{"title":"relix.shop - Vinyl Records","description":null,"products":[{"product_id":"ludovico-einaudi-the-summer-portraits-live-transparent-blue-transparent-pink-2-lp-vinyl","title":"Ludovico Einaudi – The Summer Portraits: Live (Transparent Blue\/Transparent Pink 2-LP Vinyl) Vinyl Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eEinaudi's piano compositions occupy a rare space where minimalism and emotional weight coexist without apology, drawing listeners who might never set foot in a concert hall into something that feels quietly essential. The Royal Albert Hall setting suits him perfectly, a room with a century of orchestral memory built into its walls. These colored pressings make a strong case for hearing music this intimate on vinyl, where every breath of silence between notes actually lands.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLudovico Einaudi returns with ‘The Summer Portraits: Live.’ Recorded live in London at the Royal Albert Hall in 2025, this new collection includes favorites from The Summer Portraits as well as much-loved classics such as “I Giorni,” “Nuvole Bianche” and “Experience.” Pressed on transparent blue \u0026amp; transparent pink color vinyl, 2LP.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cdiv\u003e1. Rose Bay\u003c\/div\u003e\n\u003cdiv\u003e2. To Be Sun\u003c\/div\u003e\n\u003cdiv\u003e3. Punta Bianca\u003c\/div\u003e\n\u003cdiv\u003e4. Episode One\u003c\/div\u003e\n\u003cdiv\u003e5. Santiago\u003c\/div\u003e\n\u003cdiv\u003e6. I Giorni (new arrangement)\u003c\/div\u003e\n\u003cdiv\u003e7. Pathos\u003c\/div\u003e\n\u003cdiv\u003e8. Maria Callas\u003c\/div\u003e\n\u003cdiv\u003e9. Experience\u003c\/div\u003e\n\u003cdiv\u003e10. Nuvole Bianche\u003c\/div\u003e\n\u003cdiv\u003e11. The Tower\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 199957165105\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Decca\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.11.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49921295220978,"sku":"207543867","price":72.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Ludovico-Einaudi-The-Summer-Portraits-Live-Transparent-BlueTransparent-Pink-LP-Vinyl.jpg?v=1786715331"},{"product_id":"grateful-dead-gratest-hits-blue-lp-vinyl","title":"Grateful Dead – Gratest Hits (Blue LP Vinyl) Vinyl Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNine songs shouldn't be enough to capture a band that regularly played four-hour shows, yet this Warner Bros. survey pulls off something remarkable: a snapshot of the Dead at their most radio-approachable, drawing from the fertile 1970 to 1971 studio run that produced both \"Workingman's Dead\" and \"American Beauty\" alongside the harder-edged \"Casey Jones\" and \"Truckin'.\" The blue vinyl pressing gives a catalog staple a reason to come off the shelf again.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Grateful Dead's essential compilation, pressed on limited edition light blue vinyl. 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The harmonies here, anchored by Garcia, Bob Weir, and Phil Lesh singing together, defined a warmer, more intimate side of a band better known for marathon live improvisation.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe crown jewel of the Grateful Dead's studio output, \u003cem\u003eAmerican Beauty\u003c\/em\u003e was recorded in the summer of 1970 — just months after \u003cem\u003eWorkingman's Dead\u003c\/em\u003e — and the two albums together represent the peak of \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and \u003cstrong\u003eRobert Hunter\u003c\/strong\u003e's songwriting partnership. 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The Barlow collaborations born here would anchor setlists well into the 1990s, making this remaster not just a document of one album but a window into the origins of a creative partnership that shaped decades of live music.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eReleased in May 1972, Ace is technically \u003cstrong\u003eBob Weir\u003c\/strong\u003e's first solo album—but it's essentially a Grateful Dead album in everything but name. Recorded at Wally Heider Studios with the full Dead lineup (minus \u003cstrong\u003ePigpen\u003c\/strong\u003e), Ace captures Weir emerging as a songwriter and bandleader, partnering with lyricist \u003cstrong\u003eJohn Perry Barlow\u003c\/strong\u003e to create songs like \"Playing in the Band,\" \"Cassidy,\" and \"Mexicali Blues\" that would become Dead standards for the next three decades. This 50th Anniversary remaster brings new clarity to performances that showcase Weir's rhythm guitar work and distinctive vocal style.\u003c\/p\u003e\n\u003cp\u003eThe album features Weir exploring different facets of his songwriting: the cosmic Americana of \"Cassidy\" (written for Neal Cassady and Cassady Law Weir), the playful storytelling of \"Mexicali Blues,\" the extended improvisational canvas of \"Playing in the Band,\" and the tender \"Looks Like Rain.\" \u003cstrong\u003eGarcia\u003c\/strong\u003e, \u003cstrong\u003eLesh\u003c\/strong\u003e, \u003cstrong\u003eKreutzmann\u003c\/strong\u003e, \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e, and \u003cstrong\u003eDonna Jean\u003c\/strong\u003e all contribute, making this a Dead album in spirit even if Weir's name is on the cover. The production captures the warmth of early-'70s analog recording, with \u003cstrong\u003eGarcia\u003c\/strong\u003e's pedal steel adding atmospheric textures and \u003cstrong\u003eLesh\u003c\/strong\u003e's bass providing melodic counterpoint to Weir's rhythm guitar.\u003c\/p\u003e\n\u003cp\u003eWhat makes Ace significant is how it established Weir as more than just the Dead's rhythm guitarist—he was a songwriter capable of crafting material that could stand alongside \u003cstrong\u003eGarcia\u003c\/strong\u003e and \u003cstrong\u003eHunter\u003c\/strong\u003e's compositions. Songs from Ace became permanent fixtures in Dead setlists, with \u003cstrong\u003e\"Playing in the Band\"\u003c\/strong\u003e evolving into a vehicle for extended improvisation and \u003cstrong\u003e\"Cassidy\"\u003c\/strong\u003e becoming an emotional high point of acoustic sets. 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The Warfield on Market Street was essentially JGB home turf, a room where Garcia and company could stretch out and let the music find its own temperature. 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Gospel harmonies shine on \u003cstrong\u003e\"My Sisters and Brothers,\"\u003c\/strong\u003e and the always vibrant \u003cstrong\u003e\"Deal\"\u003c\/strong\u003e leaves no doubt: the band came to have a blast.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eSetlist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSet One\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSide A:\u003c\/em\u003e The Way You Do the Things You Do \/ Mission in the Rain\u003cbr\u003e\u003cem\u003eSide B:\u003c\/em\u003e You Never Can Tell (C'est La Vie) \/ Simple Twist of Fate\u003cbr\u003e\u003cem\u003eSide C:\u003c\/em\u003e I Second That Emotion \/ Like a Road Leading Home\u003cbr\u003e\u003cem\u003eSide D:\u003c\/em\u003e My Sisters and Brothers \/ Deal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSet Two\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSide E:\u003c\/em\u003e Everybody Needs Somebody to Love \/ Stop That Train\u003cbr\u003e\u003cem\u003eSide F:\u003c\/em\u003e Waiting for a Miracle \/ Think\u003cbr\u003e\u003cem\u003eSide G:\u003c\/em\u003e Lay Down Sally \/ That Lucky Old Sun\u003cbr\u003e\u003cem\u003eSide H:\u003c\/em\u003e Midnight Moonlight\u003c\/p\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990870499570,"sku":"598326","price":74.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Jerry-Garcia-Live-At-The-Warfield-February-28th-1991-4-LP-Vinyl.jpg?v=1787917776"},{"product_id":"jerry-garcia-live-at-the-warfield-march-1st-1991-4-lp-vinyl","title":"Jerry Garcia – Live At The Warfield: March 1st, 1991 (4-LP Vinyl) Vinyl Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy early 1991, the Jerry Garcia Band had settled into one of its most cohesive lineups, with Melvin Seals anchoring the keys and a rhythm section that gave Garcia room to stretch without ever losing the pocket. 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Pressed to 4 LPs and housed in gatefold packaging.\u003c\/p\u003e\n\u003cp\u003eThe band locks in immediately with a punchy \u003cstrong\u003e\"Cats Under the Stars\"\u003c\/strong\u003e and keeps the energy flowing throughout both sets. 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Limited to 5,000. \u003c\/h2\u003e\n\u003cp\u003eRemixed by Derek Featherstone and mastered by GRAMMY® Award-winning engineer \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e. Produced for Release by Bobby Weir and Derek Featherstone. When Bobby started working on ACE at Wally Heider’s Studio in San Francisco in early 1972, he wasn’t planning for the Grateful Dead to be his backing band.\u003c\/p\u003e\n\u003cp\u003eIt just happened. \u003cstrong\u003e“I pretty much knew in the back of my mind what would happen,”\u003c\/strong\u003e Weir told Crawdaddy a few months after the sessions. “I go and get the time booked and start putting the material together. Everybody gets wind of the fact I got the time booked and I may be going into the studio. So, one by one, they start coming around…”\u003c\/p\u003e\n\u003cp\u003eIt made sense, the band was already familiar with most of the music, having road-tested six of the album’s eight songs, including \u003cstrong\u003e“Greatest Story Ever Told,”\u003c\/strong\u003e \u003cstrong\u003e“Mexicali Blues,”\u003c\/strong\u003e and \u003cstrong\u003e“Playing In The Band,”\u003c\/strong\u003e destined to become one of Weir’s signature tunes. ACE also marked the beginning of Weir’s long-running collaboration with lyricist \u003cstrong\u003eJohn Perry Barlow\u003c\/strong\u003e and includes early standouts \u003cstrong\u003e“Cassidy”\u003c\/strong\u003e and \u003cstrong\u003e“Looks Like Rain.”\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Greatest Story Ever Told (3:42)\u003cbr\u003e\nA2. Black-Throated Wind (5:43)\u003cbr\u003e\nA3. Walk In The Sunshine (3:02)\u003cbr\u003e\nA4. Playing In The Band (7:38)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Looks Like Rain (6:10)\u003cbr\u003e\nB2. Mexicali Blues (3:24)\u003cbr\u003e\nB3. One More Saturday Night (4:25)\u003cbr\u003e\nB4. Cassidy (3:39)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227882877\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.13.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990870597874,"sku":"220451","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Bob-Weir-Ace-50th-Anniversary-Remaster-Translucent-Red-LP-Vinyl.jpg?v=1787917776"},{"product_id":"jerry-garcia-live-at-the-warfield-march-2nd-1991-5-lp-vinyl","title":"Jerry Garcia – Live At The Warfield: March 2nd, 1991 (5-LP Vinyl) Vinyl Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Warfield was Jerry's house. The San Francisco venue served as a second home for the Jerry Garcia Band throughout the 1980s and into the '90s, and by March 1991 the band was deep in its prime, with a telepathic lineup that included keyboardist Melvin Seals. This third and final night of the run captures that chemistry at full force, spread across five sides of vinyl with room to breathe.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eCheck out our September 2025 review of Live at The Warfield on \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/09\/12\/jerry-garcia-band-live-at-the-warfield-february-28th-march-1st-2nd-1991\/\"\u003ejambands.com\u003c\/a\u003e.\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eLive at The Warfield: March 2nd, 1991,\u003c\/em\u003e closes out the run on a high note, with the \u003cstrong\u003eJerry Garcia Band\u003c\/strong\u003e raising the roof on the old place. Pressed to 5 LPs and housed in gatefold packaging, it's a fitting farewell to three unforgettable nights at the JGB's Bay Area home.\u003c\/p\u003e\n\u003cp\u003eThe night flows front to back — from heartfelt ballads like \u003cstrong\u003e\"I Shall Be Released\"\u003c\/strong\u003e and \u003cstrong\u003e\"Mississippi Moon\"\u003c\/strong\u003e to a rousing \u003cstrong\u003e\"Tore Up Over You\"\u003c\/strong\u003e and a blistering \u003cstrong\u003e\"Let's Spend the Night Together.\"\u003c\/strong\u003e Set Two delivers a double dose of Dylan with a haunting \u003cstrong\u003e\"Señor\"\u003c\/strong\u003e and a spirited \u003cstrong\u003e\"Tangled Up in Blue,\"\u003c\/strong\u003e alongside more highlights from across the band's repertoire.\u003c\/p\u003e\n\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eSetlist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSet One\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSide A:\u003c\/em\u003e How Sweet It Is (To Be Loved by You) \/ I Shall Be Released\u003cbr\u003e\u003cem\u003eSide B:\u003c\/em\u003e You Never Can Tell (C'est La Vie) \/ Mississippi Moon\u003cbr\u003e\u003cem\u003eSide C:\u003c\/em\u003e Tore Up Over You \/ My Sisters and My Brothers\u003cbr\u003e\u003cem\u003eSide D:\u003c\/em\u003e Let's Spend the Night Together\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSet Two\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eSide E:\u003c\/em\u003e The Way You Do the Things You Do \/ Señor (Tales of Yankee Power)\u003cbr\u003e\u003cem\u003eSide F:\u003c\/em\u003e Struggling Man \/ Money Honey\u003cbr\u003e\u003cem\u003eSide G:\u003c\/em\u003e Everybody Needs Somebody to Love \/ Evangeline\u003cbr\u003e\u003cem\u003eSide H:\u003c\/em\u003e That Lucky Old Sun\u003cbr\u003e\u003cem\u003eSide I:\u003c\/em\u003e Tangled Up in Blue\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882668419\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.5.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990870696178,"sku":"115933","price":84.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Jerry-Garcia-Live-At-The-Warfield-March-2nd-1991-5-LP-Vinyl.jpg?v=1787917776"},{"product_id":"jerry-garcia-john-kahn-pure-jerry-marin-veterans-memorial-auditorium-san-rafael-ca-february-28-1986-2-lp-vinyl","title":"Jerry Garcia \u0026 John Kahn – Pure Jerry: Marin Veterans Memorial Auditorium, San Rafael, CA - February 28, 1986 (2–LP Vinyl) Vinyl Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe acoustic duo setting always brought out something unguarded in Garcia, and 1986 found him deep in the format he'd been refining with Kahn since the early 1970s. Just miles from his Marin County home, performing for a local crowd that knew him as a neighbor as much as a legend, Garcia let the folk and jug band roots that shaped him breathe without the electricity of a full band.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003ePure Jerry: Marin Veterans Memorial Auditorium\u003c\/em\u003e showcases a quintessential \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and \u003cstrong\u003eJohn Kahn\u003c\/strong\u003e acoustic duo performance recorded on February 28, 1986. 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Now that I'm older than Jerry and the Dawg were when they recorded the thing, I feel the melancholic pull of looking back to easier years more deeply, more humanly.\u003c\/p\u003e\u003cp\u003eOthers may experience the same thing. This deluxe edition is the perfect excuse to find out.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Kristopher Weiss, \u003ca href=\"https:\/\/jambands.com\/reviews\/2026\/01\/23\/jerry-garcia-and-david-grisman-not-for-kids-only-deluxe-edition\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe friendship between Jerry Garcia and David Grisman ran deep, rooted in a shared love of acoustic music that predated the Grateful Dead entirely. Their collaborations through the 1990s on Round Records captured something genuinely rare, two masters playing for the joy of it, and this 1993 children's record is no exception. Getting it on vinyl for the first time means the warmth of their acoustic interplay finally has the format it deserved all along.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003cp\u003ePressed to vinyl for the first time, this deluxe edition of the classic children's album from \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and \u003cstrong\u003eDavid Grisman\u003c\/strong\u003e has been remastered and expanded with four bonus tracks. 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What the Dead brought to his catalog was something few backing bands could offer: a communal improvisational language built over two decades of live performance, and an audience already primed to follow wherever the music led.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDylan \u0026amp; The Dead is a collaborative live album by American singer-songwriter Bob Dylan and the Grateful Dead, released on February 6, 1989 by Columbia Records. The album consists of seven songs written and sung by Dylan, with the Grateful Dead providing accompaniment. The album was produced by \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e and \u003cstrong\u003eJohn Cutler\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eDylan \u0026amp; The Dead was recorded in 1987, during a successful stadium tour of the same name, that featured the two artists performing separately and together.\u003c\/p\u003e\n\n\u003cp\u003eIn 1992, a bootleg of the first concert of the tour was released under the title \u003cstrong\u003e\"Orbiting Uvula\"\u003c\/strong\u003e. It includes the first-ever live performance of \u003cstrong\u003e\"Queen Jane Approximately\"\u003c\/strong\u003e, the first live performance of \u003cstrong\u003e\"John Brown\"\u003c\/strong\u003e since 1963, and the first live performance of \u003cstrong\u003e\"Chimes of Freedom\"\u003c\/strong\u003e since 1964\u003c\/p\u003e\n\n\u003cp\u003eBob Dylan And The Grateful Dead\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Slow Train (4:57)\u003cbr\u003e\nA2. I Want You (4:04)\u003cbr\u003e\nA3. Gotta Serve Somebody (5:51)\u003cbr\u003e\nA4. Queen Jane Approximately (6:38)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Joey (9:23)\u003cbr\u003e\nB2. All Along The Watchtower (6:24)\u003cbr\u003e\nB3. 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The Fillmore East, Bill Graham's New York room, was one of the few stages in America that could hold what the Dead were becoming, and recordings from this run capture that electricity with rare immediacy.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003e\u003cstrong\u003eGrateful Dead Fillmore East 2-11-69 (180 Gram Audiophile Vinyl\/Limited Anniversary Edition\/Tri-fold Cover)\u003c\/strong\u003e\u003c\/h2\u003e\n\n\u003cp\u003eIn celebration of 6 Decades of Grateful Dead, Friday Music is very pleased to announce this stunning 180 Gram Audiophile 3 LP Deluxe Set of Grateful Dead's \u003cstrong\u003e\"Fillmore East 2-11-69.\"\u003c\/strong\u003e This amazing, super-limited-edition treasure trove features tunes from these significant concerts, both early and late.\u003c\/p\u003e\n\n\u003cp\u003eFilled with 17 stellar vinyl performances, The Grateful Dead's \u003cstrong\u003eJerry Garcia\u003c\/strong\u003e, \u003cstrong\u003eBob Weir\u003c\/strong\u003e, \u003cstrong\u003ePhil Lesh\u003c\/strong\u003e, \u003cstrong\u003eMickey Hart\u003c\/strong\u003e, Bill Kreutzmann, Ron McKernan, and \u003cstrong\u003eTom Constanten\u003c\/strong\u003e truly radiate their finest playing and singing, making this a wonderful listen and a highly collectible album for years to come.\u003c\/p\u003e\n\n\u003cp\u003eAs an added super-rare treat, a tip of the hat to The Beatles is preserved in the audiophile domain, with their fine interpretation of Hey Jude, as well as a pair of masterful blues classics: King Bee and Good Morning Little School Girl.\u003c\/p\u003e\n\n\u003cp\u003eThe Grateful Dead's Fillmore 2-11-69 album is packaged in a stunning tri-fold cover with beautifully detailed artwork, Gary Lambert's original liner notes, and wonderful retro LP label artwork for each vinyl album.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eGood Morning Little Schoolgirl\u003c\/li\u003e\n\u003cli\u003eCryptical Envelopment\u003c\/li\u003e\n\u003cli\u003eThe Other One\u003c\/li\u003e\n\u003cli\u003eCryptical Envelopment\u003c\/li\u003e\n\u003cli\u003eDoin' That Rag\u003c\/li\u003e\n\u003cli\u003eI'm A King Bee\u003c\/li\u003e\n\u003cli\u003eHey Jude\u003c\/li\u003e\n\u003cli\u003eTurn On Your Lovelight\u003c\/li\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eDupree's Diamond Blues\u003c\/li\u003e\n\u003cli\u003eMountains Of The Moon\u003c\/li\u003e\n\u003cli\u003eDark Star\u003c\/li\u003e\n\u003cli\u003eSt. Stephen\u003c\/li\u003e\n\u003cli\u003eThe Eleven\u003c\/li\u003e\n\u003cli\u003eDrums\u003c\/li\u003e\n\u003cli\u003eCaution (Do Not Stop On Tracks)\u003c\/li\u003e\n\u003cli\u003eFeedback\u003c\/li\u003e\n\u003cli\u003eWe Bid You Goodnight\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 829421021698\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Friday Music Two\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990871843058,"sku":"71456052","price":174.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Grateful-Dead-Fillmore-East-2-11-69-3-LP-Vinyl.png?v=1787917787"},{"product_id":"grateful-dead-the-best-of-the-grateful-dead-vol-2-1977-1989-2-lp-vinyl","title":"Grateful Dead – The Best Of The Grateful Dead Vol. 2: 1977-1989 (2-LP Vinyl) Vinyl Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe years covered here represent a period when the Dead were evolving in real time, playing arenas instead of ballrooms, reaching audiences who'd never heard \"Dark Star\" but found their way in through \"Touch of Grey\" hitting MTV in 1987. That crossover didn't dilute the community; it expanded it, bringing a whole new generation into the fold before the band's final years together.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe second and final volume of the Grateful Dead's 2015 career-spanning compilation, covering the band's Arista years from 1977 through 1989. Available as a 180-gram 2-LP set, \u003cem\u003eVolume 2\u003c\/em\u003e picks up where the first collection left off — moving from the orchestral ambition of \u003cstrong\u003e\"Terrapin Station\"\u003c\/strong\u003e through the disco-funk of \u003cstrong\u003e\"Shakedown Street,\"\u003c\/strong\u003e the commercial breakthrough of \u003cstrong\u003e\"Touch of Grey,\"\u003c\/strong\u003e and deep into the underrated gems of \u003cem\u003eIn the Dark\u003c\/em\u003e and \u003cem\u003eBuilt to Last\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eTaken together, the 13 tracks here make a compelling case that the Dead's Arista era — often dismissed by purists — produced some of their most enduring songs.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. 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Where his predecessors had shaped the band's sound through the psychedelic and jazz-leaning seventies, Mydland brought a blue-eyed soul edge that pushed the Dead toward something rawer and more direct, a quality that would define their sound well into the eighties and beyond.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eGo To Heaven\u003c\/em\u003e (1980) is the Grateful Dead's eleventh studio album and their first with keyboardist \u003cstrong\u003eBrent Mydland\u003c\/strong\u003e, who joined in 1979 following \u003cstrong\u003eKeith Godchaux\u003c\/strong\u003e's departure. Recorded at Club Front studio in San Rafael, California and produced by Gary Lyons, the album captures the Dead attempting to create radio-friendly songs while maintaining their musical identity.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e\"Alabama Getaway\"\u003c\/strong\u003e became the band's highest-charting single in years, while the Garcia\/Hunter classic \u003cstrong\u003e\"Althea\"\u003c\/strong\u003e went on to become a live staple for decades. \u003cstrong\u003eBob Weir\u003c\/strong\u003e contributes some of his most sophisticated writing with the paired suite of \u003cstrong\u003e\"Lost Sailor\"\u003c\/strong\u003e and \u003cstrong\u003e\"Saint of Circumstance,\"\u003c\/strong\u003e and Mydland announces his arrival with a pair of his own compositions — \u003cstrong\u003e\"Far from Me\"\u003c\/strong\u003e and \u003cstrong\u003e\"Easy to Love You\"\u003c\/strong\u003e — sung with a grit and soul that immediately distinguished him as a vital addition to the band.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eGo To Heaven\u003c\/em\u003e would be the last Grateful Dead studio album for seven years — until \u003cem\u003eIn the Dark\u003c\/em\u003e in 1987 — and an album that has aged considerably better than its mixed initial reception suggested.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. 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The centerpiece suite that closes Side 2 would become one of Jerry Garcia and Robert Hunter's most beloved long-form compositions, a piece the band carried through their live sets for decades, always searching for new ways into its layered mythology.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eNewly mastered by GRAMMY® Award-winning engineer \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e and produced for release by \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eThe first Grateful Dead album on Arista Records and the first studio album featuring an outside producer since their debut a decade earlier, \u003cem\u003eTerrapin Station\u003c\/em\u003e is one of the deepest, densest, and most ambitious records in the entire Dead catalog. 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The Keith Godchaux era brought a jazz-informed elegance to the songwriting, and Jerry Garcia and Robert Hunter were operating at a peak lyrical chemistry that runs all the way through \"Stella Blue\" and \"Eyes of the World.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eA picture disc pressing of the 50th Anniversary Remaster of \u003cem\u003eWake of the Flood\u003c\/em\u003e — the debut album from the band's own Grateful Dead Records label. Remastered by \u003cstrong\u003eDavid Glasser\u003c\/strong\u003e with Plangent Processes tape restoration and speed correction, and produced for release by \u003cstrong\u003eDavid Lemieux\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eReleased in 1973, \u003cem\u003eWake of the Flood\u003c\/em\u003e introduced a pivotal new lineup following the passing of founding member Ron \u003cstrong\u003e\"Pigpen\"\u003c\/strong\u003e McKernan and the temporary exit of drummer \u003cstrong\u003eMickey Hart\u003c\/strong\u003e. 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The setlist is well-balanced throughout — mixing road-tested staples like \u003cstrong\u003e\"How Sweet It Is (To Be Loved by You)\"\u003c\/strong\u003e and \u003cstrong\u003e\"The Night They Drove Old Dixie Down\"\u003c\/strong\u003e with more recent additions like Van Morrison's \u003cstrong\u003e\"Bright Side of the Road\"\u003c\/strong\u003e and a closing \u003cstrong\u003e\"What A Wonderful World.\"\u003c\/strong\u003e Playing with Hornsby always seemed to ignite a spark in Garcia, and this proved no exception — their potent chemistry fueling lively versions of \u003cstrong\u003e\"Ain't No Bread in the Breadbox,\"\u003c\/strong\u003e \u003cstrong\u003e\"You Never Can Tell (C'est La Vie),\"\u003c\/strong\u003e and a sprawling \u003cstrong\u003e\"Midnight Moonlight.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003ePressed to five 180-gram LPs in a limited edition of 7,500, housed in a deluxe clamshell box with new artwork by \u003cstrong\u003eGraham Yarrington\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 1 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Sweet It Is (To Be Loved by You)\u003c\/li\u003e\n\u003cli\u003eHe Ain't Give You None\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 1 — Side B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou Never Can Tell (C'est La Vie)\u003c\/li\u003e\n\u003cli\u003eRun for the Roses\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 2 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Night They Drove Old Dixie Down\u003c\/li\u003e\n\u003cli\u003eI Second That Emotion\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 2 — Side B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy Sisters and Brothers\u003c\/li\u003e\n\u003cli\u003eAin't No Bread in the Breadbox\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 3 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBright Side of the Road\u003c\/li\u003e\n\u003cli\u003eShining Star\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 3 — Side B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWaiting for a Miracle\u003c\/li\u003e\n\u003cli\u003eThink\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 4 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Shall Be Released\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 4 — Side B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDon't Let Go\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eLP 5 — Side A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMidnight Moonlight\u003c\/li\u003e\n\u003cli\u003eWhat A Wonderful World (Encore)\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882468910\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.25.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990875906290,"sku":"515340","price":99.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Jerry-Garcia-Band-Pure-Jerry-Coliseum-Hampton-VA-November-9-1991-5-LP-Vinyl.webp?v=1787917836"},{"product_id":"bob-dylan-greatest-hits-vol-ii-2-lp-vinyl","title":"Bob Dylan – Greatest Hits Vol. II (2-LP Vinyl) Vinyl Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased originally in 1971, this double LP arrived at a pivotal moment, drawing from across Dylan's Columbia catalog to capture the full sweep of his early-to-mid career transformations, from acoustic folk provocateur to electric rock iconoclast to country-inflected songwriter. The Basement Tapes material and live recordings woven throughout give it a depth that separates it from a standard hits package, offering a portrait of an artist who was already, just a decade in, impossible to contain in any single sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e2-LP collection featuring \"Lay Lady Lay,\" \"Tonight I'll Be Staying Here with You,\" \"Watching the River Flow\" along with other classics \"Don't Think Twice, It's All Right,\" \"All I Really Want to Do,\" \"My Back Pages,\" \"Maggie's Farm,\" \"She Belongs to Me,\" \"If Not for You,\" and \"Just Like Tom Thumb's Blues.\"  The 21-track set also includes a live version of \"Tomorrow Is a Long Time\" along with a live take of \"The Mighty Quinn (Quinn the Eskimo),\" plus \"I Shall Be Released,\" \"Down in the Flood,\" and \"You Ain't Goin' Nowhere” from The Basement Tapes.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. 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Tomorrow Is A Long Time (3:03)\u003cbr\u003e\nD4. When I Paint My Masterpiece (3:24)\u003cbr\u003e\nD5. I Shall Be Released (3:02)\u003cbr\u003e\nD6. You Ain't Goin' Nowhere (2:46)\u003cbr\u003e\nD7. Down In The Flood (2:47)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 198029912814\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.20.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990875971826,"sku":"96251042","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Bob-Dylan-Greatest-Hits-Vol_-II-2-LP-Vinyl.png?v=1787917835"},{"product_id":"bob-dylan-tribute-listen-to-bob-dylan-colored-2-lp-vinyl","title":"Bob Dylan Tribute – Listen To Bob Dylan (Colored 2-LP Vinyl) Vinyl Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDylan's catalog has always been communal property, songs so deeply embedded in American musical life that every generation finds new ways to inhabit them. This colored double-LP gathers contemporary artists doing exactly that, tracing the threads of one of the most covered songbooks in history back to their source, a fitting release for the year following his Nobel Prize-era resurgence in cultural conversation.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eGreen, yellow, white 3 color a\/b side\u003c\/h2\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Don't Think Twice (It's Alright)\u003cbr\u003e\nA2. Like A Rolling Stone\u003cbr\u003e\nA3. Tonight I'll Be Staying Here With You\u003cbr\u003e\nA4. Blowin' In The Wind\u003cbr\u003e\nA5. Girl Of The North Country\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Man In Me\u003cbr\u003e\nB2. I Believe In You\u003cbr\u003e\nB3. Simple Twist Of Fate\u003cbr\u003e\nB4. A Hard Rain's A-Gonna Fall\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Rainy Day Women #12 \u0026amp; 35\u003cbr\u003e\nC2. It Ain't Me Babe\u003cbr\u003e\nC3. Positively 4th Street\u003cbr\u003e\nC4. Just Like A Woman\u003cbr\u003e\nC5. I Shall Be Released\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Boots Of Spanish Leather\u003cbr\u003e\nD2. I Want You\u003cbr\u003e\nD3. The Times They Are A-Changin'\u003cbr\u003e\nD4. The Lonesome Death Of Hattie Carroll\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 684514448109\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Drive-thru Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.25.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990876168434,"sku":"663","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Bob-Dylan-Tribute-Listen-To-Bob-Dylan-Colored-2-LP-Vinyl.jpg?v=1787917835"},{"product_id":"billy-strings-bryan-sutton-live-at-the-legion-tri-color-red-white-blue-2-lp-vinyl","title":"Billy Strings \u0026 Bryan Sutton - Live At The Legion (Tri-Color Red White Blue 2-LP Vinyl) Vinyl Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eTwo of the most formidable flatpickers alive, sharing a small stage in a Kentucky American Legion hall, is exactly the kind of low-key, high-stakes setting where bluegrass has always revealed its deepest self. Sutton has spent decades as a Nashville session cornerstone and educator while Strings has dragged the tradition into arenas; hearing them locked in together strips all of that away and gets back to the music itself.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cstrong\u003eRead more about Billy Strings \u0026amp; Bryan Sutton's Live At The Legion in our featured coverage from May 2025 on \u003ca href=\"https:\/\/jambands.com\/reviews\/2025\/05\/03\/billy-strings-and-bryan-sutton-live-at-the-legion\/\" title=\"Billy Strings \u0026amp; Bryan Sutton - Live At The Legion (Indie Exclusive Tri-Color Red White Blue LP)\" rel=\"noopener\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis indie exclusive tri-color red, white, and blue vinyl pressing of Live At The Legion offers collectors a patriotic color variant of Billy Strings and Bryan Sutton's collaboration at American Legion Post 82 in Lexington, Kentucky. Sutton—multiple IBMA Guitar Player of the Year winner and widely considered the greatest living flatpicker—joins Billy for an intimate performance that showcases two generations of bluegrass virtuosity. The Legion's small room creates a sense of proximity that larger venues can't match, capturing every string bend, hammer-on, and harmonic detail with clarity.\u003c\/p\u003e\n\u003cp\u003eThe setlist balances traditional bluegrass standards with original material, allowing Billy and Bryan to trade solos and create spontaneous interplay that only happens when two virtuosos operate at the same level. Sutton's influence on Billy's playing is obvious throughout—the clean tone, precise timing, and melodic sensibility that defines Bryan's approach show up in Billy's technique. But Billy brings his own progressive edge, pushing arrangements into territory that honors tradition while expanding it. The result is bluegrass played at its absolute highest level, captured in a setting where technical perfection meets genuine musical conversation.\u003c\/p\u003e\n\u003cp\u003eWhat makes this indie exclusive tri-color edition particularly collectible is both the music's rarity and the visual appeal of the red, white, and blue vinyl. Collaborations between Billy and Bryan don't happen often, and this pressing transforms the performance into a display piece that looks as distinctive as it sounds. For flatpicking enthusiasts and collectors alike, this is essential: two masters of the form pushing each other while serving the music with the reverence bluegrass demands.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIndie exclusive tri-color red, white \u0026amp; blue vinyl.\u003c\/strong\u003e Recorded live at American Legion Post 82, Lexington, KY. Billy Strings with Bryan Sutton.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Nashville Blues (4:00)\u003cbr\u003e\nA2. Tom Dooley (4:22)\u003cbr\u003e\nA3. Little Darling Pal of Mine (3:25)\u003cbr\u003e\nA4. Walk on Boy (4:21)\u003cbr\u003e\nA5. Texas Gales (3:25)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Cold, Cold World (4:33)\u003cbr\u003e\nB2. Way Downtown (3:51)\u003cbr\u003e\nB3. Randall Collins \u0026gt; Done Gone (5:00)\u003cbr\u003e\nB4. Give Me Back My Fifteen Cents (3:44)\u003cbr\u003e\nB5. Groundhog (6:31)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Open Up Them Pearly Gates (3:50)\u003cbr\u003e\nC2. Two Soldiers (5:58)\u003cbr\u003e\nC3. Last Day At Gettysburg (4:15)\u003cbr\u003e\nC4. Salt Creek \u0026gt; Big Sandy River (6:13)\u003cbr\u003e\nC5. Travelin' Man (3:11)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Don' Think Twice, It's Alright (3:52)\u003cbr\u003e\nD2. Darling Corey (5:11)\u003cbr\u003e\nD3. Mary Of The Wild Moor (3:46)\u003cbr\u003e\nD4. Give The Fiddler A Dram \u0026gt; Whistling Rufus \u0026gt; Ragtime Annie (5:15)\u003cbr\u003e\nD5. Gonna Lay Down My Old Guitar (3:52)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 093624831037\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Reprise \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.1.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990876233970,"sku":"561634","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Billy-Strings-Bryan-Sutton-Live-At-The-Legion-Tri-Color-Red-White-Blue-2-LP-Vinyl.webp?v=1787917835"},{"product_id":"jason-isbell-foxes-in-the-snow-lp-vinyl","title":"Jason Isbell – Foxes in the Snow (LP Vinyl) Vinyl Record","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eJason Isbell, the beloved singer songwriter who made his name with Drive-By Truckers and cemented his reputation with The 400 Unit, has already released three solo albums. However, you've never heard him on his own quite like this. Foxes in the Snow is Isbell's first fully acoustic solo album, 11 tracks of expert guitar-picking and some of his best songwriting to date. And while he's never been one to bog down his songs with unnecessary instrumental layers or studio tricks, Foxes in the Snow is as intimate as it gets. It's a spectacular listen. The album opens with Isbell's voice calling out, no guitar to hold him: \"Bury me where the wind don't blow\/ Where the dust won't cover me\/ Where the tall grass grows\/ Or bury me right where I fall.\" These are songs of acceptance for life's fragility, winking acknowledgments that none of us get out alive. Indeed, that's Isbell to a T. The record's strongest selection is \"Gravelweed,\" a painfully vulnerable admission of Isbell's growth as a man (\"I wish that I could be angry\/ Punch a hole in the wall\/ But that ain't me anymore, baby\") paired with a howl-at-the-moon chorus that'll haunt you for weeks. Foxes in the Snow mixes these heart wrenching songs with sweet, grinning folk tunes like \"Don't Be Tough,\" where Isbell advises, \"Don't be shitty to the waiter, he's had a harder day than you.\" It's humbling and astonishingly good.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Justin Jacobs, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/jason-isbell-foxes-in-the-snow\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eStripped down to just his voice and acoustic guitar, Isbell delivers the kind of record that reminds you why his songwriting has always been the engine beneath the electricity. The Muscle Shoals and Athens, Georgia scenes that shaped him run deep in this lineage of American song, and Foxes in the Snow sits comfortably alongside the great solo acoustic traditions of that roots-soaked South.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2\u003eRead our review of Jason Isbell's Foxes in the Snow from March 2025 on Relix \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/jason-isbell-foxes-in-the-snow\/\"\u003ehere\u003c\/a\u003e.\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eJason Isbell, the beloved singer-songwriter who made his name with Drive-By Truckers and cemented his reputation with The 400 Unit, has already released three solo albums. However, you’ve never heard him on his own quite like this. \u003c\/span\u003e\u003cem\u003eFoxes in the Snow\u003c\/em\u003e\u003cspan\u003e is Isbell’s first fully acoustic solo album, 11 tracks of expert guitar-picking and some of his best songwriting to date. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAnd while he’s never been one to bog down his songs with unnecessary instrumental layers or studio tricks, \u003c\/span\u003e\u003cem\u003eFoxes in the Snow\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003eis as intimate as it gets. It’s a spectacular listen. The album opens with Isbell’s voice calling out, no guitar to hold him: “Bury me where the wind don’t blow\/ Where the dust won’t cover me\/ Where the tall grass grows\/ Or bury me right where I fall.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese are songs of acceptance for life’s fragility, winking acknowledgments that none of us get out alive. Indeed, that’s Isbell to a T. The record’s strongest selection is “Gravelweed,” a painfully vulnerable admission of Isbell’s growth as a man (“I wish that I could be angry\/ Punch a hole in the wall\/ But that ain’t me anymore, baby”) paired with a howl-at-the-moon chorus that’ll haunt you for weeks. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFoxes in the Snow mixes these heart-wrenching songs with sweet, grinning folk tunes like “Don’t Be Tough,” where Isbell advises, “Don’t be shitty to the waiter, he’s had a harder day than you.” It’s humbling and astonishingly good.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Bury Me\u003c\/div\u003e\n\u003cdiv\u003e2. Ride To Robert's\u003c\/div\u003e\n\u003cdiv\u003e3. Eileen\u003c\/div\u003e\n\u003cdiv\u003e4. Gravelweed\u003c\/div\u003e\n\u003cdiv\u003e5. Don't Be Tough\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Open And Close\u003c\/div\u003e\n\u003cdiv\u003e2. Foxes In The Snow\u003c\/div\u003e\n\u003cdiv\u003e3. Crimson And Clay\u003c\/div\u003e\n\u003cdiv\u003e4. Good While It Lasted\u003c\/div\u003e\n\u003cdiv\u003e5. True Believer\u003c\/div\u003e\n\u003cdiv\u003e6. Wind Behind The Rain\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 732388214631\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Southeastern Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.7.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990876332274,"sku":"25858600","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/packshot-8978192728219-lp-relix.png?v=1787917836"},{"product_id":"bob-dylan-nashville-skyline-lp-vinyl","title":"Bob Dylan – Nashville Skyline (LP Vinyl) Vinyl Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eArriving just two years after the electric howl of \"John Wesley Harding,\" Nashville Skyline caught even devoted fans off guard with its warm country textures and Dylan's remarkably transformed voice, a relaxed croon that bore little resemblance to the nasal prophet they thought they knew. The album helped accelerate a broader country rock moment that would shape artists from the Grateful Dead to the Eagles in the years that followed.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBob Dylan's ninth studio album was recorded in Nashville over 10 days in February 1969, with a group of local session musicians, and released just two months later. It contains one of his most beloved and successful songs in \"Lay Lady Lay\" as well as a duet with Johnny Cash on a new version of the early Dylan classic \"Girl From The North Country\". Other singles from the album include \"I Threw It All Away\" and \"Tonight I'll Be Staying Here With You\". This release brings the album back in print in vinyl in it's original stereo version.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Girl From The North Country\u003cbr\u003e\nA2. Nashville Skyline Rag\u003cbr\u003e\nA3. To Be Alone With You\u003cbr\u003e\nA4. I Threw It All Away\u003cbr\u003e\nA5. Peggy Day\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Lay Lady Lay\u003cbr\u003e\nB2. One More Night\u003cbr\u003e\nB3. Tell Me That It Isn't True\u003cbr\u003e\nB4. Country Pie\u003cbr\u003e\nB5. 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Chain Yer Dragon arrives at a moment when the band's live reputation has fully outgrown the jam scene proper, and this studio document leans into the mythology they've been building night after night on the road rather than away from it.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2 id=\"tinymce_scroll_sign\"\u003eExplore Goose - Chain Yer Dragon (3-LP Vinyl)\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eRead our review of \u003cspan data-sheets-root=\"1\"\u003eGoose's Chain Yer Dragon from August 2025 \u003c\/span\u003eon \u003ca href=\"https:\/\/relix.com\/news\/detail\/listen-goose-release-surprise-album-chain-yer-dragon-following-return-to-the-tonight-show-starring-jimmy-fallon\/\" title=\"Goose - Chain Yer Dragon (3-LP Vinyl)\" rel=\"noopener\" target=\"_blank\"\u003eRelix.com\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePressed on triple 180g vinyl in a triple gatefold jacket, \u003cem\u003eChain Yer Dragon\u003c\/em\u003e is Goose's fifth studio album and their second release of 2025, following April's \u003cem\u003eEverything Must Go\u003c\/em\u003e. The Connecticut-based quartet—Rick Mitarotonda (guitar\/vocals), Peter Anspach (guitar\/keys\/vocals), Trevor Weekz (bass), and Cotter Ellis (drums)—produced the record with D. James Goodwin at Dreamland Studios in Hurley, NY, capturing a sound that is raw, freewheeling, and deeply lived-in.\u003c\/p\u003e\n\u003cp\u003eThe album serves as connective tissue between Goose's earliest songwriting and their current evolution as a four-piece. Drawing on characters and locales—Lazy, The Night Rays Band, the Rockdale barroom—that date back to Mitarotonda and Matt Campbell's pre-Goose collaborations circa 2011, \u003cem\u003eChain Yer Dragon\u003c\/em\u003e expands and deepens that world with new tracks like \"Madalena\" and \"Royal\" alongside beloved live staples like \"Echo of a Rose,\" \"The Empress of Organos,\" and \"Factory Fiction.\" The result is a cohesive yet non-linear story that pushes Goose's catalog forward while embracing its roots.\u003c\/p\u003e\n\u003cp\u003eSpread across six vinyl sides, the 3-LP format gives the album room to breathe and develop naturally. The standard black pressing is limited to a first pressing of 9,000 units, with Side F featuring silkscreened vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTriple LP vinyl.\u003c\/strong\u003e 180g pressing. Triple gatefold jacket. Silkscreened vinyl (Side F). Limited first pressing of 9,000 units.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Hot Love \u0026amp; The Lazy Poet\u003cbr\u003e\nA2. Madalena\u003cbr\u003e\nA3. Royal\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Turbulence \u0026amp; The Night Rays\u003cbr\u003e\nB3. Echo Of A Rose\u003cbr\u003e\nB3. Mr. Action\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. …..\u003cbr\u003e\nC2. Dr. Darkness\u003cbr\u003e\nC3. Empress Of Organos\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Jed Stone\u003cbr\u003e\nD2. Rockdale\u003c\/p\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cp\u003eE1. Factory Fiction\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 617308110258\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e No Coincidence\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.12.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990876528882,"sku":"5463390","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Goose-Chain-Yer-Dragon-3-LP-Vinyl.jpg?v=1787917835"},{"product_id":"the-music-never-stopped-roots-of-the-grateful-dead-lp-vinyl","title":"The Music Never Stopped: Roots Of The Grateful Dead (LP Vinyl) Vinyl Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Grateful Dead were always as much curators as they were creators, absorbing a century of American music and refracting it back through their own kaleidoscopic lens. Hearing these source recordings, from the artists who first cut them, is a reminder of just how deep that well ran: old-time string bands, New Orleans second-line rhythms, Merle Haggard's Bakersfield twang, and Delta blues all living comfortably under the same roof.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe original versions of the Grateful Dead's best-loved cover tunes, performed by the artists who made them. Spanning blues, country, folk, and rock, \u003cem\u003eThe Music Never Stopped\u003c\/em\u003e traces the deep American roots that shaped the Dead's sound across five decades.\u003c\/p\u003e\n\u003cp\u003eLovingly compiled by Henry Kaiser, David Gans, and fellow Dead insiders, with the enthusiastic support of the band, this collection includes an insert with extensive liner notes detailing how the Dead came to cover each song and when they first performed it live. The cover art is by R. Crumb.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCompiled by Henry Kaiser, David Gans \u0026amp; more with the support of the Grateful Dead\u003c\/li\u003e\n\u003cli\u003eInsert with extensive liner notes\u003c\/li\u003e\n\u003cli\u003eCover art by R. 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The album's sprawling, late-night atmosphere, from the surrealism of \"Visions of Johanna\" to the Side 4 closer \"Sad Eyed Lady of the Lowlands,\" set a template for ambition that musicians are still chasing.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eBob Dylan - Blonde On Blonde Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, originally released as a double album June 1966 by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, and later moved to the CBS studios in Nashville, Tennessee.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Rainy Day Women #12 \u0026amp; 35\u003cbr\u003e\nA2. Pledging My Time\u003cbr\u003e\nA3. Visions Of Johanna\u003cbr\u003e\nA4. One Of Us Must Know (Sooner Or Later)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. I Want You\u003cbr\u003e\nB2. Memphis Blues Again\u003cbr\u003e\nB3. Leopard-Skin Pill-Box Hat\u003cbr\u003e\nB4. Just Like A Woman\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Most Likely You Go Your Way And I'll Go Mine\u003cbr\u003e\nC2. Temporary Like Achilles\u003cbr\u003e\nC3. Absolutely Sweet Marie\u003cbr\u003e\nC4. 4th Time Around\u003cbr\u003e\nC5. Obviously 5 Believers\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD. Sad Eyed Lady Of The Lowlands\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 194398903811\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony Legacy\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.8.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990876758258,"sku":"306671","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Bob-Dylan-Blonde-On-Blonde-2-LP-Vinyl_7ef982af.png?v=1787917836"},{"product_id":"bruce-springsteen-nebraska-82-expanded-edition-4-lp-vinyl-1-blue-ray","title":"Bruce Springsteen – Nebraska 82: Expanded Edition (4-LP Vinyl, 1 Blue-ray) Vinyl Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eNebraska arrived in September 1982 as one of rock's great left turns, a stark solo acoustic record that Springsteen famously recorded on a Teac 144 Portastudio in his Colts Neck, New Jersey bedroom. The demos were never meant to be the album, but the rawness proved impossible to top. For decades, fans have wondered what happened in the sessions where the E Street Band attempted to flesh these songs out, and now that question finally has an answer.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003ch2 class=\"MsoNormal\"\u003e\n\u003cspan\u003eRead \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003eBruce Springsteen Unveils Mythical ‘Electric Nebraska’ with ‘Nebraska ’82: Expanded Edition’ Box Set from September 2025 on Relix \u003cspan\u003e\u003ca href=\"https:\/\/relix.com\/news\/detail\/bruce-springsteen-unveils-mythical-electric-nebraska-with-nebraska-82-expanded-edition-box-set\/\"\u003ehere\u003c\/a\u003e.\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eNebraska ’82: Expanded Edition\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis a five-disc retrospective of Springsteen’s groundbreaking album, featuring unheard artifacts from the mythicized era alongside new recordings. The collection’s coveted centerpiece is\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eElectric Nebraska\u003c\/em\u003e, recorded with the full band of Springsteen, Garry Tallent, Max Weinberg, Danny Federici, Roy Bittan, and Stevie Van Zandt at New York’s Power Station in 1982. The 8-track session features electrified, expansive takes on the bulk of the original tracklist, plus the previously unheard outtake “Downbound Train” and a roaring early version of “Born in the U.S.A.” recorded by a stripped-down trio of Springsteen, Weinberg and Tallent.\u003c\/p\u003e\n\u003cp\u003e“We threw out the keyboards and played basically as a three-piece,” Springsteen reflected on the long-vaulted version of one of his signature songs, released today to preview the collection. “It was kinda like punk rockabilly. We were trying to bring\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNebraska\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003einto the electric world.”\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003eDisc 1: Nebraska Outtakes\u003c\/p\u003e\n\u003cp\u003e1. Born in the U.S.A.\u003cbr\u003e2. Losin’ Kind\u003cbr\u003e3. Downbound Train\u003cbr\u003e4. Child Bride\u003cbr\u003e5. Pink Cadillac\u003cbr\u003e6. The Big Payback\u003cbr\u003e7. Working on the Highway\u003cbr\u003e8. On the Prowl\u003cbr\u003e9. Gun in Every Home\u003c\/p\u003e\n\u003cp\u003eDisc 2: Electric Nebraska\u003c\/p\u003e\n\u003cp\u003e1. Nebraska\u003cbr\u003e2. Atlantic City\u003cbr\u003e3. Mansion on the Hill\u003cbr\u003e4. Johnny 99\u003cbr\u003e5. Downbound Train\u003cbr\u003e6. Open All Night\u003cbr\u003e7. Born in the U.S.A.\u003cbr\u003e8. Reason to Believe\u003c\/p\u003e\n\u003cp\u003eDisc 3: Nebraska (Count Basie Theatre, Red Bank, NJ)\u003c\/p\u003e\n\u003cp\u003e1. Nebraska\u003cbr\u003e2. Atlantic City\u003cbr\u003e3. Mansion on the Hill\u003cbr\u003e4. Johnny 99\u003cbr\u003e5. Highway Patrolman\u003cbr\u003e6. State Trooper\u003cbr\u003e7. Used Cars\u003cbr\u003e8. Open All Night\u003cbr\u003e9. My Father’s House\u003cbr\u003e10. Reason To Believe\u003c\/p\u003e\n\u003cp\u003eDisc 4: 2025 Remaster\u003c\/p\u003e\n\u003cp\u003e1. Nebraska\u003cbr\u003e2. Atlantic City\u003cbr\u003e3. Mansion on the Hill\u003cbr\u003e4. Johnny 99\u003cbr\u003e5. Highway Patrolman\u003cbr\u003e6. State Trooper\u003cbr\u003e7. Used Cars\u003cbr\u003e8. Open All Night\u003cbr\u003e9. My Father’s House\u003cbr\u003e10. Reason To Believe\u003c\/p\u003e\n\u003cp\u003eDisc 5 (Blu-Ray): Nebraska (Count Basie Theatre, Red Bank, NJ)\u003c\/p\u003e\n\u003cp\u003e1. Nebraska\u003cbr\u003e2. Atlantic City\u003cbr\u003e3. Mansion on the Hill\u003cbr\u003e4. Johnny 99\u003cbr\u003e5. Highway Patrolman\u003cbr\u003e6. State Trooper\u003cbr\u003e7. Used Cars\u003cbr\u003e8. 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The Robinson brothers have returned to the original production masters with Drakoulias to give this era its proper due, pulling in lost session material and the scrapped Tall album that die-hards have been chasing for decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Black Crowes have collected the Amorica. era recordings 1992-1994 into a new box set. The reissue has been overseen by band founders and brothers Chris and Rich Robinson along with acclaimed producer and friend of the Crowes, George Drakoulias. \u003c\/p\u003e\n\u003cp\u003eThe 5LP box set includes:\u003cbr\u003eLP1-2: A newly remastered 2LP 180g pressing Amorica. sourced from the original 1\/4\" production master tapes. The album audio is across the first 3 sides. 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Hearing it spread across five records is the right way to let these performances breathe.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr\u003e\n\u003cp\u003eSelling over 360,000 CDs since its release, the beloved self-titled album, Jerry Garcia Band, was the band's first live release recorded in the spring and summer of 1990 at the Warfield in San Francisco. The iconic lineup features John Kahn, Melvin Seals, David Kemper, Gloria Jones, and Jacklyn LaBranch. In celebration of the album's 30th anniversary, it is released on vinyl for the first time. The release features over two hours of magic across five LPs and includes new liner-note essays by Bill Walton and Steven Hyden, plus a special etching filling out the collection's final side.\u003c\/p\u003e\n\u003cp\u003eOriginally released on CD and cassette in 1991, Jerry Garcia Band showcases the band on the stage Garcia graced more than any other - the Warfield Theatre. Though several studio records were made since the band's inception in 1975, the Jerry Garcia Band holds the distinction of being the only live document Garcia produced during his lifetime. Garcia's selections are a veritable tour de force that reveals the depth of his songbook and his exquisite abilities as a performer and band leader. The collection includes the band's arguably definitive performance of Dylan's \"Tangled Up In Blue\", along with a handful of other staples by the Bard. Smokey's \"The Way You Do The Things You Do\" is another easy highlight with vocals so soft and sweet they're certain to put a smile on anyone's face. \"Don't Let Go\" showcases the band's considerable chemistry, which allowed them to paint so freely outside the lines.\u003c\/p\u003e\n\u003cp\u003eAs Steven Hyden notes in the album's new liner note essay, \u003cstrong\u003e\"\u003cem\u003eThe result on Jerry Garcia Band is an album that feels, in the best possible sense, like church, a sacred sanctuary that a community visits when it needs to be reminded of its better and purer selves... a work of incredible warmth and wisdom that can reboot and then refresh even the weariest of hearts.\"\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. The Way You Do The Things You Do (8:06)\u003cbr\u003eA2. Waiting For A Miracle (5:55)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Simple Twist Of Fate (11:54)\u003cbr\u003eB2. Get Out Of My Life (8:54)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. My Sisters And Brothers (4:19)\u003cbr\u003eC2. I Shall Be Released (9:28)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Dear Prudence (11:43)\u003cbr\u003eD2. Deal (8:37)\u003c\/p\u003e\n\u003ch4\u003eSide E\u003c\/h4\u003e\n\u003cp\u003eE1. Stop That Train (6:48)\u003cbr\u003eE2. Señor (Tales Of Yankee Power) (7:45)\u003c\/p\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cp\u003eF1. Evangeline (4:49)\u003cbr\u003eF2. The Night They Drove Old Dixie Down (9:36)\u003c\/p\u003e\n\u003ch4\u003eSide G\u003c\/h4\u003e\n\u003cp\u003eG1. Don't Let Go (17:21)\u003c\/p\u003e\n\u003ch4\u003eSide H\u003c\/h4\u003e\n\u003cp\u003eH1. That Lucky Old Sun (11:36)\u003c\/p\u003e\n\u003ch4\u003eSide I\u003c\/h4\u003e\n\u003cp\u003eI1. Tangled Up In Blue (12:17)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882452919\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records (rr0)\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 12.3.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990877184242,"sku":"599612","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/IMG-2724.jpg?v=1787917845"},{"product_id":"bob-dylan-the-essential-bob-dylan-lp-vinyl","title":"Bob Dylan – The Essential Bob Dylan (LP Vinyl) Vinyl Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDylan was awarded the Nobel Prize in Literature in 2016, the same year this pressing was released, making it a fitting entry point for anyone finally ready to understand why a songwriter could be considered among the greatest writers in any medium. Spanning from the early Greenwich Village folk years through the electric controversy of \"Like a Rolling Stone\" and into the '80s, these 23 tracks trace one of the most restless, shape-shifting careers in American music.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited double vinyl LP pressing containing 23 classics from the iconic folk\/rock singer\/songwriter. Definitive, career-spanning and comprehensive, The Essential series features the biggest hits and best-loved songs from the most famous names in music history! An incredible value, each package features classic hits and signature songs by superstar artists. This vinyl set by Bob Dylan includes 'Blowin' In The Wind,' 'The Times They Are A-Changin',' 'Maggie's Farm,' 'Like A Rolling Stone,' \"Jokerman,\" \"Lay Lady Lay\" and more. Bob Dylan has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as \"Blowin' in the Wind\" and \"The Times They Are a-Changin'\" became anthems for the American civil rights and anti-war movements.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Blowin' In The Wind\u003c\/p\u003e\n\u003cp\u003eA2. Don't Think Twice, It's All Right\u003c\/p\u003e\n\u003cp\u003eA3. The Times They Are A-Changin'\u003c\/p\u003e\n\u003cp\u003eA4. It Ain't Me, Babe\u003c\/p\u003e\n\u003cp\u003eA5. Maggie's Farm\u003c\/p\u003e\n\u003cp\u003eA6. Mr. Tambourine Man\u003c\/p\u003e\n\u003cp\u003eA7. Subterranean Homesick Blues\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Like A Rolling Stone\u003c\/p\u003e\n\u003cp\u003eB2. Positively 4th Street\u003c\/p\u003e\n\u003cp\u003eB3. Just Like A Woman\u003c\/p\u003e\n\u003cp\u003eB4. Rainy Day Women # 12 \u0026amp; 35\u003c\/p\u003e\n\u003cp\u003eB5. Lay, Lady, Lay\u003c\/p\u003e\n\u003cp\u003eB6. Knockin' On Heaven's Door\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Forever Young\u003c\/p\u003e\n\u003cp\u003eC2. Tangled Up In Blue\u003c\/p\u003e\n\u003cp\u003eC3. Gotta Serve Somebody\u003c\/p\u003e\n\u003cp\u003eC4. Jokerman\u003c\/p\u003e\n\u003cp\u003eC5. Make You Feel My Love\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Things Have Changed\u003c\/p\u003e\n\u003cp\u003eD2. Mississippi\u003c\/p\u003e\n\u003cp\u003eD3. When The Deal Goes Down\u003c\/p\u003e\n\u003cp\u003eD4. Beyond Here Lies Nothing\u003c\/p\u003e\n\u003cp\u003eD5. Long And Wasted Years\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 889853095513\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sony\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.10.16\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990877217010,"sku":"697230","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Bob-Dylan-The-Essential-Bob-Dylan-LP-Vinyl.png?v=1787917845"},{"product_id":"jerry-garcia-david-grisman-bare-bones-volume-ii-other-tunes-arrangements-2-lp","title":"Jerry Garcia \u0026 David Grisman - Bare Bones: Volume II - Other Tunes \u0026 Arrangements (2-LP) Vinyl Record","description":"\u003cp\u003e\u003cstrong\u003eLearn more about this release in our Jerry Garcia \u0026amp; David Grisman - Bare Bones: Volume II announcement from December 2024 on \u003ca href=\"https:\/\/jambands.com\/reviews\/2024\/12\/21\/jerry-garcia-and-david-grisman-bare-bones-the-duo-recordings-master-takes-other-tunes-arrangements-alternate-takes\/\" title=\"Jerry Garcia \u0026amp; David Grisman - Bare Bones: Volume II\" rel=\"noopener\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003ca href=\"https:\/\/jambands.com\/reviews\/2024\/12\/21\/jerry-garcia-and-david-grisman-bare-bones-the-duo-recordings-master-takes-other-tunes-arrangements-alternate-takes\/\" title=\"Jerry Garcia \u0026amp; David Grisman - Bare Bones: Volume II\"\u003e\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFollowing the success of Shady Grove (1996) and Not for Kids Only (1993), Jerry Garcia and David Grisman continued their acoustic partnership with a series of intimate recordings that stripped away the Grateful Dead's electric power in favor of mandolin, acoustic guitar, and close harmonies. Bare Bones: Volume II collects alternate takes, unreleased tracks, and informal performances from these sessions, offering a glimpse into Garcia and Grisman's musical friendship and their shared love of bluegrass, traditional folk, and jazz standards.\u003c\/p\u003e\n\u003cp\u003eThe double LP format allows these performances to breathe naturally across the sides, capturing the warmth and immediacy of Garcia's acoustic guitar work paired with Grisman's virtuosic mandolin. Songs like \"The Thrill is Gone,\" \"Arabia,\" and \"Grateful Dawg\" showcase the duo's ability to find new angles on familiar material, while traditional tunes reveal Garcia's deep connection to the folk and bluegrass traditions that informed the Dead's early sound. Without drums, bass, or keyboards to fill the space, every note matters—Garcia's fingerpicking becomes the rhythm section, Grisman's mandolin provides both melody and punctuation.\u003c\/p\u003e\n\u003cp\u003eWhat makes Bare Bones essential for Garcia fans is hearing him in his most relaxed and playful mode, freed from the pressure of leading the Grateful Dead and able to focus purely on the joy of playing music with a close friend. These sessions occurred during the Dead's final years, when Garcia's health was declining and the band's touring schedule was punishing. Here, you can hear him having fun, exploring melodies without the weight of expectation. This double LP preserves that intimacy, making listeners feel like they're sitting in the room while Garcia and Grisman trade licks and share musical ideas.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDouble LP:\u003c\/strong\u003e Alternate takes and unreleased material from Garcia-Grisman sessions. Acoustic guitar and mandolin duets. Recorded mid-1990s.\u003c\/p\u003e\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Bare Bones Prelude (12:01)\u003cbr\u003e\nA2. Friend Of The Devil (3:48)\u003cbr\u003e\nA3. Grateful Dawg (3:28)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. The Sweet Sunny South (3:49)\u003cbr\u003e\nB2. Take Me (4:24)\u003cbr\u003e\nB3. Walkin' Boss (5:30)\u003cbr\u003e\nB4. Dawg's Walz (4:50)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Two Soldiers (4:05)\u003cbr\u003e\nC2. Little Glass Of Wine (2:56)\u003cbr\u003e\nC3. Teddy Bear's Picnic (5:19)\u003cbr\u003e\nC4. Arabia (3:03)\u003cbr\u003e\nC5. Crawdad Song (2:27)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Man Of Constant Sorrow (3:28)\u003cbr\u003e\nD2. Moonlight Bay (1:29)\u003cbr\u003e\nD3. Drink Up And Go Home (2:48)\u003cbr\u003e\nD4. Shenandoah (5:46)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882656812\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records (rr0)\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.4.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990877249778,"sku":"27121","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Jerry-Garcia-David-Grisman-Bare-Bones-Volume-II-Other-Tunes-Arrangements-2-LP.webp?v=1787917845"},{"product_id":"jerry-garcia-compliments-of-lp-vinyl","title":"Jerry Garcia – Compliments Of (LP Vinyl) Vinyl Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eA covers record at heart, but Garcia's affection for American song runs so deep here that nothing feels like an exercise. Hearing him work through material from the Great American Songbook alongside R\u0026amp;B and country alongside a studio band this stacked offers a rare window into the breadth of his musical tastes away from the road and the Dead.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eOriginally released in 1974, Garcia (Compliments Of) is Jerry's second full-length solo studio album. Produced by long-time collaborator John Kahn, the track list boasts classics from artists like Chuck Berry, Smokey Robinson, and Peter Rowan. This record showcases an all-star cast of the 1970's most in-demand session players: drummer Ron Tutt, guitarist Larry Carlton (Steely Dan, Joni Mitchell), organist Merl Saunders, and legendary backing vocalists Merry Clayton and Clydie King among others.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Let It Rock (3:12)\u003cbr\u003e\nA2. When The Hunter Gets Captured By The Game (2:46)\u003cbr\u003e\nA3. That's What Love Will Make You Do (3:42)\u003cbr\u003e\nA4. Russian Lullaby (3:04)\u003cbr\u003e\nA5. Turn On The Bright Lights (5:04)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. He Ain't Give You None (3:25)\u003cbr\u003e\nB2. What Goes Around (3:07)\u003cbr\u003e\nB3. Let's Spend The Night Together (3:40)\u003cbr\u003e\nB4. Mississippi Moon (3:06)\u003cbr\u003e\nB5. Midnight Town (3:12)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882227111\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records (rr0)\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.28.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990877282546,"sku":"314077","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Jerry-Garcia-Compliments-Of-LP-Vinyl_bca1de7d.jpg?v=1787917845"},{"product_id":"grateful-dead-from-the-mars-hotel-50th-anniversary-remaster-lp-vinyl","title":"Grateful Dead – From the Mars Hotel (50th Anniversary Remaster LP Vinyl) Vinyl Record","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eThe Grateful Dead were uncharacteristically well-rehearsed when they entered the studio to record 1974's From the Mars Hotel, if the Angel's Share is any indication.\u003c\/p\u003e\u003cp\u003eThe digital-only collection follows similar treatments of Workingman's Dead, American Beauty and Wake of the Flood. But at 90 minutes and 16 tracks – six devoted to Phil Lesh's \"Pride of Cucamonga\" (two, sans John McFee's all-important pedal steel) and \"Unbroken Chain\" (four, three of which appeared on Wake's Angel's Share) – this edition is shorter than its predecessors by an hour and easier to digest.\u003c\/p\u003e\u003cp\u003eIt kicks off with nimble instrumental runs through \"Scarlet Begonias\" that feature exquisite, perfectly mixed sound. The alternate vocal mix, meanwhile, contains a wobbly percussive element that pie-eyed listeners will eat up.\u003c\/p\u003e\u003cp\u003eThe gorgeous acoustic mix of \"China Doll\" previews 1980 and Reckoning by more than a half-decade, while the wordless \"Ship of Fools (Take 7)\" foreshadows \"Standing on the Moon\" by a decade-and-a-half.\u003c\/p\u003e\u003cp\u003eFor their parts, \"Loose Lucy\" appears in yet another iteration, and an alternate mix of \"Money Money\" confirms nothing can salvage that hot mess of a song.\u003c\/p\u003e\u003cp\u003e\"Wave that Flag\" has fully morphed into \"U.S. Blues\" by the time the band gets to Take 8 after music-only takes 1, 2 and 4 while the alternate mix of \"Unbroken Chain\" is very similar to the album version.\u003c\/p\u003e\u003cp\u003eThe keepers of the Dead vault are to be commended for keeping this Share concise and sharply focused on Bill Kreutzmann one-man drumming, Keith Godchaux's still-wildly inventive piano playing and strong ensemble playing and singing from guitarists Jerry Garcia and Bob Weir, bassist Lesh and vocalist Donna Jean Godchaux. From the Mars Hotel thus received the strongest Angel's Share treatment to date.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Kristopher Weiss, \u003ca href=\"https:\/\/jambands.com\/reviews\/2024\/05\/10\/grateful-dead-from-the-mars-hotel-the-angels-share\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded during one of the most creatively charged periods in the band's history, From the Mars Hotel arrived just months before the Dead's extended hiatus and the dissolution of their original Wall of Sound touring setup. The album features some of Robert Hunter's most sardonic writing, particularly on \"U.S. Blues\" and \"Scarlet Begonias,\" the latter of which would evolve into one of the most beloved vehicles for improvisation in their entire live catalog.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cstrong\u003eRead our review of Grateful Dead's From the Mars Hotel from May 2024 on \u003ca href=\"https:\/\/jambands.com\/reviews\/2024\/05\/10\/grateful-dead-from-the-mars-hotel-the-angels-share\/\" title=\"Grateful Dead – From the Mars Hotel\"\u003ejambands.com\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eReleased in June 1974, From the Mars Hotel marked the Grateful Dead's third album on their own independent label after leaving Warner Bros., and their first studio album recorded entirely at their custom-built Club Front studio. Named after the Mars Hotel on Fourth Street in San Francisco (which appeared on the album's cover), this LP captures the Dead refining the roots-rock sound of Workingman's Dead and American Beauty while incorporating the tighter arrangements they'd developed through constant touring. This 50th Anniversary remaster brings new clarity to performances that balanced accessibility with the Dead's signature explorations.\u003c\/p\u003e\n\u003cp\u003eThe album opens with \"U.S. Blues,\" which became a concert staple and the band's traditional show closer for years. \"China Doll\" showcases Garcia and Hunter's songwriting at its most delicate and heartbreaking, while \"Unbroken Chain\" features Phil Lesh's rare lead vocal and one of his only songwriting credits with lyricist Bobby Petersen. \"Scarlet Begonias\" introduced a song that would become one of the Dead's most beloved pieces, eventually paired with \"Fire on the Mountain\" to create one of their most enduring combinations. The production captures the band with clarity while preserving the warmth of analog recording.\u003c\/p\u003e\n\u003cp\u003eWhat makes From the Mars Hotel significant is how it represents the Dead taking complete control of their recording process—no label pressure, no outside producers, just the band recording when and how they wanted. The result is an album that sounds relaxed and confident, with strong songs and performances that never feel overthought or overproduced. This 50th Anniversary remaster, likely using modern techniques on the original tapes, reveals details that earlier pressings obscured while maintaining the analog warmth that makes Dead records sound like records rather than digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e50th Anniversary remaster.\u003c\/strong\u003e Released June 1974. Recorded at Club Front, San Francisco. Features \"Scarlet Begonias,\" \"U.S. Blues,\" and \"China Doll.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eU.S. Blues (2024 Remaster)\u003c\/li\u003e\n\u003cli\u003eChina Doll (2024 Remaster)\u003c\/li\u003e\n\u003cli\u003eUnbroken Chain (2024 Remaster)\u003c\/li\u003e\n\u003cli\u003eLoose Lucy (2024 Remaster)\u003c\/li\u003e\n\u003cli\u003eScarlet Begonias (2024 Remaster)\u003c\/li\u003e\n\u003cli\u003ePride of Cucamonga (2024 Remaster)\u003c\/li\u003e\n\u003cli\u003eMoney Money (2024 Remaster)\u003c\/li\u003e\n\u003cli\u003eShip of Fools (2024 Remaster)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497826445\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.21.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990877315314,"sku":"233582","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Grateful-Dead-From-the-Mars-Hotel-50th-Anniversary-Remaster-LP-Vinyl.webp?v=1787917845"},{"product_id":"grateful-dead-two-from-the-vault-remastered-limited-edition-4-lp-vinyl","title":"Grateful Dead – Two From The Vault: Remastered (Limited Edition 4-LP Vinyl) Vinyl Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eThe Shrine Auditorium shows from August 1968 captured the Dead at a pivotal moment, just weeks after Mickey Hart joined the band and transformed their rhythmic foundation into the dual-drummer configuration that would define them for decades. This particular evening documents a band still metabolizing that new chemistry, with Pigpen very much a frontman presence and the psychedelic explorations that would later stretch into marathon improvisations still finding their shape.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eFirst time ever on vinyl! Limited four vinyl LP pressing in a gatefold Stoughton 'tip-on' M-Pack jacket. Following on the heels of Light in the Attic's vinyl LP release of One From The Vault comes the next in the trilogy of From The Vault releases by The Grateful Dead. \u003c\/p\u003e\u003cp\u003eThese releases are distinguished from the more abundant Dick's Picks series in that Dick's Picks are 'direct from the soundboard' recordings, while the From The Vault series was professionally recorded on multi-track tape and then mixed down (decades) later for release. Recorded live at the Shrine Auditorium (Los Angeles) in 1968, this is the worldwide vinyl debut of this legendary show, featuring the 6-piece line-up of Pigpen, Garcia, Weir, Lesh, Kreutzmann, and Hart, freshly remastered in 2014 by Joe Gastwirt for maximum mind expansion. Nine dynamic songs on eight sides of wax - five songs weigh in around the 15-minute mark, while three others touch down close to 10 minutes. \u003c\/p\u003e\u003cp\u003eThis is the Dead at their most improvisational while still retaining the Blues-Rock roots of the 'Pigpen' years.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Good Morning, Little Schoolgirl (15:59)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Dark Star (11:20)\u003cbr\u003e\nB2. Saint Stephen (4:40)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. The Eleven (14:27)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Death Don't Have No Mercy (8:23)\u003c\/p\u003e\n\u003ch4\u003eSide F\u003c\/h4\u003e\n\u003cp\u003eF1. New Potato Caboose (14:16)\u003c\/p\u003e\n\u003ch4\u003eSide G\u003c\/h4\u003e\n\u003cp\u003eG1. Turn On Your Lovelight (17:13)\u003c\/p\u003e\n\u003ch4\u003eSide H\u003c\/h4\u003e\n\u003cp\u003eH1. 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Produced for release by David Lemieux. The penultimate studio album from The Grateful Dead, released in 1987, was their first Top 10 album and featured their first Top 10 hit, \"Touch of Grey.\" Many of the songs had been in the repertoire since 1982-1983, along with 1985 and 1986 additions, and, to this day, are considered bona fide classics, including the hit single Throwing Stones, West L.A. Fadeaway, Hell In A Bucket, and the beautiful ballad Black Muddy River. \u003c\/p\u003e\u003cp\u003eThe first album co-produced by longtime Grateful Dead engineer John Cutler, along with Jerry Garcia, has a sonic presence that captures The Grateful Dead's live energy, owing to the basic tracks being recorded live at the Marin County Civic Auditorium, a local theatre where the Dead had played many times.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Touch Of Grey (5:47)\u003cbr\u003e\nA2. Hell In A Bucket (5:35)\u003cbr\u003e\nA3. When Push Comes To Shove (4:05)\u003cbr\u003e\nA4. West L.A. Fadeaway (6:39)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Tons Of Steel (5:15)\u003cbr\u003e\nB2. Throwing Stones (7:18)\u003cbr\u003e\nB3. Black Muddy River (5:58)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497830770\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.12.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990877479154,"sku":"595587","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Grateful-Dead-In-The-Dark-LP-Vinyl_9210133b.jpg?v=1787917847"},{"product_id":"grateful-dead-anthem-of-the-sun-1971-remix-lp-vinyl","title":"Grateful Dead – Anthem Of The Sun (1971 Remix LP Vinyl) Vinyl Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eOriginally pieced together from studio sessions and live recordings captured at venues including the Fillmore Auditorium and the Shrine Exposition Hall, Anthem of the Sun remains one of rock's most genuinely strange artifacts, a document of a band dissolving the line between concert and composition before anyone had a roadmap for doing so. This 1971 remix, overseen as the band's own understanding of the material deepened, offers a slightly sharper window into that beautiful chaos.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003e1971 remix of the original album. Anthem of the Sun is the second album by The Grateful Dead, released in 1968 on Warner Bros\/Seven Arts. It is the first album to feature second drummer Mickey Hart. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe band was also joined by Tom Constanten, who contributed avant-garde instrumental and studio techniques influenced by composers John Cage and Karlheinz Stockhausen. The album was assembled through a collage-like editing approach helmed by members Jerry Garcia and Phil Lesh (along with soundman Dan Healy), in which disparate studio and live performance tapes were spliced together to create new hybrid recordings. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe band also supplemented their performances with instruments such as prepared piano, kazoo, harpsichord, timpani, trumpet, and güiro. The result is an experimental amalgam that is neither a true studio album nor a live album.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003c\/div\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA2. New Potato Caboose (8:26)\u003cbr\u003e\nA3. Born Cross-Eyed (2:25)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Alligator (11:23)\u003cbr\u003e\nB2. Caution (Do Not Stop On Tracks) (8:56)\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497846610\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Grateful Dead \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.30.20\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990877544690,"sku":"111588","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Grateful-Dead-Anthem-Of-The-Sun-1971-Remix-LP-Vinyl_75456554.jpg?v=1787917855"},{"product_id":"big-thief-dragon-new-warm-mountain-i-believe-in-you-2-lp-vinyl","title":"Big Thief – Dragon New Warm Mountain I Believe In You (2-LP Vinyl) Vinyl Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRecorded across four different studios spanning Colorado, upstate New York, California, and Arizona, this double album captures Big Thief at their most restless and prolific, channeling the same loose, communal energy that made their live performances so magnetic. Adrianne Lenker's songwriting here pulls from folk, country, and noise rock without ever feeling calculated, the way the best music from the American vernacular tradition tends to work when a band is truly listening to each other.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eDragon New Warm Mountain I Believe in You is a sprawling double-LP exploring the deepest elements and possibilities of Big Thief. To truly dig into all that the music of Adrianne Lenker, Max Oleartchick, Buck Meek, and James Krivchenia desired in 2020, the band decided to write and record a rambling account of growth as individuals, musicians, and chosen family over 4 distinct recording sessions.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Change\u003c\/div\u003e\n\u003cdiv\u003e2. Time Escaping\u003c\/div\u003e\n\u003cdiv\u003e3. Spud Infinity\u003c\/div\u003e\n\u003cdiv\u003e4. Certainty\u003c\/div\u003e\n\u003cdiv\u003e5. Dragon New Warm Mountain I Believe In You\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Sparrow\u003c\/div\u003e\n\u003cdiv\u003e2. Little Things\u003c\/div\u003e\n\u003cdiv\u003e3. Heavy Bend\u003c\/div\u003e\n\u003cdiv\u003e4. Flower Of Blood\u003c\/div\u003e\n\u003cdiv\u003e5. Blurred View\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. Red Moon\u003c\/div\u003e\n\u003cdiv\u003e2. Dried Roses\u003c\/div\u003e\n\u003cdiv\u003e3. No Reason\u003c\/div\u003e\n\u003cdiv\u003e4. Wake Me Up To Drive\u003c\/div\u003e\n\u003cdiv\u003e5. Promise Is A Pendulum\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. 12,000 Lines\u003c\/div\u003e\n\u003cdiv\u003e2. Simulation Swarm\u003c\/div\u003e\n\u003cdiv\u003e3. Love Love Love\u003c\/div\u003e\n\u003cdiv\u003e4. The Only Place\u003c\/div\u003e\n\u003cdiv\u003e5. Blue Lightning\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400040816\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.11.22\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990878003442,"sku":"679959","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/packshot-8978190532763-2xlp-relix.png?v=1787917898"},{"product_id":"big-thief-two-hands-lp-vinyl","title":"Big Thief – Two Hands (LP Vinyl) Vinyl Record","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eBig Thief is known for the restrained power of their live performances, and that compelling energy is captured with a fierce resolve on every track of this album. They move along slowly, to intensify the overall impact of the music, keeping Adrianne Lenker's vocals up front in the mix. Some of the tunes here are longtime crowd favorites, recorded for the first time, and every one of them rings with a forceful intensity. The bruised heart at the core of Lenker's songs is magnified by the band's instrumental prowess. They play with a subtle intensity that's all tension and no release, adding an almost unbearable pressure to every arrangement. Lenker's acoustic strumming opens \"Not\" and her desperate vocal builds up to Buck Meek's wall of guitar noise—a growling, feedback-drenched excursion that's one of the album's most alarming musical moments. The singer\/guitarist's apocalyptic vision and the band's measured tempos make every word bristle with foreboding. \"Forgotten Eyes\" is a mid-tempo prayer for protection, but the distorted guitar work and relentless, throbbing rhythms of James Krivchenia's drums and Max Oleartchik's bass suggest salvation is a long way off, if even attainable. The album closer, \"Cut My Hair,\" may be the quietest song in the set, but Lenker's trembling voice gives it an ominous aura that's intensified by Krivchenia's crisp, understated work on the snare and Meek's reverb-drenched guitar as it produces thick clusters of chords that hang in the air like tolling funeral bells.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— dean, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/big-thief-two-hands\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eAdrianne Lenker has always written closest to the bone in front of a live audience, and Two Hands captures that urgency by design. Recorded in the Texas hill country, the album strips Big Thief down to their most elemental, letting the band's intuitive chemistry breathe without the safety net of the studio. It's the rare companion record that doesn't feel like a footnote.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eTwo Hands, a completely new, fully-realized, 10-song album by Big Thief, will arrive just five months after their breakthrough U.F.O.F., one of the most acclaimed albums of 2019. In sharp contrast to the wet environment of the U.F.O.F. session, Two Hands had to be completely different— an album about the earth and the bones beneath it. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe songs were recorded live with almost no overdubs. All but two songs feature entirely live vocal takes, leaving Adrianne’s voice suspended above the mix in dry air, raw and vulnerable as ever. Where U.F.O.F. layered mysterious sounds and effects for levitation, Two Hands grounds itself on dried-out, cracked desert dirt. Anybody who has borne witness to Big Thief in the wild will find songs they recognize here. Much of the album’s tracks (“The Toy”, “Those Girls”, “Shoulders”, “Not”, “Cut My Hair”) have been live staples for years. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTwo Hands has the songs that I’m the most proud of; I can imagine myself singing them when I’m old,” says singer\/songwriter Adrianne Lenker. With raw power, intimacy, and honor, Two Hands folds itself gracefully into Big Thief’s impressive discography. This body of work grows deeper and more inspiring with each new album.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Rock And Sing\u003cbr\u003eA2. Forgotten Eyes\u003cbr\u003eA3. The Toy\u003cbr\u003eA4. Two Hands\u003cbr\u003eA5. Those Girls\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB6. Shoulders\u003cbr\u003eB7. Not\u003cbr\u003eB8. Wolf\u003cbr\u003eB9. Replaced\u003cbr\u003eB10. Cut My Hair\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 191400018013\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 4ad\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.11.19\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990878036210,"sku":"23832","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Big-Thief-Two-Hands-LP-Vinyl.png?v=1787917899"},{"product_id":"bill-frisell-in-my-dreams-2-lp-vinyl","title":"Bill Frisell – In My Dreams (2-LP Vinyl) Vinyl Record","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eIn My Dreams is both familiar Bill Frisell and brand-new Bill Frisell. The renowned guitarist, who is quite successful at never determinedly repeating himself, has recorded before in a trio with bassist Thomas Morgan and drummer Rudy Royston, beginning with 2016's When You Wish Upon a Star, and he's also made music before with violinist Jenny Scheinman, violist Eyvind Kang and cellist Hank Roberts, going back two decades to the album Richter 858.\u003c\/p\u003e\u003cp\u003eThere have been occasions when the six have nearly coalesced--all but Morgan accompany Frisell on 2013's Big Sur--but not until now has he brought the two entities together in the studio. While that might seem to be obvious--creating a new sextet from favored players--the result is anything but that. Frisell and his collaborators go to places as an expanded unit that they haven't separately, and it's all quite exhilarating and magnificent.\u003c\/p\u003e\u003cp\u003eNot every track on the Lee Townsend-produced, Frisell-arranged set utilizes the entire crew--Frisell himself sits out the opening track, \"Trapped in the Sky,\" although he wrote it; the recording features only viola and violin. But from there, most of the music features the full ensemble, some recorded live, some in the studio--some written by Frisell, others not (like their excellent, ethereal take on \"Home on the Range\").\u003c\/p\u003e\u003cp\u003eAmong the live tracks, the original \"Again,\" which spotlights Royston, migrates from audacious to subtle, while Duke Ellington's \"Isfahan\" is sweet and airy, Frisell taking liberties with melody and form. \"Why?\" and \"Never Too Late,\" both originals, are studio highlights, the former playful and mesmerizing, the latter symphonic in its breadth. Hopefully, now that they've gone there, we'll be hearing more from this sextet.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Jeff Tamarkin, \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/bill-frisell-in-my-dreams\/\" target=\"_blank\"\u003eRelix\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBill Frisell has spent decades quietly expanding what American music can hold, weaving country, jazz, folk, and classical into something that resists every easy label. Bringing together two of his most trusted ensembles on a single record, the guitarist opens new conversational space between Morgan and Royston's rhythmic intuition and the string depth of Scheinman, Kang, and Roberts.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cstrong\u003eRead Jeff Tamarkin's review of Bill Frisell's In My Dreams from February 27, 2026, on \u003ca href=\"https:\/\/relix.com\/reviews\/detail\/bill-frisell-in-my-dreams\/\"\u003erelix.com\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn My Dreams is both familiar Bill Frisell and brand-new Bill Frisell. The renowned guitarist, who is quite successful at never determinedly repeating himself, has recorded before in a trio with bassist Thomas Morgan and drummer Rudy Royston, beginning with 2016's When You Wish Upon a Star, and he's also made music before with violinist Jenny Scheinman, violist Eyvind Kang and cellist Hank Roberts, going back two decades to the album Richter 858.\u003c\/p\u003e\n\u003cp\u003eThere have been occasions when the six have nearly coalesced — all but Morgan accompany Frisell on 2013's Big Sur — but not until now has he brought the two entities together in the studio. While that might seem to be obvious — creating a new sextet from favored players — the result is anything but that. Frisell and his collaborators go to places as an expanded unit that they haven't separately, and it's all quite exhilarating and magnificent.\u003c\/p\u003e\n\u003cp\u003eNot every track on the Lee Townsend-produced, Frisell-arranged set utilizes the entire crew. Frisell himself sits out the opening track, \"Trapped in the Sky,\" although he wrote it — the recording features only viola and violin. But from there, most of the music features the full ensemble, some recorded live, some in the studio, some written by Frisell, others not (like their excellent, ethereal take on \"Home on the Range\").\u003c\/p\u003e\n\u003cp\u003eAmong the live tracks, the original \"Again,\" which spotlights Royston, migrates from audacious to subtle, while Duke Ellington's \"Isfahan\" is sweet and airy, Frisell taking liberties with melody and form. \"Why?\" and \"Never Too Late,\" both originals, are studio highlights — the former playful and mesmerizing, the latter symphonic in its breadth. Hopefully, now that they've gone there, we'll be hearing more from this sextet.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Trapped In The Sky (2:07)\u003cbr\u003eA2. When We Go (7:52)\u003cbr\u003eA3. In My Dreams (5:12)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Isfahan (6:33)\u003cbr\u003eB2. Give Me A Home (2:53)\u003cbr\u003eB3. Why? (3:17)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Curtis (A Year And A Day) (7:24)\u003cbr\u003eC2. Hard Times (4:42)\u003cbr\u003eC3. Again (6:16)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Small Hands (6:19)\u003cbr\u003eD2. Never Too Late (4:06)\u003cbr\u003eD3. Home On The Range (5:37)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602488137676\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.27.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990878134514,"sku":"99049748","price":47.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Bill-Frisell-In-My-Dreams-2-LP-Vinyl.png?v=1787917898"},{"product_id":"kris-kristofferson-kristofferson-180-gram-orange-lp-vinyl","title":"Kris Kristofferson – Kristofferson (180 Gram Orange LP Vinyl) Vinyl Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBy the time this debut landed in 1970, Kristofferson had already quietly reshaped Nashville from the inside, with \"Me and Bobby McGee,\" \"Help Me Make It Through the Night,\" and \"For the Good Times\" recorded by other artists before he ever put out his own record. Hearing him deliver these songs himself strips away any gloss and returns them to their original, unguarded intent.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited edition of 2000 numbered copies on orange coloured 180-gram audiophile vinyl. Country icon Kris Kristofferson released his debut album Kristofferson in 1970, marking the belated start of what would turn out to be a long and illustrious recording career. He was a pioneering figure in the outlaw country movement, moving away from the polished Nashville sound and toward a more raw, introspective style. Lyrically, he was very politically aware, further distinguishing himself from other country acts. Many of his early songs were written by Kristofferson while on a side job flying workers to and from oil rigs in the Gulf of Mexico, which he would then pitch in his time off. Via June Carter he attempted to reach her partner Johnny Cash, who later invited Kristofferson to join him at the 1969 Newport Folk Festival. Following this performance, Fred Foster of Monument Records signed him as a songwriter and recording artist and the rest is history.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Blame It On The Stones (2:43)\u003c\/div\u003e\n\u003cdiv\u003e2. To Beat The Devil (4:42)\u003c\/div\u003e\n\u003cdiv\u003e3. Me And Bobby McGee (4:22)\u003c\/div\u003e\n\u003cdiv\u003e4. The Best Of All Possible Worlds (3:03)\u003c\/div\u003e\n\u003cdiv\u003e5. Help Me Make It Through The Night (2:24)\u003c\/div\u003e\n\u003cdiv\u003e6. The Law Is For Protection Of The People (2:39)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Casey's Last Ride (3:34)\u003c\/div\u003e\n\u003cdiv\u003e2. Just The Other Side Of Nowhere (3:35)\u003c\/div\u003e\n\u003cdiv\u003e3. Darby's Castle (3:17)\u003c\/div\u003e\n\u003cdiv\u003e4. For The Good Times (3:25)\u003c\/div\u003e\n\u003cdiv\u003e5. Duvalier's Dream (2:55)\u003c\/div\u003e\n\u003cdiv\u003e6. Sunday Mornin' Comin' Down (4:32)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 8719262041363\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Music On Vinyl\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.23.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990878232818,"sku":"59755311","price":42.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Kris-Kristofferson-Kristofferson-180-Gram-Orange-LP-Vinyl.jpg?v=1787917898"},{"product_id":"willie-nelson-and-then-i-wrote-limited-edition-colored-lp-vinyl","title":"Willie Nelson – ...And Then I Wrote (Limited Edition Colored LP Vinyl) Vinyl Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eBefore he became the face of outlaw country or filled arenas on his own terms, Willie Nelson was quietly reshaping Nashville from the inside out as one of its most gifted songwriters for hire. This 1962 debut captures that moment of emergence, a young Texas songwriter stepping to the mic to interpret his own catalog at a time when the songs themselves were already making other artists famous.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cspan\u003eLong before selling over 40 million records and before he sang a note, Willie Nelson started his career as a songwriter\/hitmaker. The... And Then I Wrote LP, originally released in 1962, debuted Willie Nelson's unique vocal stylings to the world. Featuring all original compositions, including the legendary hits \"Crazy\"(made famous by Patsy Cline), \"Touch Me\", and \"Hello Walls\", Jackpot Records is honored to release this momentous record on stellar colored vinyl from the master tapes with the original artwork. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe critical success of the album Shotgun Willie (1973), combined with the critical and commercial success of Red Headed Stranger (1975) and Stardust (1978), made Nelson one of the most recognized artists in country music. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003eHe was one of the main figures of outlaw country, a subgenre of country music that emerged in the late 1960s in response to the conservative restrictions of the Nashville sound. Nelson has acted in over 30 films, co-authored several books, and been involved in activism for biofuels and marijuana legalization.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Touch Me (2:12)\u003cbr\u003e\nA2. Wake Me When It's Over (2:48)\u003cbr\u003e\nA3. Hello Walls (2:23)\u003cbr\u003e\nA4. Funny How Time Slips Away (3:02)\u003cbr\u003e\nA5. Crazy (2:50)\u003cbr\u003e\nA6. The Part Where I Cry (2:18)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Mr. Record Man (2:10)\u003cbr\u003e\nB2. Three Days (2:33)\u003cbr\u003e\nB3. One Step Beyond (2:20)\u003cbr\u003e\nB4. Undo The Right (2:56)\u003cbr\u003e\nB5. Darkness On The Face Of The Earth (2:19)\u003cbr\u003e\nB6. Where My House Lives (2:24)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602557588484\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Jackpot Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.1.17\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990878396658,"sku":"648024","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Willie-Nelson-_And-Then-I-Wrote-Limited-Edition-Colored-LP-Vinyl.png?v=1787917898"},{"product_id":"bruce-springsteen-only-the-strong-survive-2-lp-vinyl","title":"Bruce Springsteen – Only The Strong Survive (2-LP Vinyl) Vinyl Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eSpringsteen has always worn his soul influences on his sleeve, from the way he structured his legendary marathon sets to the deep catalog knowledge he'd display on his old WFMU broadcasts. Stepping fully into that tradition, he brings the same reverence for Black American music here that shaped his earliest work in Asbury Park, treating these classics not as nostalgia but as living repertoire.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cem\u003eOnly The Strong Survive\u003c\/em\u003e\u003cspan\u003e is the new album from Bruce Springsteen, and his first new studio album since 2020’s \u003c\/span\u003e\u003cem\u003eLetter To You\u003c\/em\u003e\u003cspan\u003e. The album is a collection of soul music gems, that celebrate the legendary songbooks of Gamble and Huff, Motown, Stax and many more.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOnly The Strong Survive\u003c\/em\u003e\u003cspan\u003e features vocals from Springsteen and instrumentation primarily from his longtime producer Ron Aniello. The album also features guest vocals from Sam Moore, as well as contributions from The E Street Horns, full string arrangements by Rob Mathes and backing vocals from Soozie Tyrell, Lisa Lowell, Michelle Moore, Curtis King Jr., Fonzi Thornton and Dennis Collins.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Only The Strong Survive\u003cbr\u003e\nA2. Soul Days\u003cbr\u003e\nA3. Nightshift\u003cbr\u003e\nA4. Do I Love You (Indeed I Do)\u003cbr\u003e\nA5. The Sun Ain't Gonna Shine Anymore\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Turn Back The Hands Of Time\u003cbr\u003e\nB2. When She Was My Girl\u003cbr\u003e\nB3. Hey, Western Union Man\u003cbr\u003e\nB4. I Wish It Would Rain\u003cbr\u003e\nB5. Don't Play That Song\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Any Other Way\u003cbr\u003e\nC2. I Forgot To Be Your Lover\u003cbr\u003e\nC3. 7 Rooms Of Gloom\u003cbr\u003e\nC4. What Becomes Of The Brokenhearted\u003cbr\u003e\nC5. 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Her reading of \"When You Say Nothing At All\" became a country radio staple and a gateway drug for a generation of listeners who followed the breadcrumb trail straight back to the deeper bluegrass tradition she'd been carrying since her teens.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe first vinyl reissue of Now That I’ve Found You: A Collection features enduring highlights of Krauss’ solo work, Union Station tracks, and covers. Originally released in 1995, this Double-Platinum-certified album includes the Gold-certified single, “When You Say Nothing At All,” along with the GRAMMY®-winning “Baby, Now That I’ve Found You” and other timeless classics. Upon its first release, Rolling Stone said of the album, “A crystalline soprano, [Krauss] sings with riveting emotion.”\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Baby, Now that I’ve Found You (3:49)\u003cbr\u003e\nA2. Oh, Atlanta (4:41)\u003cbr\u003e\nA3. Broadway (3:57)\u003cbr\u003e\nA4. Every Time You Say Goodbye (3:13)\u003cbr\u003e\nA5. Tonight I’ll Be Lonely Too (3:25)\u003cbr\u003e\nA6. Teardrops Will Kiss The Morning Dew (3:38)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Sleep On (2:23)\u003cbr\u003e\nB2. When God Dips His Pen Of Love In My Heart (4:25)\u003cbr\u003e\nB3. I Will (4:04)\u003cbr\u003e\nB4. I Don’t Believe You’ve Met My Baby (3:10)\u003cbr\u003e\nB5. In The Palm Of Your Hand (3:24)\u003cbr\u003e\nB6. When You Say Nothing At All (4:21)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 888072693661\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Craft Recordings\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.25.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990878593266,"sku":"26492809","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Alison-Krauss-Now-That-I-Found-You-A-Collection-LP-Vinyl.png?v=1787917905"},{"product_id":"jerry-garcia-garcialive-vol-14-january-27th-1986-the-ritz-red-2-lp-vinyl","title":"Jerry Garcia – GarciaLive Vol. 14: January 27th, 1986 - The Ritz (Red 2-LP Vinyl) Vinyl Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eJanuary 1986 found Jerry Garcia and his band deep in one of their most consistent stretches, just months before the Grateful Dead would head into the studio for \"In the Dark.\" The Ritz was a natural home for JGB's soul-drenched sound, a converted ballroom that drew New York's most devoted Garcia faithful and gave the band a room that rewarded subtlety as much as firepower.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003e\u003cstrong\u003eRead our review of Jerry Garcia's GarciaLive Vol. 14: January 27th 1986 at The Ritz from September 2020 on \u003ca href=\"https:\/\/jambands.com\/reviews\/2020\/09\/18\/garcialive-volume-14-jerry-garcia-and-john-kahn-january-27-1986\/\" title=\"Jerry Garcia - GarciaLive Vol. 14: January 27th 1986 at The Ritz (2-LP Red Vinyl)\"\u003ejambands.com\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePressed on red vinyl, GarciaLive Vol. 14 captures Jerry Garcia Band's complete January 27, 1986, performance at The Ritz in New York City during a period when JGB was playing at absolute peak power. The lineup—Garcia, Melvin Seals (organ), John Kahn (bass), David Kemper (drums), Gloria Jones and Jaclyn LaBranch (vocals)—had developed telepathic communication through constant touring, and this show documents that connection at full strength. The Ritz's intimate atmosphere (1,500 capacity) creates proximity that larger venues couldn't match, capturing every guitar nuance and vocal harmony with clarity.\u003c\/p\u003e\n\u003cp\u003eThe setlist balances JGB staples like \"Don't Let Go,\" \"Waiting for a Miracle,\" and \"Dear Prudence\" with deeper cuts and covers that showcase the band's range: Dylan, Motown, reggae, gospel, and R\u0026amp;B material all transformed through Garcia's filter. Melvin Seals' Hammond B3 organ is particularly prominent, providing the harmonic foundation that allowed Garcia to sing melodic lead lines with his guitar. The dual female vocalists add gospel-influenced power to songs like \"I'll Take a Melody\" and \"Stop That Train,\" while Garcia's guitar work balances technical command with emotional expressiveness.\u003c\/p\u003e\n\u003cp\u003eWhat makes GarciaLive Vol. 14 essential is how it captures JGB at a creative peak in a perfect setting—small room, engaged audience, band locked in completely. The red vinyl adds collectibility while preserving the warmth of the original soundboard recording. For Garcia fans who know his Grateful Dead work, this release reveals the different energy and focus he brought to JGB performances.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2-LP red vinyl.\u003c\/strong\u003e GarciaLive Vol. 14. Complete show from The Ritz NYC, January 27, 1986. Classic JGB lineup with Melvin Seals.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. Deep Elem Blues (5:37)\u003cbr\u003e\nA2. Little Sadie (4:31)\u003cbr\u003e\nA3. Friend Of The Devil (6:25)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Oh Babe, It Ain't No Lie (5:26)\u003cbr\u003e\nB2. When I Paint My Masterpiece (5:44)\u003cbr\u003e\nB3. Run For The Roses (4:33)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Dire Wolf (4:27)\u003cbr\u003e\nC2. Simple Twist Of Fate (8:26)\u003cbr\u003e\nC3. Spike Driver Blues (4:10)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Bird Song (9:14)\u003cbr\u003e\nD2. Ripple (4:02)\u003cbr\u003e\nD3. Goodnight Irene (7:45)\u003c\/p\u003e\n\u003c!-- TRACKLIST_END --\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 880882546410\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Round Records (rr0)\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 3.31.23\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990878822642,"sku":"124171","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Jerry-Garcia-GarciaLive-Vol_-14-January-27th-1986-The-Ritz-Red-2-LP-Vinyl.webp?v=1787917904"},{"product_id":"the-rolling-stones-black-and-blue-deluxe-2-lp-vinyl","title":"The Rolling Stones – Black and Blue (Deluxe 2-LP Vinyl) Vinyl Record","description":"\u003ch3\u003eReview\u003c\/h3\u003e\u003cp\u003eA few months ahead of its 50th birthday comes this 5-LP box set celebrating The Rolling Stones album, Black and Blue. As with so many of the classic album reissues on vinyl, the success is in the presentation—the remastering, the pressing and packaging, the extras. Without a single caveat, this weighty collection honoring the Stones’ 13th studio slab is spectacular.\u003c\/p\u003e\u003cp\u003eThe place to start is with the fidelity. The Stones turned over the original tapes to Steven Wilson, the highly in-demand, modern maestro of the remix, to revisit the proper album—one that finds the legendary band at, possibly, its most diverse. Wilson’s remix, as hoped, is sheer sonic brilliance. Never have these tracks sounded sharper, more cohesive, and more dynamic than on this new mix. Follow that with Matt Colton’s top-flight mastering—the Grammy-winning engineer worked with the Stones previously on Hackney Diamonds—and Black and Blue in this 2025 incarnation, on whisper-quiet wax, is the one to have.\u003c\/p\u003e\u003cp\u003eBack in 1976, Black and Blue was known in Stones circles as the “audition” album; the first after the departure of guitarist Mick Taylor, who’d sparkled on a string of efforts- Let It Bleed, Sticky Fingers, and Exile on Main Street, to name three- many consider among rock’s finest. So, it wasn’t a hole to fill. It was a crater.\u003c\/p\u003e\u003cp\u003eWith guest spots at the B\u0026amp;B sessions by a few notable axe-men—from Jeff Beck and Harvey Mandel to Wayne Perkins and Robert A. Johnson—the talent pool was Olympian. In the end, the band went with Beck’s bandmate from his Rod Stewart days, Ronnie Wood, and the rest is Rolling Stones history. Looking back now, it seems inevitable that Wood would get the gig, yet this set includes some of the jams with the runners-up that tantalize the imagination. A take of Beck’s “Freeway Jam” is as intriguing to hear as it is historic, if ultimately bolstering the conclusion that Wood was the best fit.\u003c\/p\u003e\u003cp\u003eAs for the three LPs and Blu-ray that contain live performances from ‘76- the vinyl from a hometown residency at Earls Court; the video from a TV broadcast of a Paris show—it’s more peak-Stones magic. Again, the addition of Wood is hand-in-glove, weaving as he would so well for the next five decades with Keith Richards, complementing- with the just the right attitude and attire—the gargantuan stage presence of Mick Jagger, and, most importantly, playing guitar like an ace. Toss in some previously unreleased cuts and a coffee-table-ready book, and this is a box set that gets it exactly right.\u003c\/p\u003e\u003cp\u003eNo Comments comments associated with this post\u003c\/p\u003e\u003cp\u003e\u003cem\u003e— Larson Sutton, \u003ca href=\"https:\/\/jambands.com\/reviews\/2026\/01\/16\/the-rolling-stones-black-and-blue-5-lp-deluxe-edition\/\" target=\"_blank\"\u003ejambands.com\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 1976 as the Stones were actively auditioning guitarists to replace Mick Taylor, Black and Blue captures a band in creative flux, road-testing new chemistry in real time. Ronnie Wood earned his seat on the strength of those sessions, and hearing the outtakes and jams alongside the finished album puts that audition process in full relief for the first time.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThe Rolling Stones - Black and Blue (2LP) Featuring a new Steven Wilson mix as well as a 6 track disc of previously unreleased Outtakes and Jams, including the high-energy disco stomp of Shirley and Company's \"Shame, Shame, Shame\" and jams with guest guitarists including Jeff Beck, Canned Heat's Harvey Mandel and Robert A. Johnson. Black and Blue from 1976 is the album that inducted Ronnie Wood into the Rolling Stones - featured on 3 tracks and joining the band for the world tour and the next 50 years!\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Hot Stuff\u003c\/div\u003e\n\u003cdiv\u003e2. Hand Of Fate\u003c\/div\u003e\n\u003cdiv\u003e3. Cherry Oh Baby\u003c\/div\u003e\n\u003cdiv\u003e4. Memory Motel\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Hey Negrita\u003c\/div\u003e\n\u003cdiv\u003e2. Melody\u003c\/div\u003e\n\u003cdiv\u003e3. Fool To Cry\u003c\/div\u003e\n\u003cdiv\u003e4. Crazy Mama\u003c\/div\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cdiv\u003e1. I Love A Lady\u003c\/div\u003e\n\u003cdiv\u003e2. Shame, Shame, Shame\u003c\/div\u003e\n\u003cdiv\u003e3. Chuck Berry Style Jam\u003c\/div\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cdiv\u003e1. Blues Jam\u003c\/div\u003e\n\u003cdiv\u003e2. Rotterdam Jam\u003c\/div\u003e\n\u003cdiv\u003e3. Freeway Jam\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602478229770\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Interscope Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.14.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990878888178,"sku":"29433384","price":47.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/The-Rolling-Stones-Black-and-Blue-Deluxe-180g-2-LP-Vinyl.jpg?v=1787917904"},{"product_id":"bruce-springsteen-wrecking-ball-2-lp-vinyl","title":"Bruce Springsteen – Wrecking Ball (2-LP Vinyl) Vinyl Record","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eReleased in 2012 against the backdrop of economic collapse and Occupy Wall Street, Wrecking Ball found Springsteen at his most politically urgent, weaving gospel, Irish folk, and hip-hop into the fabric of working-class rock and roll. The E Street Band's late saxophonist Clarence Clemons and organist Danny Federici both appear on the album, making it a bittersweet farewell to an era, pressed here on vinyl where the album's weight and anger land hardest.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eMarking his 17th studio album, Wrecking Ball features 11 original Springsteen recordings and was produced by Ron Aniello with Bruce Springsteen and executive producer Jon Landau. The record includes favorites, \"We Take Care of Our Own,\" and \"Shackled and Drawn.\" Said long-time manager Landau, \"The writing is some of the best of his career, and both veteran fans and those who are new to Bruce will find much to love on Wrecking Ball.\"\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cp\u003eA1. We Take Care Of Our Own (3:32)\u003cbr\u003e\nA2. Easy Money (3:34)\u003cbr\u003e\nA3. Shackled And Drawn (3:40)\u003c\/p\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cp\u003eB1. Jack Of All Trades (5:53)\u003cbr\u003e\nB2. Death To My Hometown (3:23)\u003cbr\u003e\nB3. This Depression (4:04)\u003c\/p\u003e\n\u003ch4\u003eSide C\u003c\/h4\u003e\n\u003cp\u003eC1. Wrecking Ball (5:44)\u003cbr\u003e\nC2. You've Got It (3:44)\u003cbr\u003e\nC3. Rocky Ground (4:36)\u003c\/p\u003e\n\u003ch4\u003eSide D\u003c\/h4\u003e\n\u003cp\u003eD1. Land Of Hope And Dreams (6:52)\u003cbr\u003e\nD2. 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Hearing the arc from his earliest sides to his final Memphis sessions in a single sitting reveals just how fast he found himself, and how completely he outgrew the room.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eLimited transparent violet colored vinyl LP pressing. Unreleased until 1964, six years after Johnny Cash's 1958 departure from Sun Records for Columbia Records, Original Sun Sound of Johnny Cash spans both his first and final recordings for the label. The early \"Wide Open Road\" shows the singer still under the influence of Hank Williams, but the sardonic, Charlie Rich-penned \"Thanks a Lot,\" from one of his final Sun sessions, finds Cash beholden to no one but himself.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen=\"\"\u003e\n\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Always Alone\u003c\/div\u003e\n\u003cdiv\u003e2. Country Boy\u003c\/div\u003e\n\u003cdiv\u003e3. Goodnight Irene\u003c\/div\u003e\n\u003cdiv\u003e4. Wide Open Road\u003c\/div\u003e\n\u003cdiv\u003e5. Thanks A Lot\u003c\/div\u003e\n\u003cdiv\u003e6. Big River\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Belshazzar\u003c\/div\u003e\n\u003cdiv\u003e2. Born To Lose\u003c\/div\u003e\n\u003cdiv\u003e3. New Mexico\u003c\/div\u003e\n\u003cdiv\u003e4. I Forgot To Remember To Forget\u003c\/div\u003e\n\u003cdiv\u003e5. Two Timin' Woman\u003c\/div\u003e\n\u003cdiv\u003e6. Story Of A Broken Heart\u003c\/div\u003e\n \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 015047809868\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Sun Records\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.18.24\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":49990878953714,"sku":"648321","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/Johnny-Cash-Original-Sun-Sound-Of-Johnny-Cash-Violet-LP-Vinyl.png?v=1787917905"}],"url":"https:\/\/discandvinyl.com\/collections\/relix-shop-vinyl-records.oembed","provider":"DiscandVinyl.com","version":"1.0","type":"link"}