Tom Waits – Small Change (Turquoise LP Vinyl) Vinyl Record

Tom Waits – Small Change (Turquoise LP Vinyl) Vinyl Record

Brand new, factory sealed, and ready to ship fast from the U.S.

Experience the smoky, late-night atmosphere of a Tom Waits classic with Tom Waits – Small Change (Turquoise LP Vinyl) Vinyl Record. Originally released in 1976, Small Change captures Waits at a defining point in his career, blending jazz, blues, piano-driven songwriting, and vivid storytelling into an album overflowing with character.

Featuring memorable songs including “Tom Traubert's Blues (Four Sheets to the Wind in Copenhagen),” “The Piano Has Been Drinking (Not Me),” and the title track “Small Change,” the album showcases Waits' unmistakably gravelly voice and his ability to turn tales of lonely streets, bars, dreamers, and outsiders into cinematic songs.

This edition comes pressed on eye-catching Turquoise LP Vinyl, giving collectors a visually distinctive alternative to a standard black pressing. It's a perfect match for an album already known for having an atmosphere and personality entirely its own.

Whether you're a longtime Tom Waits fan, collect classic singer-songwriter and jazz-influenced records, hunt for colored-vinyl variants, or are discovering Small Change for the first time, this factory-sealed turquoise pressing deserves a place on your turntable.

Why You Need It Now

Tom Waits has a devoted vinyl-collecting audience, and distinctive colored-vinyl editions can become particularly desirable once individual pressings disappear from current inventory. With its Turquoise Vinyl presentation and one of Waits' essential early albums inside, this is the kind of edition collectors may want to secure while copies remain available.

Order your Tom Waits – Small Change (Turquoise LP Vinyl) Vinyl Record today while it's available and add this striking edition of a Tom Waits classic to your vinyl collection!

Released in 1976, Small Change marked a turning point where Waits fully committed to the Skid Row poet persona he'd been circling since Closing Time, trading the singer-songwriter softness of his early Asylum records for something grittier and more theatrical. The street-corner characters and all-night bar scenes he'd been sketching in notebooks finally had a sound to match.