{"product_id":"gone-girl-2lp-180g-soundtrack-mint-m-mint-m","title":"Gone Girl (2LP 180g Soundtrack) | Mint (M) Mint (M)","description":"\u003cp\u003eBRAND NEW\u003c\/p\u003e\r\n\r\n\u003cp\u003eLabel:    Columbia – 88875 02953 1\u003cbr\u003e\r\nFormat:    2 x Vinyl, LP, Album, 180g\u003cbr\u003e\r\nCountry:    US\u003cbr\u003e\r\nReleased:    2015\u003cbr\u003e\r\nGenre:    Electronic, Stage \u0026amp; Screen\u003cbr\u003e\r\nStyle:    Dark Ambient, Soundtrack\u003c\/p\u003e\r\n\r\n\u003cp\u003eA1        What Have We Done To Each Other?    2:30\u003cbr\u003e\r\nA2        Sugar Storm    2:53\u003cbr\u003e\r\nA3        Empty Places    2:46\u003cbr\u003e\r\nA4        With Suspicion    3:16\u003cbr\u003e\r\nA5        Just Like You    4:11\u003cbr\u003e\r\nA6        Appearances    2:52\u003cbr\u003e\r\nA7        Clue One    1:30\u003cbr\u003e\r\nB1        Clue Two    5:10\u003cbr\u003e\r\nB2        Background Noise    3:09\u003cbr\u003e\r\nB3        Procedural    4:30\u003cbr\u003e\r\nB4        Something Disposable    4:28\u003cbr\u003e\r\nB5        Like Home    3:39\u003cbr\u003e\r\nC1        Empty Places (Reprise)    2:20\u003cbr\u003e\r\nC2        The Way He Looks At Me    3:27\u003cbr\u003e\r\nC3        Technically, Missing    6:43\u003cbr\u003e\r\nC4        Secrets    3:08\u003cbr\u003e\r\nC5        Perpetual    4:00\u003cbr\u003e\r\nC6        Strange Activities    2:37\u003cbr\u003e\r\nD1        Still Gone    2:47\u003cbr\u003e\r\nD2        A Reflection    1:46\u003cbr\u003e\r\nD3        Consummation    4:09\u003cbr\u003e\r\nD4        Sugar Storm (Reprise)    0:41\u003cbr\u003e\r\nD5        What Will We Do?    3:05\u003cbr\u003e\r\nD6        At Risk    11:07\u003c\/p\u003e\r\n\r\n\u003cp\u003ePhonographic Copyright ℗ – Twentieth Century Fox Film Corporation\u003cbr\u003e\r\nCopyright © – Twentieth Century Fox Film Corporation\u003cbr\u003e\r\nPublished By – TCF Music Publishing, Inc.\u003cbr\u003e\r\nPublished By – New Regency Music, Inc\u003cbr\u003e\r\nPublished By – Fox Film Music Corp.\u003cbr\u003e\r\nPublished By – New Enterprises Music, Inc.\u003cbr\u003e\r\nRecorded At – 20th Century Fox Post Production Services\u003cbr\u003e\r\nMastered At – Baker Mastering\u003cbr\u003e\r\nLacquer Cut At – Bernie Grundman Mastering\u003cbr\u003e\r\nManufactured By – Columbia Records\u003cbr\u003e\r\nDistributed By – Columbia Records\u003cbr\u003e\r\nManufactured By – Pallas USA\u003cbr\u003e\r\nPressed By – Schallplattenfabrik Pallas GmbH – 34013\u003cbr\u003e\r\nPressed By – Schallplattenfabrik Pallas GmbH – 34014\u003cbr\u003e\r\nBass – Bruce Morgenthaler, Christian Kollgaard, Ed Meares*, Geoffrey Osika*, Oscar Hidalgo, Stephen Dress*\u003cbr\u003e\r\nBassoon – Damian Montano, Rose Corrigan\u003cbr\u003e\r\nCello – Dennis Karmazyn, George Kim Scholes, Giovanna Clayton*, Jacob Braun, Steve Erdody, Trevor Handy, Vanessa Freebairn-Smith, Xiaodan Zheng\u003cbr\u003e\r\nClarinet – Donald Foster*, Stuart Clark\u003cbr\u003e\r\nComposed By, Arranged By, Programmed By, Producer, Music By – Atticus Ross, Trent Reznor\u003cbr\u003e\r\nConductor – Brad Warnaar\u003cbr\u003e\r\nContractor [Orchestra] – Peter Rotter\u003cbr\u003e\r\nEngineer – Christopher Holmes, Dustin Mosley, Jun Murakawa\u003cbr\u003e\r\nEngineer [Digital Score Recordist] – Kevin Globerman\u003cbr\u003e\r\nEngineer [Stage] – Denis St. Amand\u003cbr\u003e\r\nExecutive-Producer [Executive In Charge Of Music For Twentieth Century Fox] – Danielle Diego\u003cbr\u003e\r\nFlute – Geri Rotella*, Heather Clark\u003cbr\u003e\r\nGraphic Design – Neil Kellerhouse\u003cbr\u003e\r\nGuitar – Michael Garson*\u003cbr\u003e\r\nHarp – Jo Ann Turovsky\u003cbr\u003e\r\nLacquer Cut By – CB*\u003cbr\u003e\r\nLayout – Rob Sheridan (2)\u003cbr\u003e\r\nMastered By – Tom Baker (3)\u003cbr\u003e\r\nMixed By [Assistant] – Caesar Edmunds\u003cbr\u003e\r\nMixed By [Engineer] – Alan Moulder\u003cbr\u003e\r\nMixed By [Orchestra] – Geoff Foster\u003cbr\u003e\r\nOrchestrated By – Dana Niu\u003cbr\u003e\r\nPercussion – Wade Culbreath\u003cbr\u003e\r\nPiano – Mike Garson\u003cbr\u003e\r\nRecorded By [Orchestra] – Geoff Foster\u003cbr\u003e\r\nRecorded By [Stage] – Tim Lauber\u003cbr\u003e\r\nStage Manager – David Marquette, Tom Steel\u003cbr\u003e\r\nSupervised By [Music Production Supervised For Twentieth Century Fox] – Rebecca Morellato\u003cbr\u003e\r\nSupervised By [Music Supervised For Twentieth Century Fox] – Patrick Houlihan\u003cbr\u003e\r\nTrombone – Alex Iles, Bill Reichenbach (2)\u003cbr\u003e\r\nTrumpet – Barry Perkins (2), David Washburn, Jon Lewis\u003cbr\u003e\r\nTuba – Doug Tornquist\u003cbr\u003e\r\nViola – Alma Fernandez, Brian Dembow, Darrin McCann, David Walther, Jeanie Lim, Laura Pearson (2), Matt Funes, Robert Brophy, Shawn Mann, Thomas Diener\u003cbr\u003e\r\nViolin – Amy Hershberger, Ben Powell (5), Bruce Dukov, Charlie Bisharat, Helen Nightengale, Irina Voloshina, Kevin Connolly, Lisa Liu, Lisa Sutton, Lorand Lokuszta, Natalie Leggett, Neil Samples, Nina Evtuhov, Phillip Levy, Radu Pieptea, Rafael Rishik, Roberto Cani, Roger Wilkie, Sara Parkins, Sarah Thornblade, Shalini Vijayan, Songa Lee, Tamara Hatwan, Tereza Stanislav\u003cbr\u003e\r\nReleased in gatefold sleeve with digital download card.\u003c\/p\u003e\r\n\r\n\u003cp\u003eD6 actually runs at 6:24 followed by 3 minutes of silence, then a hidden track - a reprise of D3, \"Consummation\".\u003c\/p\u003e\r\n\r\n\u003cp\u003eRecorded at 20th Century Fox, Post Production Services.\u003cbr\u003e\r\nMastered at Baker Mastering, Calabasas, CA.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMusic Preparation: Eric Stonerook Music\u003cbr\u003e\r\nBusiness Affairs for Twentieth Century Fox: Tom Cavanaugh.\u003cbr\u003e\r\nMusic Clearance for Twentieth Century Fox: Ellen Ginsburg.\u003cbr\u003e\r\nMusic Managed for Twentieth Century Fox: Areli Quirarte.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMotion picture artwork, photos, and Fox trademarks and logos TM and © 2015 \u0026amp; ℗ 2014 Twentieth Century Fox Film Corporation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOriginal film score published by T C F Music Publishing, Inc. and New Regency Music, Inc. (ASCAP) \/ Fox Film Music Corp. and New Enterprises Music, Inc. (BMI).\u003cbr\u003e\r\nBarcode (Text): 8 8875- 02953- 1 6\u003cbr\u003e\r\nBarcode (Scanned): 888750295316\u003c\/p\u003e\r\n\r\n\u003cp\u003eTrent Reznor and Atticus Ross bring even more depth to their collaboration with their score for David Fincher's Gone Girl. This is some of the most disturbing music of Reznor's career, which is saying something -- and all the more impressive considering it's part of a film with such mainstream appeal. Their music for Fincher's adaptation of Gillian Flynn's best-selling novel explores a relationship gone horribly wrong, subject matter that allows the duo to take a more emotive approach than they did on either The Social Network or The Girl with the Dragon Tattoo. They express the story's domestic dysfunction and emotional corruption via chilly detachment, saccharine veneers, and fraying tension. Aloof pieces like \"Clue One\" and \"Perpetual\" recall the pair's previous scores, but many of these tracks deliver more nuance. \"Empty Places\" hones its strings to knife-like points, while \"Procedural\"'s throbbing arpeggios evoke John Carpenter and Oneohtrix Point Never. Meanwhile, the deceptively smooth \"Appearances\" and \"Sugar Storm\" add a poisonous sweetness that is complicated by \"Just Like You,\" a delicate piano piece that teeters between genuine and contrived romance. Elsewhere, the unease that suffuses all of Gone Girl surfaces on cues like \"Something Disposable\" and \"Secrets,\" where distortion gnaws at the tracks' foundations. Ross and Reznor aren't afraid of turning up the volume to suffocating levels on the terrifying \"Consummation,\" which creeps up on listeners and smothers them with seething strings and electronics (and is a testament to the album's masterfully unsettling sound design). Gone Girl is all the more fascinating when its motifs start bleeding into each other. \"Like Home\"'s glowing synths exude a scented candle coziness that soon becomes toxic; \"The Way He Looks at Me\" devolves into ugly sputtering somewhere between demonic possession and malfunctioning machinery; and \"Technically, Missing\" unites precise electronics and glowering guitars into something subtly but relentlessly diabolical. These complicated combinations of sounds and feelings suggest that Reznor and Ross are nearly as skilled at emotional manipulation as the film's characters, and Gone Girl's ambiguity and dread make it their most haunting work yet. ~ Heather Phares\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eMedia Condition: Mint (M)\u003c\/li\u003e\n\u003cli\u003eSleeve Condition: Mint (M)\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eFormat Type: 2xLP\u003c\/li\u003e\n\u003cli\u003eReleased: 01\/20\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Love Vinyl Records","offers":[{"title":"- SOUNDTRACK","offer_id":49251722494194,"sku":"GH6WMQ-WCUZ-00","price":33.9,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0830\/7018\/9810\/files\/trent-reznor-atticus-ross-gone-girl-soundtrack-from-the-motion-picture-180-gram-vinyl-2-lps_BaS9f_1e52957e-da94-4ad4-ae18-6f6417def202.jpg?v=1779584316","url":"https:\/\/discandvinyl.com\/products\/gone-girl-2lp-180g-soundtrack-mint-m-mint-m","provider":"DiscandVinyl.com","version":"1.0","type":"link"}