{"product_id":"1989-vinyl","title":"1989 (VINYL) |","description":"\u003cp\u003eTributee: Taylor Swift.\u003cbr\u003e\r\nSometime in August 2015, Ryan Adams let everybody in on a secret: he'd decided to cover Taylor Swift's 1989 in total. This was not the first album-length cover of Adams' career (he never released his version of the Strokes' Is This It), nor was this his first attempt at 1989. He initially attempted a stark, four-track rendition of the record -- naturally dubbed his Nebraska -- but he wound up settling on \"in the style of 'As played by the Smiths',\" which was an elegant way of saying Adams' 1989 could easily slide onto a PostModern MTV playlist from 1989-1990 and not ruffle many feathers. Such shimmering sadness is Adams' default mope mode, neatly showcased on Love Is Hell (co-produced by John Porter, who helmed the first Smiths records), and this is certainly a cousin. Sharp guy that he is, Adams realizes the bulk of the record can't all be brokenhearted strums, so not all of 1989 glimmers in a flat black pool. \"All You Had to Do Was Stay\" surges to a Modern Rock pulse, but he cheekily inverts the exuberance of \"Shake It Off,\" strips the T'Pau and Chvrches out of \"Out of the Woods,\" and softens the steely \"Blank Space,\" thereby turning the first three singles into laments. Nevertheless, there's no disguising how Ryan Adams flips Taylor Swift's 1989 upside-down, turning a moment of triumph into bedsit introspection, a concept that is undoubtedly theoretically interesting, but the record works because Adams doesn't play this as a stunt. He's as canny a producer as he is a conceptualist, coaxing forgotten college rock sounds out of his Pax-Am Studios and treating Swift's originals as text to be interpreted, a move that neither saves nor strengthens the originals but rather highlights the skill of Taylor the songwriter and Adams the musician. ~ Stephen Thomas Erlewine\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eLabel:\u003cbr\u003e\r\nPax Americana Record Company – PAX-AM057, Blue Note – B002410001\u003cbr\u003e\r\nFormat:\u003cbr\u003e\r\n2 x Vinyl, LP, Album\u003cbr\u003e\r\nCountry:\u003cbr\u003e\r\nUS\u003cbr\u003e\r\nReleased:\u003cbr\u003e\r\nDec 11, 2015\u003cbr\u003e\r\nGenre:\u003cbr\u003e\r\nRock\u003cbr\u003e\r\nStyle:\u003cbr\u003e\r\nAlternative Rock\u003cbr\u003e\r\nA1        Welcome To New York\u003cbr\u003e\r\nAcoustic Guitar, Electric Guitar – Tod Wisenbaker*\u003cbr\u003e\r\nBass Guitar – Charlie Stavish\u003cbr\u003e\r\nDrums, Percussion – Nate Lotz\u003cbr\u003e\r\nPiano, Synth, Pump Organ – Nathaniel Walcott*\u003cbr\u003e\r\nVocals, Acoustic Guitar, Electric Guitar – Ryan Adams\u003cbr\u003e\r\n3:18\u003cbr\u003e\r\nA2        Blank Space\u003cbr\u003e\r\nDouble Bass – Stephen Patt\u003cbr\u003e\r\nPiano, Pump Organ – Nathaniel Walcott*\u003cbr\u003e\r\nStrings – The Section Quartet\u003cbr\u003e\r\nVocals, Acoustic Guitar – Ryan Adams\u003cbr\u003e\r\n3:21\u003cbr\u003e\r\nA3        Style\u003cbr\u003e\r\nBass Guitar – Charlie Stavish\u003cbr\u003e\r\nDrums, Percussion – Nate Lotz\u003cbr\u003e\r\nElectric Guitar – Tod Wisenbaker*\u003cbr\u003e\r\nVocals, Electric Guitar, Synth – Ryan Adams\u003cbr\u003e\r\n2:44\u003cbr\u003e\r\nB1        Out Of The Woods\u003cbr\u003e\r\nBass Guitar – Charlie Stavish\u003cbr\u003e\r\nDrums, Percussion – Nate Lotz\u003cbr\u003e\r\nElectric Guitar, Acoustic Guitar – Tod Wisenbaker*\u003cbr\u003e\r\nStrings – The Section Quartet\u003cbr\u003e\r\nVocals, Electric Guitar, Pump Organ – Ryan Adams\u003cbr\u003e\r\n6:07\u003cbr\u003e\r\nB2        All You Had To Do Was Stay\u003cbr\u003e\r\nBass Guitar – Charlie Stavish\u003cbr\u003e\r\nDrums, Percussion – Nate Lotz\u003cbr\u003e\r\nElectric Guitar, Acoustic Guitar – Tod Wisenbaker*\u003cbr\u003e\r\nVocals, Electric Guitar, Acoustic Guitar – Ryan Adams\u003cbr\u003e\r\n3:30\u003cbr\u003e\r\nB3        Shake It Off\u003cbr\u003e\r\nBass Guitar – Charlie Stavish\u003cbr\u003e\r\nDrums, Percussion – Nate Lotz\u003cbr\u003e\r\nPedal Steel Guitar – Stephen Patt\u003cbr\u003e\r\nPump Organ – Nathaniel Walcott*\u003cbr\u003e\r\nVocals, Acoustic Guitar, Electric Guitar, Synth, Percussion [Trash Can] – Ryan Adams\u003cbr\u003e\r\n4:06\u003cbr\u003e\r\nC1        I Wish You Would\u003cbr\u003e\r\nBass Guitar – Charlie Stavish\u003cbr\u003e\r\nDrums, Percussion – Nate Lotz\u003cbr\u003e\r\nElectric Guitar – Tod Wisenbaker*\u003cbr\u003e\r\nPedal Steel Guitar – Stephen Patt\u003cbr\u003e\r\nVocals, Acoustic Guitar, Electric Guitar, Pump Organ – Ryan Adams\u003cbr\u003e\r\n3:44\u003cbr\u003e\r\nC2        Bad Blood\u003cbr\u003e\r\nBass Guitar – Charlie Stavish\u003cbr\u003e\r\nDrums, Percussion – Nate Lotz\u003cbr\u003e\r\nElectric Guitar – Tod Wisenbaker*\u003cbr\u003e\r\nPiano – Nathaniel Walcott*\u003cbr\u003e\r\nVocals, Acoustic Guitar, Electric Guitar – Ryan Adams\u003cbr\u003e\r\n3:55\u003cbr\u003e\r\nC3        Wildest Dreams\u003cbr\u003e\r\nBass Guitar – Charlie Stavish\u003cbr\u003e\r\nDrums, Percussion – Nate Lotz\u003cbr\u003e\r\nElectric Guitar – Tod Wisenbaker*\u003cbr\u003e\r\nVocals, Electric Guitar, Acoustic Guitar, Pump Organ – Ryan Adams\u003cbr\u003e\r\n5:21\u003cbr\u003e\r\nD1        How You Get The Girl\u003cbr\u003e\r\nBass Guitar – Charlie Stavish\u003cbr\u003e\r\nDrums, Percussion – Nate Lotz\u003cbr\u003e\r\nElectric Guitar – Tod Wisenbaker*\u003cbr\u003e\r\nPiano, Synth – Nathaniel Walcott*\u003cbr\u003e\r\nStrings – The Section Quartet\u003cbr\u003e\r\nVocals, Acoustic Guitar, Electric Guitar – Ryan Adams\u003cbr\u003e\r\n3:50\u003cbr\u003e\r\nD2        This Love\u003cbr\u003e\r\nElectric Guitar – Tod Wisenbaker*\u003cbr\u003e\r\nOrgan, Synth – Nathaniel Walcott*\u003cbr\u003e\r\nVocals, Piano – Ryan Adams\u003cbr\u003e\r\n4:45\u003cbr\u003e\r\nD3        I Know Places\u003cbr\u003e\r\nBass Guitar, Synth, Percussion – Charlie Stavish\u003cbr\u003e\r\nDrums – Nate Lotz\u003cbr\u003e\r\nElectric Guitar – Tod Wisenbaker*\u003cbr\u003e\r\nVocals, Electric Guitar, Acoustic Guitar – Ryan Adams\u003cbr\u003e\r\n5:14\u003cbr\u003e\r\nD4        Clean\u003cbr\u003e\r\nBass Guitar – Charlie Stavish\u003cbr\u003e\r\nDrums, Percussion – Nate Lotz\u003cbr\u003e\r\nElectric Guitar – Tod Wisenbaker*\u003cbr\u003e\r\nVocals, Acoustic Guitar, Electric Guitar – Ryan Adams\u003cbr\u003e\r\n4:23\u003cbr\u003e\r\nPressed By – Record Technology Incorporated – 25242\u003cbr\u003e\r\nPressed By – Record Technology Incorporated – 25243\u003cbr\u003e\r\nLacquer Cut At – Bernie Grundman Mastering\u003cbr\u003e\r\nMastered At – Lurssen Mastering\u003cbr\u003e\r\nPhonographic Copyright ℗ – Paxamericana Recording Company\u003cbr\u003e\r\nCopyright © – Paxamericana Recording Company\u003cbr\u003e\r\nLicensed To – Blue Note Records\u003cbr\u003e\r\nManufactured By – Blue Note Records\u003cbr\u003e\r\nCello – Richard Dodd (2) (tracks: A2, B1, B3, D1)\u003cbr\u003e\r\nDesign – Andy West (3)\u003cbr\u003e\r\nLacquer Cut By – BG*\u003cbr\u003e\r\nMastered By – Gavin Lurssen\u003cbr\u003e\r\nPhotography By – Julia Brokaw\u003cbr\u003e\r\nProducer – Ryan Adams\u003cbr\u003e\r\nProducer, Engineer, Mixed By – Charlie Stavish\u003cbr\u003e\r\nViola – Leah Katz (tracks: A2, B1, B3, D1)\u003cbr\u003e\r\nViolin – Daphne Chen (tracks: A2, B1, B3, D1), Eric Gorfain (tracks: A2, B1, B3, D1)\u003cbr\u003e\r\nBarcode (Text): 6 02547 59746 5\u003cbr\u003e\r\nBarcode (Scanned): 602547597465\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: ALTERNATIVE\u003c\/li\u003e\n\u003cli\u003eReleased: 2015-12-11\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Love Vinyl Records","offers":[{"title":"- ALT\/INDIE *NEW*","offer_id":49263869034738,"sku":"DTUETS-A4SH-WH","price":28.9,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/ryan-adams-1989_4sySz.jpg?v=1779752549","url":"https:\/\/discandvinyl.com\/products\/1989-vinyl","provider":"DiscandVinyl.com","version":"1.0","type":"link"}