It Bleed, Sticky Fingers, and Exile on Main Street, to name three- many consider among rock’s finest. So, it wasn’t a hole to fill. It was a crater.\u003c\/p\u003e\u003cp\u003eWith guest spots at the B\u0026amp;B sessions by a few notable axe-men—from Jeff Beck and Harvey Mandel to Wayne Perkins and Robert A. Johnson—the talent pool was Olympian. In the end, the band went with Beck’s bandmate from his Rod Stewart days, Ronnie Wood, and the rest is Rolling Stones history. Looking back now, it seems inevitable that Wood would get the gig, yet this set includes some of the jams with the runners-up that tantalize the imagination. A take of Beck’s “Freeway Jam” is as intriguing to hear as it is historic, if ultimately bolstering the conclusion that Wood was the best fit.\u003c\/p\u003e\u003cp\u003eAs for the three LPs and Blu-ray that contain live performances from ‘76- the vinyl from a hometown residency at Earls Court; the video from a TV broadcast of a Paris show—it’s more peak-Stones magic. Again, the addition of Wood is hand-in-glove, weaving as he would so well for the next five decades with Keith Richards, complementing- with the just the right attitude and attire—the gargantuan stage presence of Mick Jagger, and, most importantly, playing guitar like an ace. Toss in some previously unreleased cuts and a coffee-table-ready book, and this is a box set that gets it exactly right.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2026\/01\/16\/the-rolling-stones-black-and-blue-5-lp-deluxe-edition\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBlack and Blue arrived at a crossroads, recorded while the Stones were auditioning potential replacements for Mick Taylor, with Harvey Mandel, Wayne Perkins, and Ollie Brown all appearing on the final record alongside Wood. That open-door sessions approach gave the album a looser, more collaborative feel than anything they'd cut in years, leaning deep into funk and reggae alongside the rock and roll.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eCelebrate the Rolling Stones' 1976 album, Black and Blue, with this comprehensive box set. This album marked a pivotal moment, as it was the first to feature Ronnie Wood as a full member, contributing his iconic guitar work. Acclaimed at the time by Billboard as being `one of their most purely enjoyable albums of the `70's' the reputation of the album has only grown, with Uncut declaiming `Forty-one minutes of super-tight, bone-dry, hi-fi rock and soul, Black and Blue is one of the Stones' most underrated albums'.\u003c\/p\u003e\u003ch3\u003eThis collection includes:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e4CDs and 1 Blu-Ray disc, featuring a new Steven Wilson mix of the album, unreleased outtakes, and a live recording from their 1976 Earls Court show.\u003c\/li\u003e\n\u003cli\u003eThe Blu-Ray also includes a previously unreleased live TV recording from Paris and Dolby Atmos mixes.\u003c\/li\u003e\n\u003cli\u003eA 100-page hardcover book with a new essay by Stones expert Paul Sexton, including an interview with Ronnie Wood.\u003c\/li\u003e\n\u003cli\u003eA Paris show poster.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eThe Rolling Stones - Black and Blue (4xCD + Blu Ray)\u003c\/h3\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eDisc 1\u003c\/h4\u003e\n\u003cdiv\u003e1. Hot Stuff\u003c\/div\u003e\n\u003cdiv\u003e2. Hand Of Fate\u003c\/div\u003e\n\u003cdiv\u003e3. Cherry Oh Baby\u003c\/div\u003e\n\u003cdiv\u003e4. Memory Motel\u003c\/div\u003e\n\u003cdiv\u003e5. Hey Negrita\u003c\/div\u003e\n\u003cdiv\u003e6. Melody\u003c\/div\u003e\n\u003cdiv\u003e7. Fool To Cry\u003c\/div\u003e\n\u003cdiv\u003e8. Crazy Mama\u003c\/div\u003e\n\u003ch4\u003eDisc 2\u003c\/h4\u003e\n\u003cdiv\u003e1. I Love A Lady\u003c\/div\u003e\n\u003cdiv\u003e2. Shame, Shame, Shame\u003c\/div\u003e\n\u003cdiv\u003e3. Chuck Berry Style Jam\u003c\/div\u003e\n\u003cdiv\u003e4. Blues Jam\u003c\/div\u003e\n\u003cdiv\u003e5. Rotterdam Jam\u003c\/div\u003e\n\u003cdiv\u003e6. Freeway Jam\u003c\/div\u003e\n\u003ch4\u003eDisc 3\u003c\/h4\u003e\n\u003cdiv\u003e1. Honky Tonk Women\u003c\/div\u003e\n\u003cdiv\u003e2. If You Can’t Rock Me\u003c\/div\u003e\n\u003cdiv\u003e3. Hand Of Fate\u003c\/div\u003e\n\u003cdiv\u003e4. Hey Negrita\u003c\/div\u003e\n\u003cdiv\u003e5. Ain’t Too Proud To Beg\u003c\/div\u003e\n\u003cdiv\u003e6. Fool To Cry\u003c\/div\u003e\n\u003cdiv\u003e7. Hot Stuff\u003c\/div\u003e\n\u003cdiv\u003e8. Star Star\u003c\/div\u003e\n\u003cdiv\u003e9. You Gotta Move\u003c\/div\u003e\n\u003cdiv\u003e10. You Can’t Always Get What You Want\u003c\/div\u003e\n\u003cdiv\u003e11. Band Intro\u003c\/div\u003e\n\u003cdiv\u003e12. Happy\u003c\/div\u003e\n\u003cdiv\u003e13. Tumbling Dice\u003c\/div\u003e\n\u003cdiv\u003e14. Nothing From Nothing\u003c\/div\u003e\n\u003cdiv\u003e15. Outa-Space\u003c\/div\u003e\n\u003ch4\u003eDisc 4\u003c\/h4\u003e\n\u003cdiv\u003e1. Midnight Rambler\u003c\/div\u003e\n\u003cdiv\u003e2. It’s Only Rock 'N Roll (But I Like It)\u003c\/div\u003e\n\u003cdiv\u003e3. Brown Sugar\u003c\/div\u003e\n\u003cdiv\u003e4. Jumpin’ Jack Flash\u003c\/div\u003e\n\u003cdiv\u003e5. Street Fighting Man\u003c\/div\u003e\n\u003cdiv\u003e6. Sympathy For The Devil\u003c\/div\u003e\n\u003ch4\u003eBlu-ray\u003c\/h4\u003e\n\u003cdiv\u003e1. Hot Stuff\u003c\/div\u003e\n\u003cdiv\u003e2. Hand Of Fate\u003c\/div\u003e\n\u003cdiv\u003e3. Cherry Oh Baby\u003c\/div\u003e\n\u003cdiv\u003e4. Memory Motel\u003c\/div\u003e\n\u003cdiv\u003e5. Hey Negrita\u003c\/div\u003e\n\u003cdiv\u003e6. Melody\u003c\/div\u003e\n\u003cdiv\u003e7. Fool To Cry\u003c\/div\u003e\n\u003cdiv\u003e8. Crazy Mama\u003c\/div\u003e\n\u003cdiv\u003e9. Band Intro\u003c\/div\u003e\n\u003cdiv\u003e10. Honky Tonk Women\u003c\/div\u003e\n\u003cdiv\u003e11. Hand of Fate\u003c\/div\u003e\n\u003cdiv\u003e12. Fool To Cry\u003c\/div\u003e\n\u003cdiv\u003e13. Hot Stuff\u003c\/div\u003e\n\u003cdiv\u003e14. Star Star\u003c\/div\u003e\n\u003cdiv\u003e15. You Gotta Move\u003c\/div\u003e\n\u003cdiv\u003e16. You Can’t Always Get What You Want\u003c\/div\u003e\n\u003cdiv\u003e17. Band 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Title","offer_id":49990880035058,"sku":"29428184","price":168.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/packshot-8978189418651-cd-relix.png?v=1787917963"},{"product_id":"willie-nelson-greatest-hits-cd","title":"Willie Nelson – Greatest Hits Music CD","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eWillie Nelson – Greatest Hits Music CD\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBrand new, factory sealed, and ready to ship fast from the U.S.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCelebrate one of the most legendary voices in American music with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eWillie Nelson – Greatest Hits Music CD\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. With his instantly recognizable vocals, unmistakable guitar style, and timeless songwriting, Willie Nelson has built a remarkable career spanning country, outlaw country, folk, blues, and traditional American music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis greatest-hits collection offers an easy way to enjoy memorable music from an artist whose songs have connected with generations of listeners. Willie Nelson's combination of heartfelt storytelling, laid-back delivery, and authentic country sound has made him an enduring favorite far beyond the boundaries of traditional country music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhether you're a longtime Willie Nelson fan, discovering his music for the first time, or putting together a collection of classic country artists, this CD makes an excellent addition to your physical music library.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt's also a great gift for \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecountry music fans, Willie Nelson collectors, road-trip listeners, and anyone who appreciates classic American songwriting\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eWhy You Need It Now\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWillie Nelson's music has remained popular across generations, and greatest-hits collections provide a convenient way to keep favorite recordings together in one physical edition. As individual CD releases move in and out of circulation, factory-sealed copies can become harder to find than their digital counterparts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOrder your \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eWillie Nelson – Greatest Hits Music CD\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e today while it's available and add the unmistakable sound of an American music legend to your collection!\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eAdd a concise product-details sectionReduce repetitive promotional wording\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eWillie Nelson has been bending the rules of Nashville since before most of the city's current stars were born, and his catalog remains one of country music's most lived-in bodies of work. A founding father of the outlaw country movement, he carries a phrasing sensibility rooted as much in jazz and blues as in traditional country, which is why his songs translate across genres and generations with such ease.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cspan\u003eThis new collection is a career spanner jampacked with 22 songs, with each era of Willie’s illustrious six decade career chronicled. It includes massive hits like “On The Road Again,” “Always On My Mind” and “Blue Eyes Crying In The Rain” next to a number of his 21\u003c\/span\u003e\u003csup\u003est\u003c\/sup\u003e\u003cspan\u003e century gems, including latter day classics like “Ride Me Back Home” and “Roll Me Up.” It features classic collaborations with the likes of Merle Haggard, Waylon Jennings and Julio Iglesias, Willie’s early versions of songs made famous by others in the early 60s like “Crazy” and “Night Life,” alongside interpretations of others’ songs that he made his own from Hoagy Carmichael’s “Stardust” to Arlo Guthrie’s “City Of New Orleans” to Pearl Jam’s “Just Breathe.”\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. On The Road Again (2:33)\u003c\/div\u003e\n\u003cdiv\u003e2. Whiskey River (3:31)\u003c\/div\u003e\n\u003cdiv\u003e3. Blue Eyes Crying In The Rain (2:19)\u003c\/div\u003e\n\u003cdiv\u003e4. Me And Paul (3:48)\u003c\/div\u003e\n\u003cdiv\u003e5. Always On My Mind (3:31)\u003c\/div\u003e\n\u003cdiv\u003e6. Shotgun Willie (2:40)\u003c\/div\u003e\n\u003cdiv\u003e7. Crazy (2:51)\u003c\/div\u003e\n\u003cdiv\u003e8. Pancho And Lefty (4:46)\u003c\/div\u003e\n\u003cdiv\u003e9. Georgia On My Mind (4:18)\u003c\/div\u003e\n\u003cdiv\u003e10. Mamas Don't Let Your Babies Grow Up To Be Cowboys (2:32)\u003c\/div\u003e\n\u003cdiv\u003e11. Angel Flying Too Close To The Ground (4:28)\u003c\/div\u003e\n\u003cdiv\u003e12. Still Is Still Moving To Me (3:30)\u003c\/div\u003e\n\u003cdiv\u003e13. I Never Cared For You (2:18)\u003c\/div\u003e\n\u003cdiv\u003e14. Ride Me Back Home (3:35)\u003c\/div\u003e\n\u003cdiv\u003e15. To All The Girls I've Loved Before (3:32)\u003c\/div\u003e\n\u003cdiv\u003e16. Roll Me Up And Smoke Me When I Die (3:25)\u003c\/div\u003e\n\u003cdiv\u003e17. Across The Borderline (4:40)\u003c\/div\u003e\n\u003cdiv\u003e18. My Heroes Have Always Been Cowboys (3:03)\u003c\/div\u003e\n\u003cdiv\u003e19. City Of New Orleans (4:50)\u003c\/div\u003e\n\u003cdiv\u003e20. Just Breathe (4:02)\u003c\/div\u003e\n\u003cdiv\u003e21. Last Thing I Needed First Thing This Morning (4:20)\u003c\/div\u003e\n\u003cdiv\u003e22. Who'll Buy My Memories? (3:14)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 196588131721\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.3.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990879969522,"sku":"655499","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/packshot-willie-nelson-greatest-hits-cd-relix.jpg?v=1787917963"},{"product_id":"van-morrison-roll-with-the-punches-cd","title":"Van Morrison – Roll With The Punches Music CD","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy 2017, Van Morrison had spent more than five decades tracing his music back to the same wellspring, the American blues and R\u0026amp;B records he absorbed growing up in Belfast. That deep fluency is what makes this collection feel less like a covers project and more like a homecoming, with Morrison and his band inhabiting songs by Mose Allison and Sister Rosetta Tharpe with the ease of musicians who never really left that tradition behind.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eRoll With The Punches – Van Morrison’s 37th studio album - sees him simultaneously hand-picking a selection of rhythm and blues classics (by the likes of Bo Diddley, Mose Allison, Sister Rosetta Tharpe and Lightnin’ Hopkins among others) and recording a set of new self-written songs. It’s an album that features raw, intimate interpretations of some of the cornerstones of rock’n’roll alongside five new numbers by one of our most consistently brilliant recording artists. Roll With The Punches was produced by Van Morrison and recorded with an incredible team of studio collaborators including Chris Farlowe, Georgie Fame, Jeff Beck, Paul Jones and Jason Rebello.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Roll With The Punches (3:56)\u003c\/div\u003e\n\u003cdiv\u003e2. Transformation (3:30)\u003c\/div\u003e\n\u003cdiv\u003e3. I Can Tell (3:51)\u003c\/div\u003e\n\u003cdiv\u003e4. Stormy Monday \/ Lonely Avenue (5:29)\u003c\/div\u003e\n\u003cdiv\u003e5. Goin' To Chicago (5:21)\u003c\/div\u003e\n\u003cdiv\u003e6. Fame (5:06)\u003c\/div\u003e\n\u003cdiv\u003e7. Too Much Trouble (3:03)\u003c\/div\u003e\n\u003cdiv\u003e8. Bring It On Home To Me (5:37)\u003c\/div\u003e\n\u003cdiv\u003e9. Ordinary People (4:41)\u003c\/div\u003e\n\u003cdiv\u003e10. How Far From God (3:45)\u003c\/div\u003e\n\u003cdiv\u003e11. Teardrops From My Eyes (3:52)\u003c\/div\u003e\n\u003cdiv\u003e12. Automobile Blues (3:38)\u003c\/div\u003e\n\u003cdiv\u003e13. Benediction (3:10)\u003c\/div\u003e\n\u003cdiv\u003e14. Mean Old World (4:59)\u003c\/div\u003e\n\u003cdiv\u003e15. Ride On Josephine (3:30)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602557718515\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Exile\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.22.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990879903986,"sku":"627809","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Van-Morrison-Roll-With-The-Punches-CD.png?v=1787917964"}],"url":"https:\/\/discandvinyl.com\/collections\/relix-shop-cds.oembed?page=27","provider":"DiscandVinyl.com","version":"1.0","type":"link"}